Truth be told, I don’t have much of an experience with the Catwoman title, apart from a couple issues I read as part of a couple of mini-events at DC. Ann Nocenti’s much-maligned run has put me off quite a bit from checking out her run from the get go, but with some recent changes in Selina’s status quo, particularly the fact that she currently stars in Gotham as her younger self, means that I’m much more interested in Catwoman than I ever was before. I’m generally familiar with her from various animated appearances, but that’s really it. And I think it is great that as of this week Catwoman has a new creative team.
With writer Ann Nocenti moving off to the new series Klarion, Genevieve Valentine is brought in to take the reins of Catwoman and shepherd the titular character to a new phase in her life, where she is no longer Catwoman but is instead Selina Kyle Calabrese, the heir of the Calabrese mob-family, given that her father is its patriarch, Rex Calabrese. Much of this was told in some recent issues of Batman: Eternal, and Valentine takes all of that and just runs with it, delivering a really great story. And the art by Garry Brown and Lee Loughridge is just as exciting as you can expect.
After the end of the 2-parter arc in late summer that focused on Deadman’s past, last month we got to see a future vision of the Justice League Dark, a future in which The Demon has joined the team and Zatanna is fighting some of the biggest battles of her life. It was a fairly good issue, but it didn’t really satiate my desire to read more of the JLD in the present DC timeline, since the current team dynamics are really excellent and writer J. M. DeMatteis has been dong some great work on the series, focusing on particular characters every few issues, and the art has never been better either.
In this week’s Justice League Dark #35, J. M. DeMatteis presents a story where Zatanna and Constantine have cast a really powerful spell that has torn the fabric of reality and sent the entire team hurtling through the multiverse. Separated from the others, Zatanna ends up on a world unlike any she has seen with monsters unlike any other either. And she meets someone completely unexpected, setting off a great story that explores Zatanna’s past and provides some great emotional moments. Tom Derenick and Scott Hanna are the guest artists on this issue along with Chris Sotomayor and they absolutely knock things out of the park.
With three great episodes in the bag so far, CW’s The Flash is powering on to some really great things, especially since next week is going to see the debut of one of Flash’s greatest villains, Leonard Snart aka Captain Cold in all his parka glory. Fun yeah? And to go with that, the current Season Zero comics are also doing their bit to expand Barry’s villains roster. The previous issues have all been leading up to this particular one, out a few days ago, and the journey to this point has certainly been great, with a nice simplistic villain like Strong Man leading the charge on that front.
Previously we’ve seen that there’s a criminal mastermind at work within Central City, who is targeting the “enemies” of a local traveling circus, and that Barry has already gone up against some of the circus workers. Team Barry manages to suss out the identities of these new villains, leaving it to the hero to confront the big bad, and it is a great moment filled with some wonderful stuff that can only be possible in comics and not in television. The writing is mostly consistent with what we’ve seen already on this title, and the art is as great as it has ever been, so The Flash Season Zero #4 is a good installment altogether.
The Secret Origins is one where each issue contains three short stories, each about a different superhero and supervillain in the DC universe and their respective origins. I’ve been fairly interested in the series for a while now, though I haven’t really gotten into it as yet. There’s already so many titles I want to read every month that just managing any more is a super-task. But still, the concept of the series is a good one and it really does seem to give you a brief taste of different characters and titles in a single package, so why not check it out yeah? Least, that’s what my thinking was when I picked up this week’s issue.
Secret Origins #6 is the origin stories of Wonder Woman, Deadman and Sinestro, from the respective creative teams of Wonder Woman, Justice League Dark and Sinestro, with some changes. Each story deals with the earliest days of the respective characters, and each story is executed well with enough callbacks to later events in the characters’ histories or even their respective ongoing titles. There is a right crazy mix of creators here, and I can definitely recommend this one, for it is a great standalone issue given you a great brief look at three of DC’s greatest characters.
