I recently started reading Tim Seeley’s works with his now-ended run on Top Cow’s Witchblade, his new series Grayson for DC Comics and his work on the multi-author Batman: Eternal weekly series. He is certainly among one of my favourite writers, though I haven’t always liked his work but regardless, he is one of those writer-artists that I want to experience more of. His Revival series for Image is a title I’ve long had my eye on, and will hopefully be getting a start on soon enough. In the meantime however, I have his brand-new series for Dark Horse, Sundowners, to tide me over.
This new book has to be the trippiest book I’ve read since Max Bemis’ Polarity from Boom Studios (last year, I think). It presents a world where superheroes are real, but not in the sense that they actually have powers, they just are regular people acting as vigilantes in most cases. And they dress up of course. There are five main characters here in this issue, and each offers something different to the reader. In many ways, the trippy nature of this comic makes it one of my favourite Tim Seeley reads to date, and the art by Jim Terry and Sean Dove is also impressive, really getting across the dirty and gritty nature of the world.
Next month, almost all of DC’s titles are going to jump forward five years from their present timelines, to bring them to parity with the on-going Future’s End weekly series. It is going to be an interesting month, though I can’t help but groan at the massive time-jump, and part of that interest is what is going to happen to characters and titles that I love, such as Justice League Dark. Since the end of Trinity War last year, the title has really stepped up to become one of my favourite titles with the JLD crew being among my favourite titles. J.M. DeMatteis has shepherded the supernatural Justice League quite nicely in the last year, and the recent issues bear that out.
Boston Brand aka Deadman has kind of operated on the fringes of the Justice League Dark since he joined up back in 2011. Most of the stories told so far have focused on the other members and he didn’t really get a chance to shine until quite recently with the Forever Evil: Blight story arc that saw him possess the Sea-King from Earth-3. With Justice League Dark #33 and #34 however, DeMatteis has changed that around and even delved into Boston’s history and his time at Nanda Parbat. As ever with the writer, the story is well-told and artist Andrew Guinaldo has finally settled into the title as well.
When Grimm Fairy Tales #100 ended on a big damn cliffhanger in which all the magical realms of Wonderland, Oz, Myst and Neverland merged with Earth to create an altogether new realm, my jaw pretty much dropped. It was a monster ending to a landmark issue of one of the most fun titles I’ve read in the last two years. Zenescope’s Age of Darkness event was all building up to this in the last 9-10 months, and it was gratifying to see a big ending like this. But of course, this was just the start of something new, for while the villains had been ascendant up until this point, now it was the heroes’ turn to put their best foot forward.
Realm War: Age of Darkness #1 and #2 deal with the fallout of Grimm Fairy Tales #100. The heroes were beaten back at great cost to themselves and both Lucinda the Dark Queen and Malec the Dark One proved the power of their Dark Horse decisively and without any real contest. Now, they consolidate their rule on the merged realms and much of these two issues deal with what has happened since the cliffhanger, bringing us up to date with all major surviving characters and creating new story tangles in a way that is intrinsic to Grimm Fairy Tales. Read the rest of this entry
War stories and DC Comics haven’t mixed so well in the New 52. Back in 2011, the publisher launched Men of War and G.I. Combat as part of the new line-up but the books were cancelled in short order. The reasons are many of course, and not necessarily just that the titles plain didn’t sell well on the shelves. But then that’s the thing, and has become part of the larger problem of the entire New 52 launch. Still, war stories and comics, they mix together fairly well I think and numerous attempts have been made over the years to bring to them a mass-appeal.
Jimmy Palmiotti and Justin Gray, two of the best writers in the business, launched Star Spangled War Stories Featuring G.I. Zombie last month with a new #1, and I’d say that they are off to a great start. The title mixes in a zombie soldier with a D.O.D agent, sent on a mission to track down a bunch of gunrunners. The first issue starts off right in the middle of the story, with the big twist halfway through being excellent (never read something with G.I. Zombie before), and the story continues on in the second issue to be a whole lot of fun. Writing is far better than I’d thought it would be, and the (painted-ish) art by Scott Hampton is also impressive.
I don’t know if it is just me but since Fall last year it looks like Jim Zub is quickly becoming one of the hottest writers in the industry. After the success of his Image series Skullkickers, he seems to be getting projects green-lit left and right, whether that be the awesome Samurai Jack tie-in for IDW or the Pathfinder: City of Secrets tie-in for Dynamite (he wrote more Pathfinder before as well, I think), or even a few one-shots here and there. For the most part, all that I’ve read from him has ranged from the good to the really great. Skullkickers is something that I’ve been meaning to read for a while and it looks like I really need to jump on with this, because I just need to read more Jim Zub every month.
