Getting on a roll again, this week I managed to repeat the “Magic 40″ with 2 graphic novels and 38 singles, with many of the latter being absolutely new series, so that was a lot of fun for the most part.
My top picks for the surprise hits of the week would be Archer & Armstrong: One Percent #1 from Valiant Comics, Deep State #1 from Boom Studios, Django/Zorro #1 from Dynamite Entertainment and Vertigo Comics, and The Kitchen #1 from Vertigo Comics also. The most disappointing comics of this week were Captain America and the Mighty Avengers #1 and Death of Wolverine: Logan Legacy #4 both from Marvel Comics, New 52 – Batman #36 from DC Comics and Grimm Fairy Tales: Cfinderella #1 from Zenescope Entertainment. Other than that, the regularly great titles like Hexed, Fables, New Suicide Squad, Red Sonja and Unity all proved to be immensely fun.
The graphic novels for this week were King Conan: The Hour of The Dragon by Timothy Truman, Tomás Giorello and Jose Villarrubia, and Fables Volume 5 by Bill Willingham, Tony Akins, Jimmy Palmiotti, Daniel Vozzo, Todd Klein, James Jean, Mark Buckingham, Steve Leialoha.
Hit the almost-magic number of 35 once again and though I have yet to repeat my personal best of 40, I think this was my best week regardless since I managed to read 31 singles and 4 graphic novels. That definitely counts as an achievement, yes?
My surprise hits for this week would be Tales of Honor #1 from Top Cow, Swamp Thing Annual #3 from DC, Inhuman #7, Death of Wolverine: Deadpool & Captain America #1 and Deathlok #1 all from Marvel. Those that count among this week’s top disappointments would be Conan the Avenger #7 from Dark Horse. Justice League United Annual #1 from DC. Others like Grimm Fairy Tales: Realm War #4 and Grimm Fairy Tales: Robyn Hood #3 from Zenescope, Wayward #3 from Image, The Flash Volume 2 from DC, and a bunch of others were as good as I expected them to be, probably better even.
The graphic novels for this week were Supergirl Volume 4 by Michael Alan Nelson and Diogenes Neves, The Flash Volume 2 by Brian Buccellato and Francis Manapul, Krypton Returns by Various and Thanos: The Infinity Revelation by Jim Starlin.
Slight lows on the reading this past week since I didn’t manage to finish either of the graphic novels I started this week, and generally didn’t read as many singles either, but I did manage to get through 35 of them, so that’s something, yeah?
For this week, I’d say that the surprise hits are Dungeons & Dragons: Legends of Baldur’s Gate #1 from IDW Publishing, Catwoman #35 and Secret Origins #6 from DC Comics and Predator: Fire and Stone #1 from Dark Horse Comics. The comics that win the “disappointment of the week award” are Grimm Fairy Tales: Dark Shaman #1 from Zenescope, Arkham Manor #1 and Sensation Comics #11 both from DC Comics. Ongoings like Buffy the Vampire Slayer Season 10 #8, Aquaman #35, Tomb Raider #9 and Nancy A. Collins’ prelude Vampirella: Prelude To The Shadows #1 were all first-rate comics this week, and quite satisfactory as well.
The graphic novels I’m in the middle of at the moment are Supergirl Vol.4 by Michael Alan Nelson and Diogenes Neves, and The Flash Vol.2 by Brian Buccellato and Francis Manapul.
IDW’s Samurai Jack has been a great continuation of an animated series that I feel had an entirely too short a life. I’ve said many times before that the animated series was one of the best programmings that did Cartoon Network did in the early 2000s, easily borne out by the fact that the show went on to win quite a few awards. Jim Zub and Andy Suriano’s run, along with the occasional guest artists, have continued in that same award-winning tradition, making Samurai Jack one of the best comics on shelves right now, which really is all that anyone could have asked for when the series debuted last year.
Recently, Jack’s war against Aku has taken a dramatic turn. His sword lies broken and useless, and with its loss has come a time of ascendancy for Aku since the Jack is divested of his greatest ally and instrument. It was a heartbreaking moment indeed and in last month’s issue we got to see some of the consequences of this. Samurai Jack #13 is more of the same but it also moves the story forward in a great way, and I really liked what Jim did here. Andy Suriano is back on pencilling duties for this arc, with additional art by Ethan Beavers here, and this is another strong installment in a really strong series.
After two rather dreary weeks of reading comics, where I didn’t manage to hit my recent highs of 40 singles/graphic novels a week, this week was much different. I got back on track for one, and moved through three entire volumes of DC’s Earth 2, almost catching up to the current status of the series.
