It isn’t for no reason that Ron Marz is one of my favourite writers working in the comics industry right now. His work is always rather… fluid in terms of the story and the concepts are always interesting to say the least. I’ve read a fair amount of his work till now, though I still have a mountain of it to go through, but none of his work has stayed with me as much as his current run on Witchblade, which is his second run on the title. The Borne Again arc has really been putting Sara through the paces and it explores a world where the balance between the Light and the Dark is no more.
Investigating a series of grisly ritualistic murders, Sara has come under fire herself and become part of a greater conspiracy that seeks to use the imbalance between the Light and the Dark to make everything even worse. Too much of anything is a bad thing, that’s one of the central concepts of this arc that Ron is telling, and in this issue we begin to see the genesis of how that imbalance is getting skewed even further. And in the middle of it, Laura Braga and Betsy Gonia’s art continues to be good, which is what I wanted!
If you’ve been following Top Cow news in the last couple of months or so, then you know that writer Ron Marz is back in the saddle for Witchblade, this time with artists Laura Braga and Betsy Gonia. Working in a world set after the events of Tim Seeley’s run with the Rebirth mega-arc, the new run is a great place for new readers to get into the series, especially for someone like me who kind of just tapered off with the title and has only read a few issues here and there. The new creative team has started off fairly strong and the Borne Again arc looks set to be a really good one.
The previous two issues were slow-burners, but not this one, for this one has much more action this time and it is paced well along with the backstory reveals, not to mention a guest appearance by someone unexpected! What I liked about this issue was that it really opened up the world of Witchblade lore for readers, whether new or old, and Laura’s art continues to be good, despite a few problematic areas here and there.
A few days ago I did my best of 2013 list for the books I had read in the second half of the year. In a departure from previous such lists I divided the books and the comics into separate posts so that I didn’t have one massive post up. Massive posts are a bit tough to handle, especially when you are promoting them on social media. And with the split posts, the directions are different and there’s no unnecessary crossover.
So, with the books already having been covered, I now delve into my favourite graphic novels of the year. A post with the best single issues will follow on later.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then!
After a slight bit of delay, Witchblade #171 is finally out. When Witchblade #170, marking the start of a new arc on the title with Ron Marz returning after a long time, came out in October, I was pretty damn excited for the issue, being a big fan of Witchblade and Sara Pezzini. Joining Ron on the title was artist Laura Braga, and together they turned out a fairly good issue that was better than I had expected. Not having kept up with the series for a while, I felt I would be lost, but with the new arc, Ron and Laura turned out a great jumping-on point.
Witchblade #171 continues the arc begin in the previous issue and it deepens the mystery surrounding the cliffhanger ending that we saw at the end of that issue. And the flashback scenes are perfectly placed to move along the overall narrative. The ending to this issue is just as damn awesome as the one for the previous issue, and given the flashback, it makes a strange kind of sense. The mysteries continue and everything looks pretty darn good for sure.
More than a year on since I first read a Witchblade comic, and I’m still in love with the character of Sara Pezzini and the entire setting that has grown up around her and the other Artifact-bearers in the Top Cow Universe. While initially it all comes across as very superheroish, its all just the surface details really since none of these characters are what I’d typically call superheroes. They are quite different, and Sara Pezzini/the Witchblade show that off quite handsomely.
I haven’t actually read all that many Witchblade comics, which is why this week’s Witchblade #170 is so significant a read for me. Ron Marz is returning to the title after a long hiatus, replacing Tim Seeley as the series writer and Laura Braga is coming on as the artist, replacing Diego Bernard. As such, this is meant to be a jumping-on point for readers and it starts off a whole new arc.
As the title says, I was conflicted about what to post for today’s Advent Reviews. I didn’t want to do any negative reviews, for an obvious reason: today is Christmas Eve after all and it’s time for good cheer, not for me to rain down on someone’s parade! Doing negative reviews before was fine, kind of. I didn’t want to do a positive review either, since I do so damn many of them anyway. I often take a lot of flak for being that positive, especially when it comes to Black Library publications, so I wasn’t really on the mind for any of that either. Just thinking of any possible backlash rains down on my parade, you know? In short, I didn’t want to do a review period. What follows is a stream-of-consciousness post. Apologies for any incoherency.