The Gotrek & Felix novels by both William King and Nathan Long are among the very first Warhammer Fantasy novels I bought back in 2005/2006 when I was getting back into Black Library reading with the Warhammer 40,000 setting. I was already a huge fan of Bill’s Space Wolf series, and making the transition to the fantasy side of things with both Gotrek and Felix was rather easy as it turned out. Even Nathan’s own work was great once I started reading it. But then, eventually, Nathan moved on to other things as Bill had before him, and the tale of the Trollslayer and his rememberer passed into the hands of another new generation of writers.
Of these new writers, David Guymer is one of only two writers who have been asked to continue on the adventures of Gotrek Gurnisson and Felix Jaeger. I’ve read both of Josh Reynolds’ novels, Road of Skulls and The Serpent Queen and loved them both. With David however, the transition has not been easy, though I liked the audio drama he did with them last year. City of The Damned is a continuity-free novel like both of Josh’s novels, but it also is set up as a prequel to the more recent release, Kinslayer which is the first part of the Doom of Gotrek storyline and is the penultimate novel in the final ending of Gotrek’s saga. I read it earlier this month and I have somewhat mixed feelings about it.
This post is coming in at a slightly later time than I’d prefer, about two weeks late at least, but I guess I can’t really “complain” when the lateness is due to my own wedding which took place exactly two weeks ago on the 5th. It has certainly been a very busy and intense time, what with being engrossed in all the marriage stuff and then even after that there’s been one thing after another. Reading time has definitely suffered greatly, which makes me a little sad considering how much I love reading, but eh, all for a good cause really.
With half the year now over, it is time to do the first of my “Best of the Year” posts, for the period 1st January to 30th June. There’s been a ton of books that I’ve read in this period as usual, and I made a very strong effort to read more tie-in fiction than I usually do, so the list is most assuredly going to reflect that. Tie-in fiction is a very important part of the publishing industry I feel and it always deserves some recognition. Now if we could only get an award started that celebrated tie-in fiction and all would be alright with the world. Or so my thinking goes.
Let’s see what makes the cut and which comes close then!
Last year in January we had the first Gotrek & Felix novel after a gap of several long years. The series started off as short stories by William King that were eventually collected into a novel and became a trilogy, then a double trilogy and so on. Eventually, when William King left, Nathan Long was brought in and he enjoyed a good long run as well. But then the series lapsed and all we had for a while were more short stories and even some novellas, although they were primarily written by a new incoming group of authors. It was good stuff. But what we really needed was a full novel, and that’s what Josh Reynolds’ Road of Skulls did.
The new Gotrek & Felix novels, whether those written by Josh Reynolds or David Guymer, are set out of continuity, which means that they are not part of the main series and are set somewhere in between those adventures already published. Road of Skulls, the first in his new set of novels, was an absolute fantastic read and reminded me of why I loved the series in the first place. And now we have the third novel, The Serpent Queen, and it is every bit as good. It features some more out-of-continuity adventures but sets them in the Southlands, in the homelands of the Lizardmen and we see a conflict between Tomb Kings and Vampires. Pretty superb right out of the gate.
So ends another Time of Legends trilogy. C. L. Werner’s Black Plague is part of the second wave of trilogies that are part of the overall Time of Legends brand, trilogies that tell the tales of some of the greatest events in the Warhammer Fantasy Battles lore, such as the Fall of the Elves in Gav Thorpe’s The Sundering or the rise of Sigmar in Graham McNeill’s Legends of Sigmar. With his first two books in this trilogy, Herr Werner did something that hadn’t quite been there in other Warhammer novels, fantasy with a strong and intense political edge. This is what I loved best about the first novel Dead Winter and with the second novel Blighted Empire.
In the final novel, released a short while ago, Herr Werner took things further and he really established Black Plague as one of the finest trilogies in Warhammer. The action is superb. The characterisation is superb. The handling of all the different characters and the betrayals and alliances is superb. I honestly could not have asked for more on that front. Wolf of Sigmar went in some unexpected directions and since I’m not all that conversant with Warhammer lore, it proved to be a very satisfying read indeed.
For this new seasonal list (another one!!), for the best SFF characters I’ve read this year, my first pick is the duo of Gotrek & Felix from Josh Reynolds’ Road of Skulls, a part of the Gotrek & Felix series, a mainstay for the Warhammer Fantasy setting from Black Library (Games Workshop).
Hit the break to see why I picked these two characters.
