Category Archives: Comics Reviews
Just about three weeks ago, we got to see something amazing happen in James Robinson and Leonard Kirk’s Fantastic Four, when we finally got to learn who was orchestrating the team’s grandiose downfall, chipping away them one by one. We still don’t have all the answers, but damn, it was a huge issue, a major turning point. With everything that was happening, things seemed to be moving towards a conclusion finally, and I reveled in that since it was something I’ve been wanting to see from the series for a couple months now. The wait is now over.
Fantastic Four #13 is yet another turning point for the series, and the cover is pretty much a dead-giveaway for what is going to happen here. Last time, we saw that Ben was planning a break-out with the Sandman, and we see that happen in glorious detail in this issue. After all the misery of the previous issues, there’s finally some hope for the team, even though they are all still caught in a dark circle that is going to take some time for them to break out of. The issue is a bit too fast-paced for my tastes, but the story and art are both as excellent as they could have been.
Last month Dark Horse kicked off yet another Fire and Stone crossover book wih Joshua Williamson and Christian Mooneyham’s Predator, that is the tail-end of the stories being told in this crossover. With Galgo sacrificing his crew yet again to get out of a tight scrap, it was a very fun issue that also showcased the utter deadliness of the Predator and it seems that both the writer and the artist have the monster alien hunter down pat, since they imbue him with all the hallmarks of that which made the original films so good all those years ago.
This week’s Predator: Fire and Stone #2 continues Galgo’s story as he tries to fight against the Predator who took over the Perses in the last issue. Well, more like ineffectual resistance since the Predator pretty much caught by the end of the issue and now Galgo is basically Ahab the Predator’s servant. Of sorts. It is pretty awesome. Joshua really ups the stakes with this issue, giving us some background on the Predator early on, and then launches off on a really fun story. And the art? It is pretty damn perfect too!
Last month DC launched Trinity of Sin, a title that brought together three of the biggest ancient mystics in the DC-verse, a union not seen since The Phantom Stranger #0, when Phantom Stranger, Pandora and Question were brought before the Council of Eternity to face judgement for their sins, the greatest in all of history. The first issue was a pretty good one and it set the stage for a really epic story that drew on some of the most weird supernatural elements of the DC-verse.
Trinity of Sin #2 picks up from where the first issue left off, and it continues the story of Nimraa and his three special servants as he seeks to bring back the great days of his race, of which he is the sole survivor following some dark calamity. As with the first issue, this one too has some really great moments and the action scenes are really good as well, drawing on the powers of all the different characters. The art has some missteps though, which felt really weird, since there are clear precedents and the changes just don’t make sense, but still it is pretty damn good
Jessica Drew aka Spider-Woman has faced quite an uphill battle in recent years. There was the whole “boob-window” controversy last year during the Infinity event, when her space-suit had a boob window for some inexplicable reason. And then there was the utterly horrible Milo Manara variant cover a few weeks back for her debut issue, released this week. Despite being an Avengers stalwart for a number of years, she has had a tougher time in recent years with her own books than many other characters, though she has still come out on top with others like Black Widow and Ms. Marvel and others in getting a brand-new series this year.
Spider-Woman I had quite high expectations for, I’ll admit. I love Jess as a character, thanks largely to some of Brian Michael Bendis’ work with her and what Ales Kot has been doing this year in Secret Avengers. Despite the controversy, I was really looking forward to this book, but unfortunately, things just don’t work out at all. Writer Dennis Hopeless dumps you straight into the middle of Spider-Verse without any kind of context at all and it is more an ensemble title rather than a Spider-Woman title. Most disappointing.
Given how many comics I usually get to in any given week, anywhere from about 25 or so and all the way up to 40 even, it is not possible for me to review everything. Especially when I watch a lot of television in the week as well, and review as much of that as I can, or anime or even book reviews. Hence this new effort, Fast-Shot Comics Reviews, which I’m hoping to make a regular weekly thing on the blog. But no pressure! Every week on Wednesday, I’m going to try and review about 6 comics from the week prior that I didn’t get to in that week, and see where things go from here!
The picks for this week are: Archer & Armstrong: One Percent #1, Deep State #1, Django/Zorro #1, Hexed #4, The Kitchen #1 and Unity #12. As you can see, four of this comics are brand-new series, with the very first one being a spin-off of Valiant Comics’ hit title Archer & Armstrong. I picked these six comics because they are undoubtedly among the best comics I read this week, but also because they are all incredibly diverse, very different to each other and to other comics on the shelves this past week, especially Unity #12 which is a superhero comic, but deals with something rather different than the norm.
Iron Man has been one of the books from Marvel in their Marvel Now! launch that I’ve largely given a miss in the last couple years. I started off reading the first issue but it didn’t interest me at all. The next issue I read was sometime this year, which dealt with Mandarin’s death and his rings’ search for their next wielder, in Iron Man #23 I recall. However, that storyline didn’t interest me either, after two issues, and I gave up on that too. And then Marvel announced the Avengers NOW! launch for Iron Man, and I was interested in the changes being made to the character.
Superior Iron Man #1 follows in the wake of the recent issues of Avengers & X-Men: AXIS in which the villain Red Skull did some psychic hanky panky and unleashed a Hate Wave across the world that has turned some heroes towards a dark path while some villains have turned towards the path of redemption. It is an interesting mechanic, and Tony too has been changed by this, becoming a more narcissistic and greedy businessman seeking to profit from the misery of other people. But the writing didn’t really work for me in this issue, though the art was passable, from one standpoint.
