Just a few short weeks ago, Logan aka The Wolverine died, doing something he always did best, be a vengeful hero. His death has been a long time coming in the comics, ever since he lost his healing factor nearly two years ago, and it is quite a marvel that he lasted this long. But Charles Soule and Steve McNiven gave him a pretty great send-off in Death of Wolverine #4 and now it is the time for the heroes of the Marvel 616 universe to deal with their grief and their sense of loss. While some are struggling, as we saw with Ororo in Storm #4, others are being practical and ever more divisive.
In Death of Wolverine: Deadpool and Captain America #1 we see how two other Marvel greats, the former Sentinel of Liberty aka Steve Rogers and the Merc with a Mouth aka Deadpool, are dealing with his death. The issue portrays both of them as two of Logan’s closest friends and allies and shows how they are planning for the future by denying those who would profit from their friend’s untimely death. It is quite a hilarious issue at times, with Deadpool doing what he does so well, and the former Captain America also getting a few good kicks in, and the art is fairly good as well.
Last week I mentioned that Arrow is really good at keeping secrets close to its chest, until the right amount of critical mass is reached to unveil said secrets. The big mystery of who was bankrolling Sebastian Blood last year was a terrific reveal, as was the whole subplot about breaking to Thea the news that Malcolm Merlyn is her blood-father, not Robert Queen. And this season, it looks like the big mystery is “Who killed Sara?”. We’ve seen some development so far, not entirely satisfactory, but it has been a good source of background tension to the show and things look set to intensify even more.
Nyssa al Ghul made her season 3 debut on the show in this week’s “The Magician“, which also happens to be the show’s 50th episode. I’d expected some really great things from the show in this episode, but it kind of failed to deliver on that expectation. Sure, it was a fairly good episode, but it just didn’t feel like such a momentous episode, though I suppose that the detail is kind of irrelevant. Either way, I had a lot of fun with this one since Katrina Law’s Nyssa is one of my favourite elements of the second season, and she turns in a grand performance here, really charging the show with some much-needed drive and direction in the hunt for Sara’s killer.
Note: Some spoilers from the episode are mentioned here.
Slight lows on the reading this past week since I didn’t manage to finish either of the graphic novels I started this week, and generally didn’t read as many singles either, but I did manage to get through 35 of them, so that’s something, yeah?
For this week, I’d say that the surprise hits are Dungeons & Dragons: Legends of Baldur’s Gate #1 from IDW Publishing, Catwoman #35 and Secret Origins #6 from DC Comics and Predator: Fire and Stone #1 from Dark Horse Comics. The comics that win the “disappointment of the week award” are Grimm Fairy Tales: Dark Shaman #1 from Zenescope, Arkham Manor #1 and Sensation Comics #11 both from DC Comics. Ongoings like Buffy the Vampire Slayer Season 10 #8, Aquaman #35, Tomb Raider #9 and Nancy A. Collins’ prelude Vampirella: Prelude To The Shadows #1 were all first-rate comics this week, and quite satisfactory as well.
The graphic novels I’m in the middle of at the moment are Supergirl Vol.4 by Michael Alan Nelson and Diogenes Neves, and The Flash Vol.2 by Brian Buccellato and Francis Manapul.
Drawing parallels between Smallville and The Flash is quite inevitable. Both shows have focused on some of DC’s most iconic characters, and they’ve done it in a way that often stays true to the spirit of the comics, though Smallville tended to play a lot with how the characters and events could be turned to fit in the mentality of a show that was about Clark Kent as a teenager in high school and later on, before he ever became Superman. Though only four episodes in as of this week, The Flash has not disappointed me at all with its promise of bringing Barry Allen and his incredibly rogues gallery and that’s what the new episode is really all about.
One of the coolest things to happen in the lead-up to The Flash was the casting of Wentworth Miller as Captain Cold aka Leonard Snart. He is one of Barry’s most iconic villains and has enjoyed a certain resurgent notoriety in recent years thanks to DC’s New 52 reboot, which brought him and his gang, the Rogues, together again. This week’s “Going Rogue” is the origin story of Leonard Snart’s transformation into Captain Cold and it is, by far, the best episode of the show in the entire month it has been on air. With a guest spot by Arrow‘s Felicity Smoak, Going Rogue was an amazing episode that sets up a lot of future stories and also provides for some great character moments.
