New creative teams on long-running titles can often have an uphill task. This has happened time and time again in the industry and will likely happen countless times again in the future. But for the moment, I must say that the creative team of Ron Marz, Laura Braga, Betsy Gonia and Troy Peteri have been doing wonders with Top Cow’s premier title, Witchblade. I’ve read some comics from the previous creative team and while they were decent enough, they weren’t as good as what the new creative team has turned out in the last six months. The Borne Again arc has been a ton of fun, and no mistake.
Witchblade #174 brings this new arc with the new creative team to a close. Having rid herself of the Witchblade, all Sara Pezzini wanted was to live a normal life as a Sheriff in some out-of-the-way county, but then her past caught up to her and she was right back where she left things off. In the new arc she’s gone up against a madman and a zealot both, and now she ends that threat pretty decisively. Ron Marz’s writing is as good as ever and while there a few more problems this week with the art, Braga and Gonia still deliver a beautiful looking issue nonetheless.
It isn’t for no reason that Ron Marz is one of my favourite writers working in the comics industry right now. His work is always rather… fluid in terms of the story and the concepts are always interesting to say the least. I’ve read a fair amount of his work till now, though I still have a mountain of it to go through, but none of his work has stayed with me as much as his current run on Witchblade, which is his second run on the title. The Borne Again arc has really been putting Sara through the paces and it explores a world where the balance between the Light and the Dark is no more.
Investigating a series of grisly ritualistic murders, Sara has come under fire herself and become part of a greater conspiracy that seeks to use the imbalance between the Light and the Dark to make everything even worse. Too much of anything is a bad thing, that’s one of the central concepts of this arc that Ron is telling, and in this issue we begin to see the genesis of how that imbalance is getting skewed even further. And in the middle of it, Laura Braga and Betsy Gonia’s art continues to be good, which is what I wanted!
Thankfully, this past week was one of recovery. There were a lot of comics to get through and while I only got through about sixty percent or so f the ones that I wanted to, which is pretty much on par with me, I’m quite happy since I also managed to review most of them. The next two weeks are all going to be about getting back on track, before I leave for another 2 week trip to India and then things are going to head downwards unfortunately.
But still, some good comics this week. Pretty much all of the ones I read, I enjoyed, minus one or two here and there. Which is nice. I’m still pretty behind on the whole All-New Marvel Now thing because Marvel is putting out too many new #1s and I just can’t keep up. So that’s a struggle too. Although, surprisingly enough, I read more Marvel this past week than I did DC, largely because I’m behind on a few DC series at this point, and need to significantly catch-up.
Not as busy a week as the last but fairly busy nonetheless. The new creative teams on various ongoing titles continue to go strong, particularly Justice League Dark and Witchblade while some of the newer titles like Black Science continue to be exception, so that’s one thing that I really liked about this past week. January in particular has been a really excellent month of comics what with Marvel’s full-on All-New Marvel NOW! launch and some really good issues for DC’s Forever Evil event.
Just one graphic novel again this week, the Lee/Buscema magnificence that is Silver Surfer: Judgement. I was meaning to read at least one more, but time wasn’t on my side and I missed out. Hopefully the new month gets off to a good start.
If you’ve been following Top Cow news in the last couple of months or so, then you know that writer Ron Marz is back in the saddle for Witchblade, this time with artists Laura Braga and Betsy Gonia. Working in a world set after the events of Tim Seeley’s run with the Rebirth mega-arc, the new run is a great place for new readers to get into the series, especially for someone like me who kind of just tapered off with the title and has only read a few issues here and there. The new creative team has started off fairly strong and the Borne Again arc looks set to be a really good one.
The previous two issues were slow-burners, but not this one, for this one has much more action this time and it is paced well along with the backstory reveals, not to mention a guest appearance by someone unexpected! What I liked about this issue was that it really opened up the world of Witchblade lore for readers, whether new or old, and Laura’s art continues to be good, despite a few problematic areas here and there.
