More than any other author at Black Library presently, it seems that David Annandale is by far one of the busiest of the lot, if his output in the last couple years or so is any indication. Multiple short stories, a novel, multiple novellas. And his work has been seen digital-to-print republication. For me, he has certainly emerged as one of the best of the bunch, owing in part to his technical writing and his characters and plots of course. It also helps that in much of his work he has chosen to write about factions and characters that usually don’t see the light of day otherwise, much.
About ten days back or so I mentioned in my review of Forge Master that it was part of a trilogy of novellas about the Overfiend of Octavius, an Ork Warlord who controls one of the biggest Ork empires in the galaxy. Where Forge Master was the capstone to that trilogy, Shadow Captain is the middle narrative and is told from the perspective of the Raven Guard rather than the Salamanders. And the events in this novella take place just before the events of Forge Master. Just as with it successor, Shadow Captain proved to be a most entertaining read, and it shined the light on another of my most favourite Space Marine chapters.
In the last two years, Black Library has gone all-out with its range of novellas, whether we talk about the Horus Heresy series or the more “contemporary” Warhammer 40,000 setting. In fact, I’d say that there are too many novellas being released, at the expense of new novels, and I stand by that statement, looking at their released schedule for the last few months. But then, there are novellas like Promethean Sun, Iron Warrior and Knights of the Imperium Master which make it all really worth it. And when the publisher goes for a combo of novellas/novels, that’s when I really sit up and pay attention.
Forge Master is part of a trilogy of novellas about the Imperium’s campaign against the Overfiend of Octavius, the Warlord of one of the greatest and most powerful Ork empires in the galaxy. Told from the perspective of different Space Marine chapters, each novella covers a different part of the campaign, in this case, the Salamanders. The novella covers a small strike team of the Salamanders as they board an Ork flagship looking for a prisoner and David Annandale’s writing here is some of the best I’ve seen from him. In fact, it may be his best work that I’ve read to date.
The Horus Heresy is the one part of the Warhammer 40,000 lore that has had the most impact on the 41st millennium, the specific time of this far-future space opera/science fantasy setting that we are all most familiar with. The events of that era have influenced everything has happened since, and when Black Library began exploring this age of wonders, it was like a dream come true for countless fans of Warhammer 40,000. The response was phenomenal of course and in no time the series became a New York Times Bestseller hit. The army of writers involved have plumbed all sorts of depths of this era and they have come up with some really wonderful stuff over the past few years.
Of course, they’ve also had to deal with some of the downsides of this effort, and from my understanding, one of these is how Primarchs like Vulkan and Corax escaped the massacre at Istvaan V after the death of their brother Ferrus. Gav Thorpe explored the latter in an audio drama and a novel (both of which are fantastic by the way) and the former is dealt with by Nick Kyme, a recent entrant to the Heresy writing team and the result is one of the most bleakest Horus Heresy novels to date, Vulkan Lives. Nick explores the Primarch himself and one of the shattered remnants of the Salamanders Legion in this novel, and the results are interesting.
It is no secret that Gav Thorpe is one of my favourite authors. Whether we talk about his work for Games Workshop and Black Library or his original novels for Angry Robot, he has always impressed. And one of his specialty areas is audio dramas. He has penned two of my favourites, the Warhammer Fantasy audio Aenarion and the Horus Heresy audio Raven’s Flight. Both audios are superbly written, and also superbly voice-acted, which is another great thing about them. He has penned others over the years, and his latest is one that focuses on the Eldar for a change, particularly one of their more interesting Aspects, the Howling Banshees.
Generally, Black Library doesn’t put out a whole lot of fiction featuring the multitude of alien species. Gav’s Eldar trilogy and Andy Chambers’ Dark Eldar trilogy are exceptions, although I cannot speak to the quality of either as I have not read any of them. Yet. But, if Gav’s novels are anything like this audio, then I will definitely give them a chance. Howl of the Banshee is also notable because it has an all-female cast of voice-actors, which is pretty dam rocking in itself, since it just doesn’t happen with BL’s audios! So that’s another win for this audio.
For a good three years now, Black Library’s audio output has been quite impressive. Both in terms of quality and quantity. Thanks to the success of the Horus Heresy audios such as Gav Thorpe’s Raven’s Flight and James Swallow’s Garro duology, the publisher’s audio franchise has really taken off for the Warhammer 40,000 timeline as well. I’ve certainly been enjoying them thus far, though there have been a few along the way that I did not like, and would even consider to be among the lower-tier works put out by the authors. But I won’t deny that BL audios are generally so much damn fun to listen to.
A short while ago we got the latest Horus Heresy audio by Graham McNeill, in which he built on many of the different concepts he’d introduced in his amazing Thousand Sons-centric novel, A Thousand Sons. They are one of the least-covered legions, although they do get a leg-up since they’ve had a novel published about them. I loved A Thousand Sons when I read it three years back, and I enjoyed Thief of Revelations as well. As ever, the audio quality was superb, and the script was really good too, offering parallels to the relationships between the Emperor and the Primarchs that have been the cornerstone of the Heresy.