One of the subplots running through Gotham so far has been that Gotham City is a city corrupt to the bone and that even the high and mighty Wayne Enterprises might not be so overboard as we’d like to believe. Last week’s episode Viper was ample proof of that, that there may have been certain goings on at the multinational that Thomas and Martha Wayne may not have known about. It was a really great twist to the story, something that I can see leading eventually to Bruce’s transformation into Batman. But of course, the show revolves around Jim Gordon and Harvey Bullock as well, and they were pretty good in the previous episode, though the villain was rather unmemorable.
The new episode, “Spirit of the Goat“, is definitely one where the writers have upped the weird and supernatural quotient of the show. Ten years ago Harvey and his then-partner Dix nabbed a serial killer who claimed to be possessed by the spirit of a supernatural entity and who ritually murdered his victims. Now, somehow, the killer is back and Harvey is on the case once again, this time with Jim. One of the best things about this week’s episode was the look at Harvey’s past and the kind of man he was then, setting up a great contrast with who he is now. Nothing really on the Falcone-Maroni silent war this week, but we do get to see Robin Lord Taylor’s Oswald Cobblepot be utterly badass, which was extremely satisfactory.
In the wake of last week’s episode of CW’s Arrow, I find myself a bit disheartened. With Sara’s death and the introduction of noted master-archer Simon Lacroix making his television debut, having been introduced last year in comics by creators Jeff Lemire and Andrea Sorrentino, I was all ready for a big archer-off between Ollie and Simon, but I guess that’s not really going to happen. So the mystery remains of who killed Sara and why. Trust Arrow to play cards close to the chest. But then, that’s one of the reasons why I love the show so much anyway, and this week’s episode wasn’t too different.
The new episode this week is titled “Corto Maltese” and as per last week’s teaser at the end of “Sara“, we know that this episode deals with Ollie going to Corto Maltese to find Thea, who has been training there with her blood-father Malcolm Merlyn, to get over her emotional troubles from the second season. It is a fantastic episode in almost every way that matters, and I loved seeing the new Thea on the show, a Thea who is much more confident of herself now, and who really can take care of herself. And with everything happening with Laurel, things are really looking to be on the up and up for the show’s female cast.
With three great episodes in the bag so far, CW’s The Flash is powering on to some really great things, especially since next week is going to see the debut of one of Flash’s greatest villains, Leonard Snart aka Captain Cold in all his parka glory. Fun yeah? And to go with that, the current Season Zero comics are also doing their bit to expand Barry’s villains roster. The previous issues have all been leading up to this particular one, out a few days ago, and the journey to this point has certainly been great, with a nice simplistic villain like Strong Man leading the charge on that front.
Previously we’ve seen that there’s a criminal mastermind at work within Central City, who is targeting the “enemies” of a local traveling circus, and that Barry has already gone up against some of the circus workers. Team Barry manages to suss out the identities of these new villains, leaving it to the hero to confront the big bad, and it is a great moment filled with some wonderful stuff that can only be possible in comics and not in television. The writing is mostly consistent with what we’ve seen already on this title, and the art is as great as it has ever been, so The Flash Season Zero #4 is a good installment altogether.
Just before The Flash’s third episode debuted this week, CW went ahead and gave a season order for the show, meaning that The Flash will go on for a full season of 23 episodes. This is great news since The Flash is a really great show and I would dare say that it is even better than Arrow was in its first season. The show is living up to its claim of the most comic book show on air, and I’d say that it is starting off even better than CW’s previous big hit, Smallville did. Some really cool villains have debuted so far, with more to come, and the cliffhangers certainly have been quite jaw-droppingly amazing.