Looks like its going to be the month of busy weeks. The last two weeks I’ve read two graphic novels each along with all my regular monthlies and this past week proved to be no different. Both Detective Comics Volume 4 and The Flash Volume 4 proved to be exceedingly good and now I have two more series that I need to catch up on for the New 52. Tall order, but doable. And as regards the usual monthlies, there were comics across the board, in all sorts of ways: genres, publishers, characters, etc, etc. The year has slowly transformed over the months into a really solid year for comics overall.
I still haven’t made any dent in the pile of graphic novels I have to read, but I’m not too worried about any of it, to be honest. Already used to that phenomenon from my novel reading.
The tenth pick for the “12 Days of Best Covers of 2013″ list is the cover for Wesley Chu’s The Deaths of Tao, the sequel to his 2013 debut from Angry Robot Books, The Lives of Tao by Argh! Oxford. The Lives of Tao is one of the best debut books I’ve read this year, largely because how approachable and… normal its protagonist, Roen Tan, is. The Deaths of Tao lives up to the promise of its predecessor and its a book that’s an adventure from start to finish and I couldn’t get enough of it. The launch of The Lives of Tao was so successful that Angry Robot pushed the release of the sequel up several months and The Deaths of Tao was released quite recently. Which is pretty frikkin’ great actually. I’m hoping that the third novel is release soon as well.
The tenth comic cover that I pick is Marc Silvestri and Sunny Gho’s jaw-dropping cover for Ron Marz and Laura Braga’s Witchblade #170, which sees Ron Marz return to the series after a long hiatus and newcomer Laura Braga join in as the artist. I’ve read a fair few Witchblade comics prior to this and I have to say that Witchblade #170 is definitely among the best by quite a margin. Now that I’m following this series regularly, I’m very excited where things are going, especially given how Witchblade #171 ended. Can’t wait for Witchblade #172, which will be coming in about 4 weeks or so. Long wait.
Without further ado, hit the break to see both the covers in all their glory! The full list of all these covers is available here.
After a slight bit of delay, Witchblade #171 is finally out. When Witchblade #170, marking the start of a new arc on the title with Ron Marz returning after a long time, came out in October, I was pretty damn excited for the issue, being a big fan of Witchblade and Sara Pezzini. Joining Ron on the title was artist Laura Braga, and together they turned out a fairly good issue that was better than I had expected. Not having kept up with the series for a while, I felt I would be lost, but with the new arc, Ron and Laura turned out a great jumping-on point.
Witchblade #171 continues the arc begin in the previous issue and it deepens the mystery surrounding the cliffhanger ending that we saw at the end of that issue. And the flashback scenes are perfectly placed to move along the overall narrative. The ending to this issue is just as damn awesome as the one for the previous issue, and given the flashback, it makes a strange kind of sense. The mysteries continue and everything looks pretty darn good for sure.
Slow reading this week, mostly because of the fact that my weekend was taken up entirely with celebrations for Diwali, an annual Indian festival, and because the National Novel Writing Month began on the weekend too. So I was either having a blast with cousins, and getting tired out a lot, or doing lots of writing on a new project which you can read about here.
Right mix of comics once again, some of them disappointing, some of them unexpectedly good, and some in between as well. Got another graphic novel finished this week, which was good. I’ve had it on my reading list for ages now, so its nice to get that out of the way and reduce my immense reading pile by that much at least. Pretty tough to maintain a reading list as long as mine.
Next week, or this week rather, should be good since there are a lot of cool comics coming out. And I’m hoping to get another graphic novel out of the way. We’ll see.
More than a year on since I first read a Witchblade comic, and I’m still in love with the character of Sara Pezzini and the entire setting that has grown up around her and the other Artifact-bearers in the Top Cow Universe. While initially it all comes across as very superheroish, its all just the surface details really since none of these characters are what I’d typically call superheroes. They are quite different, and Sara Pezzini/the Witchblade show that off quite handsomely.
I haven’t actually read all that many Witchblade comics, which is why this week’s Witchblade #170 is so significant a read for me. Ron Marz is returning to the title after a long hiatus, replacing Tim Seeley as the series writer and Laura Braga is coming on as the artist, replacing Diego Bernard. As such, this is meant to be a jumping-on point for readers and it starts off a whole new arc.