The surprise hits of this week were Blood Queen Annual 2014 from Dynamite Entertainment, Deadpool’s Art of War #1 from Marvel Comics and Trinity of Sin #1 from DC Comics. The comics that disappointed me this week were Wytches #1 from Image Comics and Death of Wolverine: Logan Legacy #1 from Marvel Comics. Of the other titles, the ones that I really loved were recent ongoings like Flash Gordon #6, Unity #0 or even Ms. Marvel #9.
Lightning strikes in the same place for a third time. I mentioned last week that I read 38 singles and 2 graphic novels for that release week, and that holds true for this week as well. I had a chance to read a bit more, but I chose to use that time to get done with some of my novel reading and also catch up with some of my reviews. 15 titles out of 40 read were reviewed by me this week. I feel good!
The surprise hits of this week were Aliens: Fire and Stone #1 and Prometheus: Fire and Stone #1, both from Dark Horse Comics, Pathfinder: City of Secrets #5 from Dynamite Entertainment, Catwoman: Future’s End #1 from DC Comics, Hack-Slash: Son of Samhain #2 and Chew Volume 1 both from Image Comics. Comics which disappointed me this week were Edge of Spider-Verse #3 from Marvel Comics, Sensation Comics #7 from DC Comics, and… that’s it thankfully! The graphic novels of this week were Chew Volume 1 and Thor: God of Thunder Volume 3.
New York Comic Con is an event that I’ve been wanting to attend for the last two years, but haven’t been able to find an opportunity until now. There’s always something that comes up and throws a kink in the plans. From all I’ve heard, it is also a much better con-experience than San Diego Comic Con since it is much more focused on comics, unlike its bigger cousin which has become dominated in recent times by genre television shows and by Hollywood. Besides, SDCC is a much tougher Con to get into in the first place, which is why I’d love to attend NYCC more than anything else.
Living the Con experience through news that filters out of it and about it, IDW Publishing yesterday released info on its Con exclusives. In recent years Con exclusives have become a bigger and bigger thing, especially at the larger Cons so that the publishers are able to attract more foot-traffic and what not. Te exclusives run the gamut of everything, and IDW is also offering some really cool and awesome covers as well, and I like the look of them If I could, I would totally get some of them. Anyway, here’s what’s IDW offering this year at New York Comic Con 2014.
It may just be me, but I think that with his work on Samurai Jack that writer-artist Jim Zub has really mastered the art of standalone storytelling. Each of his issues, whether they are part of an arc or not, really feel like great self-contained stories, and that’s one of the things that I love so much about his run on Samurai Jack. Apart from the whole nostalgia feel of it, his writing has been spectacular on this series, and the art by both Andy Suriano and (guest) Brittney Williams has been impressive to a great degree. Each month I can tune in to a Samurai Jack comic and not be disappointed.
I didn’t get around to doing reviews of the last two Samurai Jack issues, either because I was traveling in the week they came out, or because I just couldn’t focus enough to get through as many reviews in that week that I wanted to. But with this week’s Samurai Jack #12, I kind of take a stand on it and so here it all is. Samurai Jack #10 is a standalone issue that deals with Aku trying to defeat Jack by going into his dreams and taking over his mind while Samurai Jack #11 and #12 are part of an arc that really tests Jack’s skills and his endurance and his thirst for vengeance on Aku. Of course, it helps that the art is as great as it is too, so the overall experience is that much better.
I’ve long been a fan of G.I. Joe in all its forms, whether as an animated television series or as comics or as action figures. The recent movies have been the only disappointing part of my life-long G.I. Joe experience, sadly enough, but it is very easy to look past them for there is a vibrant and exciting franchise out there that remains undimmed in its awesomeness despite the terrible movie duology. I’ve been reading G.I. Joe comics on and off for a number of years, taking an occasional break as it were, and as I start to get back into the new phase of G.I. Joe: A Real American Hero comics from IDW, it also seems like a great time to read G.I. Joe as an ongoing.
Karen Traviss is, to my knowledge, the first British writer of G.I. Joe, and also the first woman as well. As such, she brings a very different take to the franchise than you’d expect otherwise and given her own experiences writing military science fiction over the years and all, I think it is an exciting time to be a G.I. Joe fan. This week’s relaunched G.I. Joe #1, set five years after the end of the previous series, starts the “Fall of G.I. Joe” arc and the outlook of the world in this reboot is both exciting and fresh, whether we talk story or art.
I started reading G.I.Joe comics back in 2006, when I worked through the entire Marvel run in about a month flat, which is kind of a staggering rate, but then again, I didn’t have anything to do in the summer holidays that year. It wasn’t until six years later, in 2012, that I got back into the world of G.I. Joe comics thanks to IDW Publishing, which had secured the rights to such. I followed them only intermittently however, but when I heard that IDW had also put out a prose anthology of G.I. Joe stories, my interest peaked a great deal. And here we are now.
This review is a repost of the original review on The Founding Fields, which can be found here.