Over the years, Ororo Munroe aka Storm has become one of the most prominent of the X-Men, particularly since starring in the X-Men movie franchise and played by Halle Berry (questionable performances, but more to do with the writing). With the launch of Brian Wood’s X-Men comic last year that saw her take a more prominent role in the comics-verse, a lot of people in the fandoms seemingly expected to see a Storm comics series soon. And lo behold, their prayers were answered earlier this year when Marvel confirmed a Storm ongoing, which came out yesterday.
Written by Greg Pak and drawn by Victor Ibanez, Storm #1 falls in the realm of one of the better new titles that Marvel has launched this year. Greg Pak captures the awesomeness of Storm very well in this debut issue though sometimes the monologue got a bit too weird for me. Victor Ibanez on the other hand draws a really good Storm in this issue, and you can really feel her personality coming through the pages. Far better than I expected, Storm #1 has got me really excited for the series now, and I’m hoping that the second issue arrives very soon!
Of late, the action in Future’s End has really been ramping up to something epic. With all the different plotlines going on, it was inevitable that many of them would intersect with each other in quite interesting ways, and that is exactly what has been happening. Thing is, despite the apparent lack of general popularity in the title as far as the blogosphere is concerned, the title still appears to be going strong and week after week I can see why. It has some of DC’s top writing and top art at the moment and that has value, even if a lot of it is just the house style..
The epic went into overdrive in this week’s Future’s End #12. First we had this big fight scene with Amethyst, Frankenstein and Hawkman, with a decidedly major cliffhanger. Then the King Faraday and Voodoo plotlines intersected something fierce and I’m left wondering if the character of “Courtney” is who I think it is. Then the plotline with a villain named Ethan got super-interesting, considering how he was broken out of prison recently and after that we got the most magnificent cliffhanger ending ever in comics, as we got taken back to the future that Terry McGinnis is trying to prevent in the past.
A few days ago I did my best of 2014 list for the novels I have read in the first half of this year. That list followed the same format that I have been using for 2 years now, but with this new list I decided to make a big departure, owing to how many comics I’ve been reading in recent months, often 80+ comics in a single month! That’s crazy.
So, with the books already having been covered, I now delve into my favourite monthly comics of the year. The next post will be at the end of the year for the second half of the year.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then!
Aliens and superheroes is a concept that mixes really well, as some 75 years of comics from the Big 2 has proven. Superhero comics today form the biggest share of the market and with good reason, they are the staple of the form after all. Occasionally creators go the full distance with this, as Valiant Comics has done in recent weeks with its Armor Hunters series, tying together its X-O Manowar and Unity titles, at the least. It has proven to be a good time for Unity in particular, a series that started last year, and with Matt Kindt’s writing and Steven Segovia’s art the overall experience has never been better.
While Armor Hunters deals with all the big moments, Unity has been dealing more with the little things that inform those big moments. This past week’s Unity #9 is proof of that for it doesn’t move along the Armor Hunters story forward but instead has Livewire question her origins, show Ninjak and Eternal Warrior getting their violence gig on in London, and MI-6’s top coordinator Mr. Alcott get ever more frustrated with current events. With all the little moments, Matt Kindt is at his best here, and the same can be said for Steven Segovia and Co. where the art is concerned.
In the last four months Ales Kot and Michael Walsh have dazzled me with their take on this secret group of Avengers working for SHIELD. Hawkeye, Black Widow, Spider-Woman, Nick Fury Jr., Phil Coulson and Maria Hill have been stunning almost every step of the way and this has certainly been one of the most impressive of the new titles launched by Marvel this year for its All-New Marvel NOW! initiative, marking the second major launch of its titles since late 2012. The four issues thus far have been impressive sure, but I think we are entering an all-new phase that is even better..
This past week’s Secret Avengers #5 deepens the character mysteries and really tones down all the action so that the plot moves along in a very different manner. It is given however that when Maria Hill and Nick Fury Jr, are involved, especially a straight-and-narrow guy like Coulson, there is going to be a lot of friction between them over all the secrets being kept, and the biggest secret on this team is that Modok is working for SHIELD! Ales Kot, Michael Walsh, Matthew Wilson and Tradd Moore are at their best in this issue and they deliver on the goods in a handsome manner.
Last year veteran Batman writer Grant Morrison finally killed of Damian Wayne, the character that he created along with artist-writer Andy Kubert almost a decade ago. The fallout from Damian’s death was a bit intense across the Bat-family titles (for most of them anyway), but then the titles moved on, and the gaping heart remained since Damian Wayne, the son of Bruce Wayne aka Batman and Ra’s al-Ghul’s daughter Talia, was the current Robin and had apparently gained a lot of popularity among fans despite his many… flaws. I certainly didn’t enjoy what little I read of the character in various comics, but he was… interesting.
