Category Archives: Comics Reviews
Aliens and superheroes is a concept that mixes really well, as some 75 years of comics from the Big 2 has proven. Superhero comics today form the biggest share of the market and with good reason, they are the staple of the form after all. Occasionally creators go the full distance with this, as Valiant Comics has done in recent weeks with its Armor Hunters series, tying together its X-O Manowar and Unity titles, at the least. It has proven to be a good time for Unity in particular, a series that started last year, and with Matt Kindt’s writing and Steven Segovia’s art the overall experience has never been better.
While Armor Hunters deals with all the big moments, Unity has been dealing more with the little things that inform those big moments. This past week’s Unity #9 is proof of that for it doesn’t move along the Armor Hunters story forward but instead has Livewire question her origins, show Ninjak and Eternal Warrior getting their violence gig on in London, and MI-6′s top coordinator Mr. Alcott get ever more frustrated with current events. With all the little moments, Matt Kindt is at his best here, and the same can be said for Steven Segovia and Co. where the art is concerned.
In the last four months Ales Kot and Michael Walsh have dazzled me with their take on this secret group of Avengers working for SHIELD. Hawkeye, Black Widow, Spider-Woman, Nick Fury Jr., Phil Coulson and Maria Hill have been stunning almost every step of the way and this has certainly been one of the most impressive of the new titles launched by Marvel this year for its All-New Marvel NOW! initiative, marking the second major launch of its titles since late 2012. The four issues thus far have been impressive sure, but I think we are entering an all-new phase that is even better..
This past week’s Secret Avengers #5 deepens the character mysteries and really tones down all the action so that the plot moves along in a very different manner. It is given however that when Maria Hill and Nick Fury Jr, are involved, especially a straight-and-narrow guy like Coulson, there is going to be a lot of friction between them over all the secrets being kept, and the biggest secret on this team is that Modok is working for SHIELD! Ales Kot, Michael Walsh, Matthew Wilson and Tradd Moore are at their best in this issue and they deliver on the goods in a handsome manner.
Launched last year, Harley Quinn by Jimmy Palmiotti, Amanda Conner and Chad Hardin has pretty much taken the market by storm. The first few issues were all chart-toppers and the series has continued a good sales run without any signs of serious flagging. I’ve loved and disliked the series in equal measure for while the story has mostly been good, the art has been less so, but that kind of fluctuates as well. Still, I won’t deny that Harley Quinn has been a most fun book indeed and that the fact it has managed to steer clear of any other book/event/crossover has been rather impressive.
When DC announced plans for Harley Quinn Invades Comic-Con #1, I got really excited. Can you just imagine the sheer fun of such a title? The promise of lots of crazy antics, lots of surprises, lots of fourth-wall breaking, it is all there in this title. And when I read it last week, this title delivered on every bit of them. From the group of Joker cosplayers to Harley Quinn cosplayers, from Dan Didio and Geoff Johns and Stephen Amell cameos to Harley Quinn going to Jim Lee for an artist portfolio review, this issue was all-out fun. The art was a bit iffy and slightly inconsistent, but I’ll give that a pass.
Early last year, IDW Publishing did a 4-part mini-series in which it unveiled a new look at the history of the Foot Clan. Titled, well, The Secret History of The Foot Clan, it explained the bad blood between Splinter and Shredder, as well as other things about the Foot that I had never known before. And it was awesome. Writer-artist Mateus Santolouco did a brilliant job with it. And then IDW announced plans for several one-shots set in between its ongoing TMNT series that would each focus on a particular hero/villain, and having read a few of them, I have to say that they’ve done a decent job. Together, the micro-series and the 4-part have done much to inform me about the larger TMNT world, and it is all awesome.
