Thanks largely in part to Ron Marz and Laura Braga’s recent work on Witchblade, I’ve gotten into the groove of catching up on the back-issue trades of the series, from when Ron Marz started his run, and it has been a pretty damn good experience as well. But then, I expected that already since I’ve loved Ron’s recent work on Witchblade. Sara Pezzini is easily one of the best and most awesome female characters in comics, and while Laura’s art has been somewhat problematic, it has also been quite good, enough so that I keep coming back to the series for that.
After the end of the first arc, Ron Marz launched a brief interlude intended to catch up Rooney with Sara’s background, and also to tell some short stories such as the ones in Witchblade #175 which bring back characters like Patrick Gleason and also introduce new bearers of the Witchblade from years past. In Witchblade #176 Ron tells a straight-up horror story involving kidnapped children, and in Witchblade #177 he launches a new arc that sees Sara try to get some answers as to how Jackie Estacado’s wife came to be the current bearer of the Angelus. In both Witchblade #177 and #178, we see some of Ron’s best writing with his second run on the title, and also some great art by Laura Braga.
Witchblade is one of Top Cow’s biggest IPs, by far. Unless I am mistaken, it is one of the publisher’s only two titles to have made it past the landmark 100th issue, and the only one to have made it past the landmark 175th issue as well. And one writer who has shaped this incredible run, more than others I’d reckon, is Ron Marz, who enjoyed a seventy-plus issue tenure before he got back on the title with issue #170 last year. Of all the Witchblade stories I’ve read to date, Ron Marz’s scripts have been the most consistent and engaging and my current read-through of his run has been a very rewarding experience.
Witchblade Volume 2 continues everything that Ron Marz setup in Witchblade Volume 1, taking the Witchblade’s bearer Sara Pezzini into new environs and with new supporting cast members. Unlike the previous volume, this one contains many one-shots that slowly build-up a larger story continuing the plot threads that Ron introduced at the start of his run. If anything, I enjoyed this volume even more than the first, though it should be said that sometimes the stories can be a bit too much by-the-numbers. Like Phil Hester says in the introduction to this volume, Ron defies expectations and notions of genre limitations.
In the last couple years Top Cow’s Witchblade IP has become one of my favourite reads in comics. Whether it is Witchblade/Sara Pezzini in the pages of Artifacts or Witchblade or in any crossovers here and there, I’ve always loved her as a character. Sara Pezzini to me is one of the best female characters in comics, by far, easily a match for the greats such as Wonder Woman or Storm or Batgirl or Black Widow. And if there is one man out there who has shaped my experience of Sara Pezzini, it is Ron Marz, who has written more Witchblade than any other writer and has had a long run on the core title as well.
Witchblade Volume 1, from my understanding of things, marks a new phase in the life of the protagonist Sara Pezzini as she continues to bear the heavy burden of being the bearer of the Witchblade, a mysterious artifact that has bonded itself to her and has allowed her to face criminals of all stripes and even the more supernatural of individuals. This was Ron’s first arc on the title, and for me it proved to be some of his best work to date, not to mention that the artwork by Mike Choi and others was great as well, capturing the feel of the city and the dark tones of the story.
With everything going on right now, I had doubts whether I’d be able to get through many comics this week but it seems that this was indeed the week where I surprised myself in a big way. Not only did I catch up on quite a few new titles, but I also managed to read two graphic novels this week, one of them at almost 300 pages no less!
The surprise hits of this week were Doctor Who: Eleventh Doctor #2 from Titan Comics, Judge Dredd: Anderson, Psi-Division #2 from IDW Publishing and Inhuman #5 from Marvel Comics. This week’s surprise flops were Caliban #6 from Avatar Press, Grim Tales of Terror #3 from Zenescope, and Superman Unchained #8 from DC Comics. Of the others, they were mostly great, and I loved that both G.I. Joe Volume 1 and Witchblade Volume 3 are among my absolute favourite graphic novel reads of the year!
It certainly is no secret that making it past double digits is an immense challenge for comics these days, what with all the relaunches and reboots that seem to happen every now and then. But when a title has been going on for almost two decades, almost without interruption, that’s when you know that things are going good. Last year Ron Marz and Laura Braga created a new jump-on point for new readers of Witchblade with #170 and they did it with little fanfare but lots of awesome. And they’ve been going at it ever since, turning out one good story after another.
Witchblade celebrated its 175th issue last week and again, this was all without fanfare. I actually didn’t know that issue #175 was going to be a special anniversary issue with more than twice the content until I picked up the issue and started reading. Ron and Laura wrapped up their first arc on the series last month and now they delve into new territory as they explore some of the more ephemeral and psychological aspects of the Witchblade, and the bonus content rocked from start to finish as well, including a short story from a completely different creative team.