In recent years, C. L. Werner has emerged as one of my favourite Black Library authors, especially through his short fiction. Primarily writing in the Warhammer Fantasy setting with an occasional foray into Warhammer 40,000 I think of him as one of the more technically sound authors and someone who can tell complex stories and complex characters really well. He showed that with Dead Winter last year, his first Black Plague novel for the Time of Legends meta-series. It was political epic fantasy at its best and showed a cross-section of the Empire and its enemies at one of the lowest points in the former’s history.
Earlier this year the second novel in the trilogy was released, which I got to read last month. I’ve been really neglectful of my Black Library reading this year, so I haven’t had a chance to read all the books that I’ve wanted to. But what little I’ve read has been quite good and Blighted Empire is a great example of that.
Over at her blog, Helen Lowe has had an interesting discussion taking place of late on the topic of what makes epic fantasy what it is. Its been quite an informative discussion to say the least (more). The descriptions and definitions that people attach to this seemingly simple 2-word phrase have provided a lot of new perspectives, many of which I have never considered before.
And that made me think about how I define “epic fantasy”. What are the components of it? What are the essentials? Like with any other discussion about the definition of genre categories, there are no easy answers here either and that has a lot to do with personal biases and preferences. I’ve seen a lot of books come out in the last few years that have been hailed as epic fantasy but that I wouldn’t necessarily classify as such, since for me there are some basic requirements for a book to be hailed with that genre label.
Which is what this post is about.
There’s an article floating around today in which Damien Walter talks about grimdark fantasy within the context of the David Gemmell Legend Award and the World Fantasy Award. There has been a lot of discussion about the contents of the article and grimdark fantasy on both Twitter and on the article itself. In a nutshell, it has been a very interesting argument on all sides and some good points have been made. But, as a reader and reviewer, I feel that something is getting lost in the translation because there are misconceptions being thrown about as to what grimdark fantasy is.
Additionally, there has been a distinct lack of acknowledgement of grimdark fantasy as written by women. Or, you know, just grimdark fiction in general, whether it is science fiction or fantasy. This isn’t something new of course, because the publishing industry and the reader/fan-base have become adept at glossing over the contributions of women in SFF, for the most part. This is a perception that desperately needs to change but sadly, there are very few agents of such change.
Regardless, fact remains that grimdark fiction isn’t what most people think it is. It is much more nuanced than the general public believes to be.
As part of my “Top 25 Series To Read In 2013″ reading challenge, I’ve read a fair amount of books this year that can be considered to be classics of science fiction and fantasy, in all their different forms. There is a certain charm to all these novels that has persisted long after they were first published. Whether we talk about Frank Herbert’s space operatic political intrigue epic Dune or Margaret Weis and Tracy Hickman’s true-to-style epic fantasy Dragons of Autumn Twilight, I’ve had a lot of fun with these novels.
And that is my question: are they re-readable? I’ve read Dune and Dragons of Autumn Twilight several times since when I first read them in 2001. I think they are rereadable, but I’m not completely sure. Is the question answerable in part with regard to whether the book is good or not? We shall see.
I’ve been a fan of Black Library for a long time, going on about 11 years now, roughly. It all started with a copy of William King’s third Space Wolf novel, Grey Hunter, and was soon continued on with the first six novels in Dan Abnett’s Gaunt’s Ghosts series. Since then, I’ve read a lot of the novels, and the short stories, and the anthologies, in all the different formats that have been put out. I took a long break in the middle, around late 2008 however, and didn’t get back into the swing of things until later 2010, by when there had been some big changes to everything, new series, new authors, new formats even (the Hammer and Bolter eZine). It was an exciting time
Right up until late 2012 that is. For someone just getting back into BL fiction, those two years were well-spent, catching up on a lot of the stuff that had been put out in the intervening years, and during that period. I repeated often last year and the year before that, that BL was enjoying very much a golden year since the Horus Heresy series continued to gain more recognition, with each book going on the New York Times Bestsellers List, with lots of new authors coming in, some truly amazing artwork from a whole new generation of artists and so on and so forth. BL had even embraced digital publishing wholeheartedly and were making some great inroads.
But then, they started dropping the ball with their marketing. Curious, inexplicable decisions were being made. And a lot of it was coming together at the same time. And it baffled me. Still does. Which is why I’m writing this post at this time, and not before. Because by now I’ve seen a lot of the fall-out from all the decisions that they’ve made in the last year or so.
So read on, and enjoy. And if not, I welcome any opinion that differs from mine. Also, authors are welcome. Any time. You can find all previous Publishing and Marketing posts here.