The latest release of the Micro-Series is Splinter, the fifth in order of publication, and it takes a very interesting look at the history between the men who were once known as Oroku Saki and Hamato Yoshi, or alternatively, Shredder and Splinter. In many ways, the flashbacks in this issue inform more of what Mateus explained and showed in The Secret History of The Foot Clan and I found this issue to be a most fascinating read. Erik Burnham, who co-wrote The Secret History of The Foot Clan writes a gripping yarn about a father’s strengths and weaknesses, and artist Charles Paul Wilson II delivers some stunning visuals here.
Something I’ve remarked on before is that IDW Publishing seems to be doing a pretty good job with its Star Trek line of comics. They publish the books on a bi-monthly schedule, which is pretty impressive, and to go with that they also publish occasional specials and one-shots that expand on one area or the other of the entire franchise. I’ve had some good fun reading some of the recent comics, especially the Abramsverse line of Star Trek: Ongoing set in the new timeline from the rebooted film franchise, and am looking to delve further into the whole thing.
IDW’s latest Star Trek special, Flesh and Stone, is basically fan-service to every fan out there who loves some of the franchise’ most important leading heroes, the doctors of Starfleet Medical. About to gather for an important medical conference on Federation Starbase near the Tholian border, the doctors find themselves in a medical emergency and have to play medical detectives to find out the root cause and cure for the sickness that has claimed all the personnel at the Starbase. The Tiptons tell a wonderful and simplistic tale here as the Sharp Brothers do a damn good job with the artwork. More specials like this are most welcome.
Last month Dan Slott and Mike Allred wrapped up their first arc on Silver Surfer, coming in at only 3 issues, and it proved to be a most satisfying read. For me, Dan Slott captured a very classic feel of the Silver Surfer, with some modernistic elements thrown in and that was a really great experience. Silver Surfer is one of my favourite Marvel superheroes, and to see him done so well, both in terms of the story and the art really pleases me. Dan Slott has really emerged as one of my favourite writers in the last two years and the same goes for Mike Allred as well, as an artist.
Silver Surfer #4 sees the titular hero return to Earth with Dawn Greenwood and experience some really bizarre events, not the least of which is something that infuses him with a strong sense of personal horror, something really upsetting that he experienced some years back and which is now back in full force. This is quite a light-hearted issue and it features some excellent character beats such as the interactions between Silver Surfer and Dawn about the prehistorical eras of Earth and pop culture. Dan Slott’s writing is good as ever and Mike Allred’s art is just plain superb too.
Last year veteran Batman writer Grant Morrison finally killed of Damian Wayne, the character that he created along with artist-writer Andy Kubert almost a decade ago. The fallout from Damian’s death was a bit intense across the Bat-family titles (for most of them anyway), but then the titles moved on, and the gaping heart remained since Damian Wayne, the son of Bruce Wayne aka Batman and Ra’s al-Ghul’s daughter Talia, was the current Robin and had apparently gained a lot of popularity among fans despite his many… flaws. I certainly didn’t enjoy what little I read of the character in various comics, but he was… interesting.
With Robin Rises: Omega #1, a one-shot comic, it appears that DC is looking to bring back the fan-favourite Robin from the dead, and I’m already turned off by it. I got this double-sized issue to see what kind of a story I was going to get here and because there was a good amount of buzz for it, and all I’m left with after reading through it is plain disappointment. Tomasi’s writing has been decent at best for me, but with this issue he really bored me from the get go. And while Andy Kubert’s art has been decent at best as well, I couldn’t get into it so much, although the art is definitely better than the story here.
The newly (re)launched Ms. Marvel’s first arc (sort of) wrapped up last month on a really nice melancholic note. Writer G. Willow Wilson really went to town to create a realistic modern teenaged character with some real personal issues and she made Kamala Khan’s story resonate. That has been something that has served this series in good stead, for most of the comics right now from the Big 2 really don’t focus so much on characters like Kamala. In a lot of different ways. And the uniqueness that results has made this series one of the best on the shelves each month.