Thanks to CW’s Arrow, the character of Slade Wilson aka Deathstroke has enjoyed a great surge in popularity in recent years. Manu Bennett’s portrayal of DC’s greatest mercenary/assassin has enchanted people everywhere and when he stepped up as the big bad of the show’s second season last year, things really kicked off for him in a major way. However, the character hasn’t enjoyed as much popularity in the comics, with his most recent run ending rather unceremoniously, though not as abruptly as some of the other of DC’s New 52 books. I never read that first series, mostly because I wasn’t interested in the character so much back then.
But now things are different. Now I want to read more about Slade Wilson and the reins of the new series are given in the hands of writer Tony S. Daniel who is also the artist on the series. I’ve never really enjoyed any of Tony’s previous work for DC, mostly because there’s always something lacking in his stories or his dialogues, though his art is usually good. Deathstroke #1 however, is a departure from the former. It is quite an interesting story of a man as skilled and talented as Slade Wilson is supposed to be and Tony does a fairly decent job with him, though some of his deficiencies do show up here.
After two rather dreary weeks of reading comics, where I didn’t manage to hit my recent highs of 40 singles/graphic novels a week, this week was much different. I got back on track for one, and moved through three entire volumes of DC’s Earth 2, almost catching up to the current status of the series.
The surprise hits of this week were Blood Queen Annual 2014 from Dynamite Entertainment, Deadpool’s Art of War #1 from Marvel Comics and Trinity of Sin #1 from DC Comics. The comics that disappointed me this week were Wytches #1 from Image Comics and Death of Wolverine: Logan Legacy #1 from Marvel Comics. Of the other titles, the ones that I really loved were recent ongoings like Flash Gordon #6, Unity #0 or even Ms. Marvel #9.
Marvel’s Agents of SHIELD has had a fairly good second season so far, quite unlike the start of its debut season. New characters have come on the playing field, with new objectives, new mysteries, new dynamics and while I kind of don’t like how some characters have been treated, such as Lucy Lawless’ undercover SHIELD agent in the very first episode, others have turned out be handled much better, such as Agent Simmons and Skye, along with Glenn Talbot and a bunch of others. We are also getting to see more of Skye’s hidden past and that’s a great thing after the season-long mystery last year.
In this week’s “A Hen In The Wolf House” we meet up with one of the other new characters that I’ve really been looking forward to seeing this season: Adrianne Palicki’s Bobbi Morse aka Mockingbird. While the episode doesn’t yet reveal her codename, she is presented as HYDRA’s chief of security in a rather draconian portrayal and having Adrianne as a regular on the show is a huge boost as far as I’m concerned. And her interplay with Agent Simmons is just fantastic as well. But the real kicker comes in the form of Kyle MacLachlan’s The Doctor, who is Skye’s mysterious father, whom we get to see a lot of this week, with a rather creepy portrayal .
James Robinson’s deconstruction’s of Marvel’s First Family has seen the Fantastic Four go through some really troubled times of late. Old villains coming back. Interdimensional invasions. Getting thrown out of the Baxter Building by the Avengers and SHIELD. The children of the Future Foundation all being taken away from Sue and Richard. Sue taking on the Avengers by herself. The falling out between Ben and Johnny. And so much more. It has been a trying time for the family team of late, and with the Original Sin event these bad times certainly didn’t go away, especially not once James Robinson began to revisit the plot-threads he had introduced in the very first issue a few months back.
To be honest, this review is kind of me catching up to this massive backlog I built up for this series. As such, there are a ton of things to unpack here. But suffice to say that after laying down a lot of groundwork in the first seven issues, James Robinson finally moves forward with the “real” story progression as he touches on concepts that plots that were hinted at back when the series started and that we continue to see how the Fantastic Four are fracturing up, divided as they are because of various reasons like Johnny losing his powers, Ben arrested for murder and so on. Robinson’s writing gets ever more heart-breaking with each issue, even as the art teams switch in and out over the course of these four issues.
