Once Disney’s acquisition of Lucasfilm and the rights to pretty much all future Star Wars movies and cartoons and comics and what not was finalized last year and news began filtering in of all the new things being planned, one of the ones to come out was that the House of Mouse was going to deliver on a new Star Wars animated series set in the period between Revenge of The Sith and A New Hope. The first trailer released was somewhat decent, though problematic, but I was kind of excited that a different period was being considered for the format, given that most of the previous work was so focused on the Clone Wars themselves.
And this past week at San Diego Comic Con 2014, Disney released a new trailer that also contains some extensive footage of the animated series, and this is kind of where I am beginning to lose some interest because the story appears to be rather haphazard and the characters appear to be cliches in the way that only Disney can do, though sometimes to great net-positive effect, and the animation doesn’t really work so well for me either, especially not after having seen three excellent seasons of The Clone Wars (it rain for a total five seasons!) and other previous Star Wars animated work, from what I remember.
Of late, the action in Future’s End has really been ramping up to something epic. With all the different plotlines going on, it was inevitable that many of them would intersect with each other in quite interesting ways, and that is exactly what has been happening. Thing is, despite the apparent lack of general popularity in the title as far as the blogosphere is concerned, the title still appears to be going strong and week after week I can see why. It has some of DC’s top writing and top art at the moment and that has value, even if a lot of it is just the house style..
The epic went into overdrive in this week’s Future’s End #12. First we had this big fight scene with Amethyst, Frankenstein and Hawkman, with a decidedly major cliffhanger. Then the King Faraday and Voodoo plotlines intersected something fierce and I’m left wondering if the character of “Courtney” is who I think it is. Then the plotline with a villain named Ethan got super-interesting, considering how he was broken out of prison recently and after that we got the most magnificent cliffhanger ending ever in comics, as we got taken back to the future that Terry McGinnis is trying to prevent in the past.
A few days ago I did my best of 2014 list for the novels I have read in the first half of this year. That list followed the same format that I have been using for 2 years now, but with this new list I decided to make a big departure, owing to how many comics I’ve been reading in recent months, often 80+ comics in a single month! That’s crazy.
So, with the books already having been covered, I now delve into my favourite monthly comics of the year. The next post will be at the end of the year for the second half of the year.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then!
Aliens and superheroes is a concept that mixes really well, as some 75 years of comics from the Big 2 has proven. Superhero comics today form the biggest share of the market and with good reason, they are the staple of the form after all. Occasionally creators go the full distance with this, as Valiant Comics has done in recent weeks with its Armor Hunters series, tying together its X-O Manowar and Unity titles, at the least. It has proven to be a good time for Unity in particular, a series that started last year, and with Matt Kindt’s writing and Steven Segovia’s art the overall experience has never been better.
While Armor Hunters deals with all the big moments, Unity has been dealing more with the little things that inform those big moments. This past week’s Unity #9 is proof of that for it doesn’t move along the Armor Hunters story forward but instead has Livewire question her origins, show Ninjak and Eternal Warrior getting their violence gig on in London, and MI-6’s top coordinator Mr. Alcott get ever more frustrated with current events. With all the little moments, Matt Kindt is at his best here, and the same can be said for Steven Segovia and Co. where the art is concerned.
This post is coming in at a slightly later time than I’d prefer, about two weeks late at least, but I guess I can’t really “complain” when the lateness is due to my own wedding which took place exactly two weeks ago on the 5th. It has certainly been a very busy and intense time, what with being engrossed in all the marriage stuff and then even after that there’s been one thing after another. Reading time has definitely suffered greatly, which makes me a little sad considering how much I love reading, but eh, all for a good cause really.
With half the year now over, it is time to do the first of my “Best of the Year” posts, for the period 1st January to 30th June. There’s been a ton of books that I’ve read in this period as usual, and I made a very strong effort to read more tie-in fiction than I usually do, so the list is most assuredly going to reflect that. Tie-in fiction is a very important part of the publishing industry I feel and it always deserves some recognition. Now if we could only get an award started that celebrated tie-in fiction and all would be alright with the world. Or so my thinking goes.
Let’s see what makes the cut and which comes close then!
Something I’ve remarked on before is that IDW Publishing seems to be doing a pretty good job with its Star Trek line of comics. They publish the books on a bi-monthly schedule, which is pretty impressive, and to go with that they also publish occasional specials and one-shots that expand on one area or the other of the entire franchise. I’ve had some good fun reading some of the recent comics, especially the Abramsverse line of Star Trek: Ongoing set in the new timeline from the rebooted film franchise, and am looking to delve further into the whole thing.