The latest project from Jim is Wayward, the first issue of which came out yesterday. Working alongside artists Steve Cummings, John Rauch and Marshall Dillon, Jim has crafted a really suspenseful and mysterious tale about a Japanese-Irish girl coming to Japan to live with her mother and getting caught up in some kind of supernatural antics, such as when she starts to get followed by cats and can find her way to new places purely by instinct or… more. The writing is excellent of course, but it is really the art that shines through so much, with all the colourful magic quality of Japan and a bit of mysticism thrown in.
Thankfully, I’m finally settling back into the groove with comics reading and, most importantly, comics reviewing, as I managed to review a fair bit of titles this week and even caught up with reviewing some previous titles that I’ve unfortunately had to neglect for one reason or another.
The surprise hits of this week were Cartoon Network: Super Secret Crisis War: Billy and Mandy #1 from IDW Publishing, Wolverine Annual #1 from Marvel Comics and Vampirella #3 from Marvel Comics. The surprise flop of the week would be Batman: Eternal #20 from DC where the title seems headed downwards just when it was getting once again, and The Wicked + The Divine #3 from Image where the title took a nosedive this week after a second issue that was really good. No graphic novels again sadly, though I hope to correct that that this week. I hope..
Last month writer Christos Gage and artist Rebekah Isaacs closed out their first arc on the new season of Buffy the Vampire Slayer, and it was a pretty damn awesome issue by all counts. Pretty much perfect in fact, an issue that I really, really liked. The two of them were a really solid team and with this new season of Buffy they’ve made me really nostalgic for the good old days of watching Buffy and Angel on the small screen. That’s as it should be, by my count, since these are tie-in comics that continue on the story of the shows once they finale’d themselves and Buffy the Vampire Slayer Season 10 especially is one of the best new comics of this year.
The new arc on this series sees Rebekah Isaacs replaced by the duo of Karl Moline and Cliff Richards, and what’s great is that the two of them stay really close to Rebekah’s own style. Christos still tells a damn good story, one which involves all the members of the team as they try to get back to some semblance of a normal life after the recent events involving Dracula and the demon Maloker. The personal story here really speaks out to some real problems the team faces and I loved how that transitioned to a really great mission.
Stjepan Sejic is one of the best artists in the business, that’s for sure. Undeniable. But the question is, is he also a good writer? That’s what last year’s Ravine and this year’s Death Vigil, not to mention his fun series Twitch (Teen Witchblade) has been trying to answer. While my first run-in with Ravine wasn’t so good, Death Vigil #1 took me by surprise last year and set a pretty high standard where comedy supernatural horror is concerned. Stejpan both wrote and drew the comic and it proved to be one of the absolute best issues that I’ve read all year and the start of something great.
Released this past week, Death Vigil #2 continues from where the first one left off and we meet up with Bernie, Sam and Clara attempt to wind-down after the events of the first issue, which was almost twice the length of a regular issue at that! Previously, we saw a few glimpses of Sam’s previous life, before he died and became a member of the Death Vigil, not to mention Clara’s own origin as a member, so this time Stjepan focuses on the second half of that tale. We see exactly how Sam finally joined and how he and Bernie convince Clara as well. It was a pretty damn good issue, both in terms of the story and the art.
In an effort to catch up, this is my second “Comics Picks For…” post today, and largely because I just want to keep track of my reading really. It is a real effort otherwise as my reading list is seriously outdated. Plus, I like to promote good properly and this is a great vehicle for that other than reviews. In this week, I didn’t really download any new comics so the list of comics read and the top picks are just what I read in that week, instead of including the new week’s releases as well.
The surprise hits of this week were Armor Hunters: Bloodshot #1 from Valiant Comics, The Wicked + The Divine #2 from Image COmics and Cartoon Network: Super Secret Crisis War: Johnny Bravo #1 from IDW Publishing. No surprise flops this week, just comics that didn’t work for me, like Star Wars: Darth Maul: Son of Dathomir #3. The other comics were all decent at the least and I even managed to read a trade collection this week, beginning the start of my big “Witchblade read” from Ron Marz’s epic run on the title.
As per my plans, I didn’t do one of these posts in the past 2 weeks since I was on a holiday. And a great holiday it was indeed. I didn’t get to do more than a very small handful of reviews, more like just two or three in all, but I managed to read a fair bit and kept myself on target for my comics reading.
The surprise hits of this week were Storm #1 from Marvel and Star Spangled War Stories #1 from DC Comics. The surprise flop of the week would be Batman #33 from DC Comics. Not exactly a bad comic but just a disappointing one. All the other comics were pretty much good, excepting Flash #33, where I still can’t really connect with what the new creative team is doing there. I wanted to read a trade paperback comic as well during this week, but the first few days of the vacation were very busy and all these comics were pretty much read in the last 2-3 days of the week so that didn’t happen.