With Robin Rises: Omega #1, a one-shot comic, it appears that DC is looking to bring back the fan-favourite Robin from the dead, and I’m already turned off by it. I got this double-sized issue to see what kind of a story I was going to get here and because there was a good amount of buzz for it, and all I’m left with after reading through it is plain disappointment. Tomasi’s writing has been decent at best for me, but with this issue he really bored me from the get go. And while Andy Kubert’s art has been decent at best as well, I couldn’t get into it so much, although the art is definitely better than the story here.
The newly (re)launched Ms. Marvel’s first arc (sort of) wrapped up last month on a really nice melancholic note. Writer G. Willow Wilson really went to town to create a realistic modern teenaged character with some real personal issues and she made Kamala Khan’s story resonate. That has been something that has served this series in good stead, for most of the comics right now from the Big 2 really don’t focus so much on characters like Kamala. In a lot of different ways. And the uniqueness that results has made this series one of the best on the shelves each month.
The new Ms. Marvel #6 takes some time off from Kamala’s usual heroics and interactions with her family to focus on things like her religious instructor and mentor as the two interact really well together in quite surprising ways. And also, we get to see a surprise guest star in the second half of the issue (spoilers will be below!) and that really made my day, to see Kamala meet and hang out with this superstar superhero. G. Willow Wilson’s writing in this issue was spot on and consistent, though with Jacob Wyatt stepping in for a pencil guest-spot, the art isn’t to the usual high standards.
Time travel. Dimensional War. Death. Betrayal. Aliens. Superheropocalypse. DC’s Future’s End weekly comic has done it all in its two and a half months so far. What started off as a really dark title with superheroes dying left and right has matured into something a little light-hearted, something that has become a superhero mystery and an action-packed tale of “two minutes to midnight” rather than superhero horror. It started off really good, and thought it has wobbled a bit in the middle, it is still one of the best books that DC is putting out right now.
This week’s Future’s End #11 sees the continuation of several plots and the introduction of yet new players as the world moves towards an inevitability. No Grifter and Fifty Sue this time, but we get to see a fair bit of the Justice League of the future, as well as get some bonding time between Amethyst and Frankenstein, along with a really startling development from Mr. Terrific. In spite of all the changes that have happened in this series of late, it looks like there are many more yet to come and I loved that this issue acted as a launch-point for yet more stories, though I’m slightly concerned by how convoluted it is all getting.
Moving into the final phase of Original Sin, which just one more month to go before it all wraps-up, things are finally beginning to heat up for all the characters involved here. After all the startling revelations of the last two issues, everyone is in an uncertain place and I’m really loving how Jason Aaron has developed the story and how Mike Deodato and his art team have handled the artwork. The last few issues have been really good, and the title is certainly becoming one of my favourite reads of the year, and as an event comic it is certainly superb.
After the flashback-heavy content of the previous issue, Original Sin #6 moves full-steam ahead with the current story as heroes recruited by Nick Fury confront him aboard his secret satellite space station, even as the Avengers and the other heroes race against the clock to find out what the hell is going on with the “dead” Nick Fury’s body that they have and with the Watcher Uatu’s murder. Jason Aaron is absolutely superb in this issue and Mike Deodato and team don’t hold back either, making this the best issue of this series to date.
Well, it has been a couple weeks again since I did this feature. The week before, well, it was marriage week for me and I barely read 4 books, so it didn’t really make sense to do a post on just those four, so I skipped it. And it was a really slow week all in all, especially for blogging, so I just decided to let things rest for an entire week. But I’m back again this time!
The surprise hits of this week were Death Vigil #1 from Top Cow andGrayson #1 from DC Comics. The surprise flop of the week would be Spider-Man 2099 #1 from Marvel Comics. Expectedly great comics such as Fantastic Four #7 from Marvel Comics, Batgirl #3# from DC all delivered on their promises as well. Not a lot of comics this past week, certainly not as much as the week prior or my usual number of ~25/week, but definitely a good number at 21 issues. Might take a dive in the next week though!
Just this past week, it was announced that Batgirl would be shifting creative teams in October and that the title would undergo a major creative revamp. Goes without saying that I’m going to be really saddened to see Gail Simone, Fernando Pasarin, Blond, Jonathan Glapion and the others leave the title because I’ve really enjoyed what they’ve done in the last year, especially Gail who has shepherded much of the title since the New 52 relaunch. Thankfully, it looks like she is intending to go out with a bang if the cliffhanger ending from last month’s issue is anything to go by.
Given that Batman: Eternal is currently ongoing and that some of the events of that weekly series are beginning to trickle down elsewhere, it kind of makes sense that Batgirl too would get sweeped up in the wake of it. Batgirl #33 is quite possibly one of Gail Simone’s best issues on the title, mostly for the fact that it includes three of my favourite DC leading ladies and the ending of the issue looks set to take things to the next level. The art is slightly fuzzy at times, but the action is crisp and awesome, so I won’t complain.