Last week DC began its first weekly title of the New 52, Batman: Eternal. This is a story that affects the entire Bat-family and has some deep repercussions for all the heroes involved here. The first issue, penned by the Snyder-Tynion duo, was a fairly good look at a brand-new crossover in Gotham that sees the GCPD go up against Professor Pyg and come out with one of its best and brightest brought down in a shocking way. The two writers started the series on a bang and the art was also quite good, which helped a great deal. Now its time to look at what comes after.
In Batman: Eternal #2 we see a very focused story as Batman seeks to learn the mystery behind what happened in the last issue, and the other Bat-family members begin to get drawn in. What happened has some major consequences for them all, including Catwoman, because one of Gotham’s greatest criminal masterminds is returning to the city. Snyder-Tynion are still the ones to pen this issue as well, with the other contributing writers to the series serving as consultants. The same team from the previous issue is back basically, and they are all just as good as they were in the last issue, if not better. It is all about the big reveal at the end.
With their first arc of Zero Year, Scott Snyder and Greg Capullo delivered something wonderful. With their second arc, it felt as if they had kind of lost their way a little bit since it felt less focused and less… immediate. While their entire run on Batman thus far has been nothing short of spectacular, with Zero Year they went big and delivered some amazing stories and dealt with some classic Batman villains. I loved the first arc, second arc not so much. But I remain a fan because Scott is usually a damn good writer and because Greg Capullo and Co. are all similarly amazing, usually.
With Batman #30 the creative team begins its third and final arc of Zero Year: Savage City. The Riddler is now in control of Gotham and things have changed big time. No more heroes. Gotham is an island, cut off from the rest of country and struggling to survive. This is the Gotham that Batman aka Bruce Wayne wakes up to after the disastrous events of the previous arc, and things are gonna get a whole lot worse before there is even a slimmer of hope that they will get better. And as always, the art is good, but it felt a bit too colourful and overdone in some places.
Another great week this time. Lots of fun new tiles and old ones returning for new installments. The highlight of the week had to be the upcoming graphic novel by Paul Dini and Joe Quinones Jr. for which I managed to get a review copy. Long live NetGalley! And the graphic novel definitely delivered on its promise too, although there were a few things that I didn’t like so much.
With all the new series coming out, its definitely a good time to be in comics, and most of all if you have been a fan of certain series like Daredevil and Unity. I’m still behind on certain series though and there are a lot of comics that I am behind on, as I was painfully made aware this past week. And the pile is mounting every week. Just too many things to stay current with.
When it comes to Batman in the New 52, DC is all about jumping up and down like crazy puppet. The New 52 launched with multiple books featuring Batman or Batman-related heroes and over the two and a half years of the new continuity, the entire line has been among DC’s top books, with an occasional dip here and there for some of the lower tier books. And now, with the character’s 75th anniversary in sights and to fill-out its 52 books a month roster, DC is adding a new weekly series to the mix, which will be anthology-styled and feature no less than four different creative teams.
Batman: Eternal #1 came out today and it kickstarts the whole deal. Written by Scott Snyder and James Tynion IV, with the other writers involved credited as consultants, and drawn by Jason Fabok, this first issue lays the groundwork for some pretty big changes in the status quo as the Bat-world moves on. Scott and James introduce a couple new characters into the mix, highlight some of the older ones, and bring about a pretty major twist into the story. Fabok, who has previous experience working on Detective Comics in the New 52, does a stellar job of showing the dark and seedy side of the city and the Bat-world.
This was a pretty incredible week, I must say. In addition to all the usual new releases I ended up reading, I also began my re-read/catch-up of DC’s Forever Evil: Blight event. Since I wasn’t reading the Constantine and Pandora titles for this event, I ended up missing out on a fair bit of story, and this catch-up is intended to fix that. Consequently, I read more than I usually do, except when I manage to read trades, if you count it like that. Still, the overall experience was pretty incredible, so there is that.
Thankfully, most of the comics I read this week were excellent, as evidenced by the fact that I picked a top 7 instead of a top 6 this time, on account of all that I read. If you read any of these, let me know!
DC is struggling right now. Two of its biggest books have been facing consistent delays, and that is just not helping anything. Hot on the heels of Geoff Johns and David Finch’s Forever Evil being delayed and with the final issue to come out two months from now, is the fact that the latest issue of Scott Snyder and Jim Lee’s Superman Unchained arrived in stores just this past week, after a month and a half of delay. Which means that its been two and a half months since we last had an issue of the series. There have been other delays also, and they certainly haven’t given me a good impression.