IDW’s latest Star Trek special, Flesh and Stone, is basically fan-service to every fan out there who loves some of the franchise’ most important leading heroes, the doctors of Starfleet Medical. About to gather for an important medical conference on Federation Starbase near the Tholian border, the doctors find themselves in a medical emergency and have to play medical detectives to find out the root cause and cure for the sickness that has claimed all the personnel at the Starbase. The Tiptons tell a wonderful and simplistic tale here as the Sharp Brothers do a damn good job with the artwork. More specials like this are most welcome.
Last month Dan Slott and Mike Allred wrapped up their first arc on Silver Surfer, coming in at only 3 issues, and it proved to be a most satisfying read. For me, Dan Slott captured a very classic feel of the Silver Surfer, with some modernistic elements thrown in and that was a really great experience. Silver Surfer is one of my favourite Marvel superheroes, and to see him done so well, both in terms of the story and the art really pleases me. Dan Slott has really emerged as one of my favourite writers in the last two years and the same goes for Mike Allred as well, as an artist.
Silver Surfer #4 sees the titular hero return to Earth with Dawn Greenwood and experience some really bizarre events, not the least of which is something that infuses him with a strong sense of personal horror, something really upsetting that he experienced some years back and which is now back in full force. This is quite a light-hearted issue and it features some excellent character beats such as the interactions between Silver Surfer and Dawn about the prehistorical eras of Earth and pop culture. Dan Slott’s writing is good as ever and Mike Allred’s art is just plain superb too.
Time travel. Dimensional War. Death. Betrayal. Aliens. Superheropocalypse. DC’s Future’s End weekly comic has done it all in its two and a half months so far. What started off as a really dark title with superheroes dying left and right has matured into something a little light-hearted, something that has become a superhero mystery and an action-packed tale of “two minutes to midnight” rather than superhero horror. It started off really good, and thought it has wobbled a bit in the middle, it is still one of the best books that DC is putting out right now.
This week’s Future’s End #11 sees the continuation of several plots and the introduction of yet new players as the world moves towards an inevitability. No Grifter and Fifty Sue this time, but we get to see a fair bit of the Justice League of the future, as well as get some bonding time between Amethyst and Frankenstein, along with a really startling development from Mr. Terrific. In spite of all the changes that have happened in this series of late, it looks like there are many more yet to come and I loved that this issue acted as a launch-point for yet more stories, though I’m slightly concerned by how convoluted it is all getting.
Moving into the final phase of Original Sin, which just one more month to go before it all wraps-up, things are finally beginning to heat up for all the characters involved here. After all the startling revelations of the last two issues, everyone is in an uncertain place and I’m really loving how Jason Aaron has developed the story and how Mike Deodato and his art team have handled the artwork. The last few issues have been really good, and the title is certainly becoming one of my favourite reads of the year, and as an event comic it is certainly superb.
After the flashback-heavy content of the previous issue, Original Sin #6 moves full-steam ahead with the current story as heroes recruited by Nick Fury confront him aboard his secret satellite space station, even as the Avengers and the other heroes race against the clock to find out what the hell is going on with the “dead” Nick Fury’s body that they have and with the Watcher Uatu’s murder. Jason Aaron is absolutely superb in this issue and Mike Deodato and team don’t hold back either, making this the best issue of this series to date.
Well, it has been a couple weeks again since I did this feature. The week before, well, it was marriage week for me and I barely read 4 books, so it didn’t really make sense to do a post on just those four, so I skipped it. And it was a really slow week all in all, especially for blogging, so I just decided to let things rest for an entire week. But I’m back again this time!
The surprise hits of this week were Death Vigil #1 from Top Cow andGrayson #1 from DC Comics. The surprise flop of the week would be Spider-Man 2099 #1 from Marvel Comics. Expectedly great comics such as Fantastic Four #7 from Marvel Comics, Batgirl #3# from DC all delivered on their promises as well. Not a lot of comics this past week, certainly not as much as the week prior or my usual number of ~25/week, but definitely a good number at 21 issues. Might take a dive in the next week though!
Since revamping the Captain Marvel series with Carol Danvers as once again in the titular role, writer Kelly Sue DeConnick has been crafting quite an interesting story that somewhat ties into last year’s Infinity event, but also stands on its own, apart from what happened in that event. Her Carol Danvers is better than ever and it does feel like a serious revamp since the story this time around is so much better than what she did back in 2012 when she first got a chance on the title. And it helps that the artwork has been pretty stunning as well, whether we talk pencils or colours or what have you.
Captain Marvel #5 is where some of the mysteries surrounding the planet of Torfa begin to come together for a reveal. The reasoning behind J’son and the Spartax’s bid to remove the refugees on the planet and take control is finally unveiled and it is something major indeed, something worth even killing over. And more than that, we get some great political interplay between the ruling council on Torfa, with Carol herself becoming quite the figurehead. Kelly Sue knocks this one out of the part as far as the writing is concerned and the art isn’t far behind either.