Of late, the action in Future’s End has really been ramping up to something epic. With all the different plotlines going on, it was inevitable that many of them would intersect with each other in quite interesting ways, and that is exactly what has been happening. Thing is, despite the apparent lack of general popularity in the title as far as the blogosphere is concerned, the title still appears to be going strong and week after week I can see why. It has some of DC’s top writing and top art at the moment and that has value, even if a lot of it is just the house style..
The epic went into overdrive in this week’s Future’s End #12. First we had this big fight scene with Amethyst, Frankenstein and Hawkman, with a decidedly major cliffhanger. Then the King Faraday and Voodoo plotlines intersected something fierce and I’m left wondering if the character of “Courtney” is who I think it is. Then the plotline with a villain named Ethan got super-interesting, considering how he was broken out of prison recently and after that we got the most magnificent cliffhanger ending ever in comics, as we got taken back to the future that Terry McGinnis is trying to prevent in the past.
A few days ago I did my best of 2014 list for the novels I have read in the first half of this year. That list followed the same format that I have been using for 2 years now, but with this new list I decided to make a big departure, owing to how many comics I’ve been reading in recent months, often 80+ comics in a single month! That’s crazy.
So, with the books already having been covered, I now delve into my favourite monthly comics of the year. The next post will be at the end of the year for the second half of the year.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then!
This post is coming in at a slightly later time than I’d prefer, about two weeks late at least, but I guess I can’t really “complain” when the lateness is due to my own wedding which took place exactly two weeks ago on the 5th. It has certainly been a very busy and intense time, what with being engrossed in all the marriage stuff and then even after that there’s been one thing after another. Reading time has definitely suffered greatly, which makes me a little sad considering how much I love reading, but eh, all for a good cause really.
With half the year now over, it is time to do the first of my “Best of the Year” posts, for the period 1st January to 30th June. There’s been a ton of books that I’ve read in this period as usual, and I made a very strong effort to read more tie-in fiction than I usually do, so the list is most assuredly going to reflect that. Tie-in fiction is a very important part of the publishing industry I feel and it always deserves some recognition. Now if we could only get an award started that celebrated tie-in fiction and all would be alright with the world. Or so my thinking goes.
Let’s see what makes the cut and which comes close then!
In the short time that it has been operating, Ragnarok Publications has been doing some great work by all accounts. Their kaiju anthology that was released early this year, Kaiju Rising: Age of Monsters was an awesome piece of kaiju fiction that covered all different sorts of genres and styles and what not, and the men behind the publisher have been going full at it for a good long while now. A few months ago Tim Marquitz, Joe Martin and Kenny Soward launched a new series for Ragnarok, called Dead West, and it was promoted quite heavily as a new spin on an old and popular genre.
Those Poor, Poor Bastards is set in the American Mid-West during the mid-1800s and it features zombies and holy magic and the American Frontier and everything else that goes with all of that. Having read some of Tim’s fiction previously, I was expecting the story to be quite bold and brash, with some rough humour thrown in for good measure, and I wasn’t disappointed in that at all. Tim collaborates on this with his Ragnarok co-publisher Joe Martin and with author Kenny Soward, with the three of them turning out quite an interesting zombie western that unfortunately does have a few flaws.
Time travel. Dimensional War. Death. Betrayal. Aliens. Superheropocalypse. DC’s Future’s End weekly comic has done it all in its two and a half months so far. What started off as a really dark title with superheroes dying left and right has matured into something a little light-hearted, something that has become a superhero mystery and an action-packed tale of “two minutes to midnight” rather than superhero horror. It started off really good, and thought it has wobbled a bit in the middle, it is still one of the best books that DC is putting out right now.
This week’s Future’s End #11 sees the continuation of several plots and the introduction of yet new players as the world moves towards an inevitability. No Grifter and Fifty Sue this time, but we get to see a fair bit of the Justice League of the future, as well as get some bonding time between Amethyst and Frankenstein, along with a really startling development from Mr. Terrific. In spite of all the changes that have happened in this series of late, it looks like there are many more yet to come and I loved that this issue acted as a launch-point for yet more stories, though I’m slightly concerned by how convoluted it is all getting.