For this new seasonal list of the best SFF characters I’ve read this year, my seventh pick is Vulkan, Primarch of the Salamanders Legion of Space Marines, from Nick Kyme’s Horus Heresy novella Promethean Sun, which gave us the first in-depth look into the character after a truncated series of cameos elsewhere in the series. As a fan of the Salamanders, this was the kind of story that I’d wanted for a long time but was unable to get it on release since it was offered as an expensive limited-edition product and was out of my range. But a re-release was offered this year and was a quick pick-up for me.
Hit the break to see why I picked this character.
Since 2013 is now over, its time to do my second “Best of the Best” list, for the second half of the year from July-December. There were some really good reads in this period, and as always, picking the best has been a chore. I always try to keep these lists as diverse as I can and hopefully you agree.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then! Read the rest of this entry
There’s an article floating around today in which Damien Walter talks about grimdark fantasy within the context of the David Gemmell Legend Award and the World Fantasy Award. There has been a lot of discussion about the contents of the article and grimdark fantasy on both Twitter and on the article itself. In a nutshell, it has been a very interesting argument on all sides and some good points have been made. But, as a reader and reviewer, I feel that something is getting lost in the translation because there are misconceptions being thrown about as to what grimdark fantasy is.
Additionally, there has been a distinct lack of acknowledgement of grimdark fantasy as written by women. Or, you know, just grimdark fiction in general, whether it is science fiction or fantasy. This isn’t something new of course, because the publishing industry and the reader/fan-base have become adept at glossing over the contributions of women in SFF, for the most part. This is a perception that desperately needs to change but sadly, there are very few agents of such change.
Regardless, fact remains that grimdark fiction isn’t what most people think it is. It is much more nuanced than the general public believes to be.
As part of my “Top 25 Series To Read In 2013″ reading challenge, I’ve read a fair amount of books this year that can be considered to be classics of science fiction and fantasy, in all their different forms. There is a certain charm to all these novels that has persisted long after they were first published. Whether we talk about Frank Herbert’s space operatic political intrigue epic Dune or Margaret Weis and Tracy Hickman’s true-to-style epic fantasy Dragons of Autumn Twilight, I’ve had a lot of fun with these novels.
And that is my question: are they re-readable? I’ve read Dune and Dragons of Autumn Twilight several times since when I first read them in 2001. I think they are rereadable, but I’m not completely sure. Is the question answerable in part with regard to whether the book is good or not? We shall see.
I’ve been a fan of Black Library for a long time, going on about 11 years now, roughly. It all started with a copy of William King’s third Space Wolf novel, Grey Hunter, and was soon continued on with the first six novels in Dan Abnett’s Gaunt’s Ghosts series. Since then, I’ve read a lot of the novels, and the short stories, and the anthologies, in all the different formats that have been put out. I took a long break in the middle, around late 2008 however, and didn’t get back into the swing of things until later 2010, by when there had been some big changes to everything, new series, new authors, new formats even (the Hammer and Bolter eZine). It was an exciting time
Right up until late 2012 that is. For someone just getting back into BL fiction, those two years were well-spent, catching up on a lot of the stuff that had been put out in the intervening years, and during that period. I repeated often last year and the year before that, that BL was enjoying very much a golden year since the Horus Heresy series continued to gain more recognition, with each book going on the New York Times Bestsellers List, with lots of new authors coming in, some truly amazing artwork from a whole new generation of artists and so on and so forth. BL had even embraced digital publishing wholeheartedly and were making some great inroads.
But then, they started dropping the ball with their marketing. Curious, inexplicable decisions were being made. And a lot of it was coming together at the same time. And it baffled me. Still does. Which is why I’m writing this post at this time, and not before. Because by now I’ve seen a lot of the fall-out from all the decisions that they’ve made in the last year or so.
So read on, and enjoy. And if not, I welcome any opinion that differs from mine. Also, authors are welcome. Any time. You can find all previous Publishing and Marketing posts here.
Its been ages since I’ve read any Black Library short stories. I used to read them quite religiously up until January of this year, but then it all just kind of fell off since I was focusing far more on reading novels, whether from Black Library or any other publisher. A couple weeks ago, I started to go through some of the recently released short stories, and by “recently released” I mean the last eight months. And I was intimidated by how many had been released in this window.
However, the ones that really caught my eye were the three short stories that featured the Eldar and told the three-stage tale of the Carnac Campaign. Written by Joe Parrino, Graeme Lyon and Rob Sanders, these short stories proved to be among the best of the format that I’ve read over the years from Black Library. Nightspear, Sky Hunter, and Spirit War each tells us a different aspect of the Carnac Campaign, and I thoroughly enjoyed each of them.