The new Ms. Marvel #6 takes some time off from Kamala’s usual heroics and interactions with her family to focus on things like her religious instructor and mentor as the two interact really well together in quite surprising ways. And also, we get to see a surprise guest star in the second half of the issue (spoilers will be below!) and that really made my day, to see Kamala meet and hang out with this superstar superhero. G. Willow Wilson’s writing in this issue was spot on and consistent, though with Jacob Wyatt stepping in for a pencil guest-spot, the art isn’t to the usual high standards.
Time travel. Dimensional War. Death. Betrayal. Aliens. Superheropocalypse. DC’s Future’s End weekly comic has done it all in its two and a half months so far. What started off as a really dark title with superheroes dying left and right has matured into something a little light-hearted, something that has become a superhero mystery and an action-packed tale of “two minutes to midnight” rather than superhero horror. It started off really good, and thought it has wobbled a bit in the middle, it is still one of the best books that DC is putting out right now.
This week’s Future’s End #11 sees the continuation of several plots and the introduction of yet new players as the world moves towards an inevitability. No Grifter and Fifty Sue this time, but we get to see a fair bit of the Justice League of the future, as well as get some bonding time between Amethyst and Frankenstein, along with a really startling development from Mr. Terrific. In spite of all the changes that have happened in this series of late, it looks like there are many more yet to come and I loved that this issue acted as a launch-point for yet more stories, though I’m slightly concerned by how convoluted it is all getting.
Moving into the final phase of Original Sin, which just one more month to go before it all wraps-up, things are finally beginning to heat up for all the characters involved here. After all the startling revelations of the last two issues, everyone is in an uncertain place and I’m really loving how Jason Aaron has developed the story and how Mike Deodato and his art team have handled the artwork. The last few issues have been really good, and the title is certainly becoming one of my favourite reads of the year, and as an event comic it is certainly superb.
After the flashback-heavy content of the previous issue, Original Sin #6 moves full-steam ahead with the current story as heroes recruited by Nick Fury confront him aboard his secret satellite space station, even as the Avengers and the other heroes race against the clock to find out what the hell is going on with the “dead” Nick Fury’s body that they have and with the Watcher Uatu’s murder. Jason Aaron is absolutely superb in this issue and Mike Deodato and team don’t hold back either, making this the best issue of this series to date.
Just this past week, it was announced that Batgirl would be shifting creative teams in October and that the title would undergo a major creative revamp. Goes without saying that I’m going to be really saddened to see Gail Simone, Fernando Pasarin, Blond, Jonathan Glapion and the others leave the title because I’ve really enjoyed what they’ve done in the last year, especially Gail who has shepherded much of the title since the New 52 relaunch. Thankfully, it looks like she is intending to go out with a bang if the cliffhanger ending from last month’s issue is anything to go by.
Given that Batman: Eternal is currently ongoing and that some of the events of that weekly series are beginning to trickle down elsewhere, it kind of makes sense that Batgirl too would get sweeped up in the wake of it. Batgirl #33 is quite possibly one of Gail Simone’s best issues on the title, mostly for the fact that it includes three of my favourite DC leading ladies and the ending of the issue looks set to take things to the next level. The art is slightly fuzzy at times, but the action is crisp and awesome, so I won’t complain.
Since revamping the Captain Marvel series with Carol Danvers as once again in the titular role, writer Kelly Sue DeConnick has been crafting quite an interesting story that somewhat ties into last year’s Infinity event, but also stands on its own, apart from what happened in that event. Her Carol Danvers is better than ever and it does feel like a serious revamp since the story this time around is so much better than what she did back in 2012 when she first got a chance on the title. And it helps that the artwork has been pretty stunning as well, whether we talk pencils or colours or what have you.
Captain Marvel #5 is where some of the mysteries surrounding the planet of Torfa begin to come together for a reveal. The reasoning behind J’son and the Spartax’s bid to remove the refugees on the planet and take control is finally unveiled and it is something major indeed, something worth even killing over. And more than that, we get some great political interplay between the ruling council on Torfa, with Carol herself becoming quite the figurehead. Kelly Sue knocks this one out of the part as far as the writing is concerned and the art isn’t far behind either.