New creative teams on long-running titles can often have an uphill task. This has happened time and time again in the industry and will likely happen countless times again in the future. But for the moment, I must say that the creative team of Ron Marz, Laura Braga, Betsy Gonia and Troy Peteri have been doing wonders with Top Cow’s premier title, Witchblade. I’ve read some comics from the previous creative team and while they were decent enough, they weren’t as good as what the new creative team has turned out in the last six months. The Borne Again arc has been a ton of fun, and no mistake.
Witchblade #174 brings this new arc with the new creative team to a close. Having rid herself of the Witchblade, all Sara Pezzini wanted was to live a normal life as a Sheriff in some out-of-the-way county, but then her past caught up to her and she was right back where she left things off. In the new arc she’s gone up against a madman and a zealot both, and now she ends that threat pretty decisively. Ron Marz’s writing is as good as ever and while there a few more problems this week with the art, Braga and Gonia still deliver a beautiful looking issue nonetheless.
It isn’t for no reason that Ron Marz is one of my favourite writers working in the comics industry right now. His work is always rather… fluid in terms of the story and the concepts are always interesting to say the least. I’ve read a fair amount of his work till now, though I still have a mountain of it to go through, but none of his work has stayed with me as much as his current run on Witchblade, which is his second run on the title. The Borne Again arc has really been putting Sara through the paces and it explores a world where the balance between the Light and the Dark is no more.
Investigating a series of grisly ritualistic murders, Sara has come under fire herself and become part of a greater conspiracy that seeks to use the imbalance between the Light and the Dark to make everything even worse. Too much of anything is a bad thing, that’s one of the central concepts of this arc that Ron is telling, and in this issue we begin to see the genesis of how that imbalance is getting skewed even further. And in the middle of it, Laura Braga and Betsy Gonia’s art continues to be good, which is what I wanted!
If you’ve been following Top Cow news in the last couple of months or so, then you know that writer Ron Marz is back in the saddle for Witchblade, this time with artists Laura Braga and Betsy Gonia. Working in a world set after the events of Tim Seeley’s run with the Rebirth mega-arc, the new run is a great place for new readers to get into the series, especially for someone like me who kind of just tapered off with the title and has only read a few issues here and there. The new creative team has started off fairly strong and the Borne Again arc looks set to be a really good one.
The previous two issues were slow-burners, but not this one, for this one has much more action this time and it is paced well along with the backstory reveals, not to mention a guest appearance by someone unexpected! What I liked about this issue was that it really opened up the world of Witchblade lore for readers, whether new or old, and Laura’s art continues to be good, despite a few problematic areas here and there.
A few days ago I did my best of 2013 list for the books I had read in the second half of the year. In a departure from previous such lists I divided the books and the comics into separate posts so that I didn’t have one massive post up. Massive posts are a bit tough to handle, especially when you are promoting them on social media. And with the split posts, the directions are different and there’s no unnecessary crossover.
So, with the books already having been covered, I now delve into my favourite graphic novels of the year. A post with the best single issues will follow on later.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then!
After a slight bit of delay, Witchblade #171 is finally out. When Witchblade #170, marking the start of a new arc on the title with Ron Marz returning after a long time, came out in October, I was pretty damn excited for the issue, being a big fan of Witchblade and Sara Pezzini. Joining Ron on the title was artist Laura Braga, and together they turned out a fairly good issue that was better than I had expected. Not having kept up with the series for a while, I felt I would be lost, but with the new arc, Ron and Laura turned out a great jumping-on point.
Witchblade #171 continues the arc begin in the previous issue and it deepens the mystery surrounding the cliffhanger ending that we saw at the end of that issue. And the flashback scenes are perfectly placed to move along the overall narrative. The ending to this issue is just as damn awesome as the one for the previous issue, and given the flashback, it makes a strange kind of sense. The mysteries continue and everything looks pretty darn good for sure.
More than a year on since I first read a Witchblade comic, and I’m still in love with the character of Sara Pezzini and the entire setting that has grown up around her and the other Artifact-bearers in the Top Cow Universe. While initially it all comes across as very superheroish, its all just the surface details really since none of these characters are what I’d typically call superheroes. They are quite different, and Sara Pezzini/the Witchblade show that off quite handsomely.
I haven’t actually read all that many Witchblade comics, which is why this week’s Witchblade #170 is so significant a read for me. Ron Marz is returning to the title after a long hiatus, replacing Tim Seeley as the series writer and Laura Braga is coming on as the artist, replacing Diego Bernard. As such, this is meant to be a jumping-on point for readers and it starts off a whole new arc.