Though Future’s End has been one of my favourite series of this year, some of the recent decisions story-wise have made me feel as if the writers are more intent on just prolonging the inevitable and also because the long run is kind of taking its toll on me. Except for an odd title here and there, especially Future’s End #22, the title has been great, but I think some cracks are beginning to show and I would love it if the writers got the series back on track with characters who’ve been missing for a while, and for the “proper” storylines to come back to the fore.
In Future’s End #23 and #24 we see the tale of the survivors of Stormwatch and the reluctant recruits of SHADE as they continue to battle against the power of Brainiac and his legions of robots. We also see, at the same time, the troubles that Tim Draka is having in his love life and how Madison is struggling to get over his past as a Teen Titan, a dead one no less. And in the midst of this we also get to touch base with some characters we haven’t seen in a while, like Fury, Scott Free, Constantine and Superman in some really amazing sequences, both in terms of the story and the art.
Kamala Khan, the new and current Ms. Marvel has been through a lot in the last few months. First she got caught in a Terrigenesis cloud that brought out her Inhuman genes and gave her her shapeshifting morphing powers. Then she went up against a bunch of villains, normal and eccentric alike, and even got to team up with none other than Wolverine, one of the greatest X-Men ever. And now she finds herself the proud (temporary) owner of Lockjaw, a loyal follower of the Inhumans’ Queen Medusa who has taken an interest in Kamala on Wolverine’s suggestion.
Recently we saw that Kamala’s powers were on the fritz and that it happened at the worst time possible, when her enemy The Inventor sent a giant murderous robot after her, which tracked her to her school and started laying waste to everything in sight. In Ms. Marvel #9 we see what happens after that, how Kamala’s powers come back and even how she meets Medusa for the first time, a meeting that has been building up for a good while now, especially once loyal and faithful Lockjaw entered the story. G. Willow Wilson knocks this out of the park once again with artist Adrian Alphona and it was a really fun issue to read.
Since last we were with this digital-first series, Arrow has already debuted two episodes in its new season, and has gotten off to a rocking and shocking start, in equal measure. The Season 2.5 comics still seem to be stuck in the “in-between seasons 2 and 3″ timeline, and that is kind of getting just a bit confusing at this point since the show is back, but the writers are still doing a great job of things, what with the reveal of a new Brother Blood in Starling’s shadowy corners, getting ready to exact revenge on those who don’t believe and those who have caused the new (legacy) villain some grief in the past.
Arrow Season 2.5 #4 is part recap of the epic finale of Season 2 and part background material for the new Brother Blood, Clinton Hogue. Before, we didn’t really know who he was (more like I totally forgot) or what his deal as Brother Blood was. But after this comic, we sure as hell know quite a bit more, and almost all of it is excellent. We also get to touch base with Amanda Waller and the Suicide Squad in the 2-page backup, in a story that is developing more and more into a commentary on some real-life issues, and overall, this is a good, decent issue, though I wish that the recap parts, pretty much verbatim, were more minimal.
Over the last several weeks, and even months, Marvel Comics has been setting the stage for Death of Wolverine. One of the most popular X-Men to have existed to date, Logan aka Wolverine died this same week in Death of Wolverine #4, in what was a heroic finale to the character. And where Ororo Munroe aka Storm is concerned, I as a reader know that she’s been worried about him for quite some time, as we saw in Storm #2 back in August, which was a really heartfelt moment between the two characters, who have often been lovers over the years.
And now Logan is dead, and that leaves a void in Storm’s heart. This is what writer Greg Pak deals with in Storm #4, also released this week. As far as I can tell what from what little Marvel I’ve read this week, Storm is the only character to mourn Logan’s death, and she does this in quite a spectacular way that is also typical Ororo. You really feel the emotional bond that existed between them, and you want to cry your heart out as well. It was a great issue for the most part, though there were indeed some things that bothered me about some of the ancillary characters.