“Things You Can’t Outrun” introduces the villain known as Mist to the audiences, and it proves to be another great episode, though the mist isn’t as cool or as awesome as either Weather Wizard or Multiplex. Barry faces a huge challenge once again, still getting used to his powers, and one of the other reasons that this episode was so good was that we get to see flashbacks to the explosion at the STAR Labs particle accelerator, finally debuting Robbie Amell’s Ronnie Raymond as well, the future Firestorm. Lots of things happened this week and it was all fantastic.
The Secret Origins is one where each issue contains three short stories, each about a different superhero and supervillain in the DC universe and their respective origins. I’ve been fairly interested in the series for a while now, though I haven’t really gotten into it as yet. There’s already so many titles I want to read every month that just managing any more is a super-task. But still, the concept of the series is a good one and it really does seem to give you a brief taste of different characters and titles in a single package, so why not check it out yeah? Least, that’s what my thinking was when I picked up this week’s issue.
Secret Origins #6 is the origin stories of Wonder Woman, Deadman and Sinestro, from the respective creative teams of Wonder Woman, Justice League Dark and Sinestro, with some changes. Each story deals with the earliest days of the respective characters, and each story is executed well with enough callbacks to later events in the characters’ histories or even their respective ongoing titles. There is a right crazy mix of creators here, and I can definitely recommend this one, for it is a great standalone issue given you a great brief look at three of DC’s greatest characters.
Thanks to CW’s Arrow, the character of Slade Wilson aka Deathstroke has enjoyed a great surge in popularity in recent years. Manu Bennett’s portrayal of DC’s greatest mercenary/assassin has enchanted people everywhere and when he stepped up as the big bad of the show’s second season last year, things really kicked off for him in a major way. However, the character hasn’t enjoyed as much popularity in the comics, with his most recent run ending rather unceremoniously, though not as abruptly as some of the other of DC’s New 52 books. I never read that first series, mostly because I wasn’t interested in the character so much back then.
But now things are different. Now I want to read more about Slade Wilson and the reins of the new series are given in the hands of writer Tony S. Daniel who is also the artist on the series. I’ve never really enjoyed any of Tony’s previous work for DC, mostly because there’s always something lacking in his stories or his dialogues, though his art is usually good. Deathstroke #1 however, is a departure from the former. It is quite an interesting story of a man as skilled and talented as Slade Wilson is supposed to be and Tony does a fairly decent job with him, though some of his deficiencies do show up here.
After two rather dreary weeks of reading comics, where I didn’t manage to hit my recent highs of 40 singles/graphic novels a week, this week was much different. I got back on track for one, and moved through three entire volumes of DC’s Earth 2, almost catching up to the current status of the series.
The surprise hits of this week were Blood Queen Annual 2014 from Dynamite Entertainment, Deadpool’s Art of War #1 from Marvel Comics and Trinity of Sin #1 from DC Comics. The comics that disappointed me this week were Wytches #1 from Image Comics and Death of Wolverine: Logan Legacy #1 from Marvel Comics. Of the other titles, the ones that I really loved were recent ongoings like Flash Gordon #6, Unity #0 or even Ms. Marvel #9.
When Marvel’s Avengers ended, it set a new standard for superhero movies. To the best of my knowledge, superhero team movies hadn’t happened before this movie, especially not when the movie in question was preceded by no less than four movies that set the stage for it. With Avengers, Marvel’s cinematic universe also moved into a new phase, a phase where we’ve seen some big changes in teh status quo for the various heroes and where we’ve also gotten to see lots of new characters, heroes and villains alike as well. And now, in just about half a year, we are going to see Avengers: Age of Ultron, the next big Marvel money-maker.
Avengers: Age of Ultron does not have anything to do with last year’s Age of Ultron event in the comics, though they both share the same name. It is going to be a new story about the sentient robot built (most often in the comics) by Hank Pym, the Ant-Man, that then goes on a genocidal rampage against humanity. Of course, we haven’t seen Pym in the MCU as yet, though there is a movie coming out soon that deals with his successor as Ant-Man, Scott Lang, so it is all going to rest in the hands of the MCU’s go-to tech-serf, Tony Stark aka Iron Man. Last night, after a trailer of the upcoming movie leaked out, Marvel and Disney went ahead and released the official teaser, and by gods it is awesome!