Given that its been so long since Superman Unchained #5 came out, I had to reread that issue before diving into this one. It let me take in the proper context of the story in this issue, and judge it accordingly. All of which means that I’m very disappointed in the new issue, because it mishandles several things. The story is nowhere near on par with the previous issue and even the art has quite a flaws in it, too obvious to ignore.
Thankfully, this past week was one of recovery. There were a lot of comics to get through and while I only got through about sixty percent or so f the ones that I wanted to, which is pretty much on par with me, I’m quite happy since I also managed to review most of them. The next two weeks are all going to be about getting back on track, before I leave for another 2 week trip to India and then things are going to head downwards unfortunately.
But still, some good comics this week. Pretty much all of the ones I read, I enjoyed, minus one or two here and there. Which is nice. I’m still pretty behind on the whole All-New Marvel Now thing because Marvel is putting out too many new #1s and I just can’t keep up. So that’s a struggle too. Although, surprisingly enough, I read more Marvel this past week than I did DC, largely because I’m behind on a few DC series at this point, and need to significantly catch-up.
This week, Scott Snyder, Greg Capullo and the rest of the Batman creative team brought their “Dark City” arc to a close as the Riddler’s plans for Gotham finally became clear, to a degree, as did Doctor Death’s own role in the proceedings. The first arc of the mega-story Zero Year was one of the best arcs that the team has yet done on the series since its launch. Secret City was a fascinating look into the early years of Bruce Wayne as he set on to become Batman, and his first villain, his first nemesis. But, Dark City has never really captured me the same way and this issue crystallised that for me.
Batman #29 is a decent issue on its own, but as part of Dark City and of Zero Year it does miss the mark because it doesn’t provide the same kind of closure to the arc that Batman #24 did for Dark City. There is a distinct lack of proper closure here, and the issue is just a “oh, so this is all going to happen and this is how it happens, and this is just transition so just wait for the next 4-issue arc”. It kind of works, yeah, but it doesn’t wow on any level. The art remains utterly fantastic, but it too goes sideways a few times.
A stable week for a change and this meant that I was able to read some more comics this time. Didn’t get through quite as many as I wanted to, and I certainly didn’t get around to reviewing as many as I wanted to, but that’s fine really. Gotta take a bit of an occasional lighter load I think. Most of the Marvel books I read this week weren’t all that impressive (as the top picks at the end will show), but DC was better. And Vertigo’s newest series looks to be damn good too, can’t wait to check out the second issue of that next month.
And I did manage to begin my Flash New 52 read-through finally with volume 1 last night, so that’s something there. Planning to read a lot of graphic novels this year, mostly in terms of catching up with series I’ve missed out on, so we shall see how it all pans out.
Frustratingly enough, just when the Zero Year arc on Batman is winding down to a close, we get a filler issue with a story that doesn’t begin for almost another two months. I’ve liked most of Zero Year that I’ve read so far, and while some of the things have been dragged on a bit, such as the entire second half of the arc involving the Riddler and Doctor Death, it has definitely been a fun story thus far, and I really, really want to see how it all ends. That said, I wasn’t really sure what to expect from this story, and what I ended up getting was packed with a bunch of awesome it turns out.
Batman #28 is a story that sets up Batman: Eternal, which will be a new series that DC is going to launch in April this year, and is meant to be a weekly series, with a rotating cast of 4 writers for the first big arc. As such, the story is set in Gotham’s future, quite a few years from now, and it posits a world where Gotham has suffered some kind of near-apocalyptic event. Perhaps a zombie apocalypse? Hmm, that might be a good story actually! Anyways, this was a fun story with James Tynion IV coming back to co-write with Scott Snyder and this time the art isn’t handled by the series regulars, but by guest artists who I presume will be working on the new series.
The end of Scott Snyder and Greg Capullo’s Zero Year arc on Batman is just around the corner now. From the very first issue of this arc, they’ve both delivered a fantastic reading experience (minus #25 which was a bit of a downer), and the extended art team has also been on top form. Retelling the origins of as iconic a character as Batman is no easy feat, but I feel that the team has performed admirably thus far. With Batman #27, out yesterday, we are in the final arc of this chapter, and the dominoes are all beginning to fall together finally.
In the last couple issues, we’ve seen a ton of character exploration while the plot continues to progress forwards. The overall arc took a bit of a detour with introducing a new villain in Batman #25 and while we have yet to see much of him, or the Riddler for that matter, the story has been good. Seeing a young Batman’s violent interactions with the Gotham City Police Department, and Gordon in particular, has definitely been a big highlight, and this issue is all about that.