I’ve said this many a times before, and I say this again: Image has really been outdoing itself since last year. It has launched so many new and different series that I’ve lost count and many of the ones that I’ve read have been absolutely fantastic. I mean, for me, I either love an Image book or hate it, and the best part is that I love more than three-quarters of what I read from the publisher. And when the talent involved is as good as it has been on some of these titles, then that is even more cause for joy, for favourite writers/artists combined with a great product really mean a solid product long-term.
Death Vigil #1 is the first in a new series that Image launched last Wednesday and it features story and art both by Stjepan Sejic, one of my absolute favourite artists in the industry and a man who delivers on the most gorgeous visuals ever, no matter what character or setting or what have you he works on. I’ve loved almost all his work that I’ve seen to date and with Death Vigil he turns writer yet again after doing a collaboration with Ron Marz last year, and I have to say that I like this more than his other series. It features some great characters and some great art and some great story, even though it is almost twice the length of a regular comic!
It has been a good long while since I’ve read a Forgotten Realms novel. The last one was in December of last year, Elfshadow by Elaine Cunningham. It was a fairly good read, but I’ve definitely read better, from the works of Erin M. Evans and Paul S. Kemp and Richard Baker and all. It is definitely a setting that I love exploring and the more I read in it, the more excited I get about it. Forgotten Realms fully explores the multiverse side of things for a fantasy setting, and that is part of the charm, in addition to the utter abundance and wonder of its many different races and cultures and what not.
And in that respect, Richard Baker’s first novel in the Last Mythal Saga, Forsaken House, is really good. It presents many different facets of Elf life in the Forgotten Realms and it also presents a really fast-paced, excitable and intriguing premise paired with some really interesting characters. The only other novel of Richard’s I’ve read before this is his Condemnation, the third novel in the 6-part War of the Spider Queen multi-author extravaganza and that too was a damn fine read. It is great to see Richard’s best replicated here, and the Last Mythal Saga is definitely a tale that I want to read in full now.
The comics format doesn’t always work so well for developing mysteries and thrillers. A large portion of this is dependent of course on the quality of the writing but the format still makes a difference, because you can’t let the mysteries stew for too long or develop too quickly. This is where the weekly format appears to have a bit of a leg-up. And DC’s Future’s End has done a fairly good job of it so far I think, even though the four writers on this weekly have been intermingling several different plot threads together. The issue we come back to is that of quality and Future’s End has been fairly satisfactory in that regard..
Once again we have two of my favourite artists, Aaron Lopresti and Art Thibert on this weekly series, with this week’s Future’s End #10 and they both do a superb job as penciller and inker respectively, as they’ve done previously. With all the different plotlines going on presently, the variety is all up for grabs and I think that Future’s End #10 is one of my favourite issues of the series, partly because it features a really awesome scene where Amethyst smacks down Hawkman. And a lot of the other plotlines are also moving towards a resolution, so I can’t wait to see what happens next week.
Undeniably, DC’s Future’s End weekly comic series has dealt with some huge events in its first two months. We’ve seen several heroes murdered in cold blood by vicious alien intelligences. We’ve seen friendships and relationships sundered by petty egos and a refusal to accept compromise. In the midst of all that the series has dealt with so far, it hasn’t lost sight of its primary objective, the story of Terry McGinnis stepping back in time to prevent a most horrible future, a future which hinges on a very basic element. All very Terminator-esque.
Today’s Future’s End #9 finally gets around to making some important revelations that are capstones for a lot of the different arcs that have been going on in this series of late, especially in the last four weeks. We see just what is going on at Cadmus Island with Deathstroke and Grifter, while Terry McGinnis makes some solid inroads into breaking back into Michael Holt’s base of operations, even as his target studies the alien lifeform that Terry brought back with him, and the story of Lois Lane being ever on the hunt of a story continues as ever.