Last month Cullen Bunn kicked off the second stage of his Helheim saga with the release of Brides of Helheim #1 which takes a look at the main character of Rikard some time after the events of the previous series as a young Viking girl by the name of Sigrid searches him out to exact vengeance for her father’s death. It was a pretty great issue, in terms of both the art and the story and I loved it, which is why I wanted to read more and even went and got the first mini-series, though I haven’t had a chance to read it as yet.
This past week’s Brides of Helheim #2 continues the story of Rikard and Sigrid even as the writer gives us some background on the spae witches who have been Rikard’s enemies, along with their distant master who is emerging into the world once again. Cullen Bunn packs the issue with some astounding moments of character and action, even as Joelle Jones and Nick Filardi render them quite beautifully. The second issue is as good as the first one, and as the mysteries and story deepen, things look set to get better and better on all fronts.
Stjepan Sejic has been building up to an epic showdown between Team Evil and Team Good for a while now, pretty much since the start actually. He has shown us the Death Vigil through the eyes of the new recruit Clara and at the same time we have also seen some stuff with many of the other members of the Vigil, focusing on their histories and their personalities as they are. It has all been enormous good fun thus far and I doubt that Stjepan is going to take a break from any of it for a good long while since he is so damn good with this book, whether we talk writing or art.
The latest issue of Death Vigil sees Team Evil finally let loose on an unsuspecting world and it has some enormously great cinematic scenes that show that all is not well for the Vigil or for the Reaper herself, Bernadette. There’s so much to like about this issue, especially since we finally get a history on Allistor and Mia, two necromancers who are also kinda-sorta friends with the Vigil. If you’ve liked the previous issues then this one is certainly going to be very appealing since it crystallizes a lot of things and Stjepan has aced the story and the art once again.
While CW’s Arrow has been chugging along well enough with its third season, DC has been chugging along with its companion digital-first comic that explores the time between the last season and the new one. Not much has actually happened here, other than the fact that the Church of Blood has become resurgent under Clinton Hogue, Sebastian Blood’s henchman last season and has been causing all sorts of problem for the heroes. And in the last issue things got plenty screwy as Ollie and Diggle were both captured by the Church. Now, we see how this first arc ends.
Arrow Season 2.5 #6 is supposed to be the end of the first arc and while I enjoyed it, it doesn’t feel like quite the ending that it should be. It is basically a reprieve as the title moves off to other characters and other adventures. But the fact remains that Marc Guggenheim and Keto Shimizu know all their characters really well and they tell compelling stories about them. Not to mention that the backup with the Suicide Squad feels really great and the art overall is as great as ever.
It has been an excellent year and a half for fans of Red Sonja, the She-Devil With A Sword. With Gail Simone and Walter Geovani’s reboot of one of Dynamite’s most enduring and consistently successful titles, Red Sonja has seen a huge upsurge in popularity and interest and there have even been quite a few mini-series and one-shots that have been released in this time. Gail and Walter closed out their highly excellent second arc a few weeks back, and the wait ever since has been quite torturous. Red Sonja is a title that I want more of every month and temporarily, the wait is over!
A new arc started on Red Sonja this past week and it brings a fantastic new story from the pen of Gail Simone as she delves into another facet of the She-Devil With A Sword. While bringing to justice a villainous sorcerer who has been killing several innocents in a nearby village, Sonja is cursed that she will never be able to forgive anyone ever again, and this is where the fun really kicks off and where Gail brings out the best in her protagonist. Walter and Adriano’s artwork is top-notch as always and I really loved all the artistic twists here.
DC’s reboot of its Suicide Squad title has become one of my favourites from the publisher. New Suicide Squad brings on board a better writer with some better artists than before, and it tells a focused story that has thankfully avoided getting into crossovers from the start. The line-up itself is pretty amazing, with the cream of the crop as it were, and Sean Ryan has done wonders with the team so far, delivering highly-charged action stories with ample assist from the artists as well. The art is definitely one of the reasons to buy this title and the story just keeps getting better too.
The new issue this week carries on the thread of Deathstroke having betrayed his team to work for the Russians. In the face of Vic Sage’s disastrous attempts of a mission, Deathstroke abandoned the team at the first opportunity and right now he is busy torturing Deadshot for info. All pretty great stuff and Sean injects the story with some welcome grim humour, even as Vic Sage and Amanda Waller battle it out for control of the team, which was absolutely superb in every single way possible. The art rocked, the story rocked. Don’t know what else to say.
The Phantom is one of my favourite pulp heroes ever. I grew up reading the Indian comics, and even the short-lived live-action television series. Not to mention the good days when Flash Gordon, Mandrake and Phantom joined together to take down some really nefarious villains with plans to take over the world. Those were some great times. Last year I got a chance to read The Last Phantom 12-issue series from Dynamite but that didn’t really prove satisfying, least, not until I read the recent Kings Watch mini-series.
And then there’s the new ongoing The Phantom by Peter David and Sal Velluto which does a fairly good job of portraying The Ghost Who Walks. The first issue, released this week is a bit stiff with the dialogue in a few places, perhaps echoing some of the old pulp roots of the character, and the art is similar in some respects as well, but on the whole, The Phantom #1 proved to be a very satisfying read. I’ve always loved the Phantom as a character and now finally there is an ongoing with him that I can love and read every month.