Monthly Archives: September 2013
Earlier this month I posted two surveys on my blog. Sort-of surveys at any rate. You can find the one about books here and the one about comics here. I really had a lot of fun doing those, and I thought it would be fun to doing them again, but with a cool twist that I hope sounds as inspired to you as it does me. Or maybe not.
I spent the last 3 hours thinking of some kind of a blogpost to write. There are some ideas I had but nothing I could put up today, which was the whole point really. So yeah, this is going to follow the same meta layout as the other surveys. I’m not limiting this survey to just novelists, I’m including comics writers as well.
Hope you enjoy! And do share your thoughts in the comments!
As a long-time fan of Marvel’s original run on G.I.Joe under Larry Hama, and the cartoon series that those comics spawned, I’ve had a really great experience with the various comics that IDW Publishing has been putting out of late. I found out about them last year in June, and I haven’t looked back since. I haven’t been able to catch up to all the comics as yet, and trust me, there are a fair few of them out there right now, but I certainly intend to do just that.
Recently, IDW did a reboot of sorts for their range of G.I.Joe comics, headlined by Fred Van Lente who is the ongoing writer for the excellent Archer & Armstrong series from Valiant Comics, and this reboot has led to at least two spin-offs, Special Missions by Chuck Dixon and Cobra Files by Mike Costa, both of whom have worked extensively on the previous runs of IDW’s G.I.Joe comics. I read the first three issues of Chuck’s Special Missions just an hour ago, and I find myself quite taken with the story.
Its the third week of DC’s Villain’s Month and alongside The Flash, Batman: The Dark Knight is the only series so far that has had three consistent villainous one-shots. Gail Simone’s Ventriloquist was the first, followed by Justin Gray and Jimmy Palmiotti’s Mr. Freeze. And now we have John Layman’s Clayface. Fantastic stuff all around. Not all of Batman’s various villains have come out on top so far, especially not the ones I really expected to. So its a surprise for me when I ended up loving all these three issues so much.
I’ve recently started reading John’s run on Detective Comics, with the current arc that focuses on the villain Wrath, and I’ve been enjoying all these issues. He definitely gets the dark, moody tone of Batman comics and the setting, Gotham itself. He really excels at it. While Clayface is more of a humor piece, it is still quite dark and gothic. Interesting dichotomy right there.
Three weeks into DC’s Villain’s Month and I have to say that The Flash has come out on top so far with the best-written and best-drawn titles so far. Grodd was a fantastic issue that made me want to go back and read up on the Gorilla Warfare arc. Reverse-Flash was another oustanding issue that carried on the current arc, which I’m following, really, really well and ended on an awesome cliffhanger. And this week’s Rogues was a yet another excellent entry.
With each of these issues, writers Francis Manapul and Brian Buccellato have given me innumerable reasons to catch-up on their entire arc for the New 52 version of the Scarlet Speedster. I’ve mentioned before that the first three issues of the run, which I read last year, didn’t hook me but that all the recent issues have and I really want to go back and read ’em all. Which would be a perfect thing to do since the second arc of the series deals with the Rogues and should prove to be excellent reading material.
A few days ago I came across a review of Mark Lawrence’s second Broken Empire novel, King of Thorns (link), which is up for nomination for the David Gemmell Legend Awards in the Legend category. The Legend Award is given to the Best Novel of the previous year. On Twitter and Facebook, I talked about how that review justified all my reasons and fears for not reading further into this series after my experiences with the first novel, Prince of Thorns (review).
My tweets eventually spawned off a discussion about negative reviews, which led into the review that forms the basis and reason for this entire post. In January last year, reviewer Liz Bourke wrote about Michael J. Sullivan’s first Riyria Revelations novel, Theft of Swords (link). This review was brought to my attention by a friend on Twitter who had taken exception to the way that Liz Bourke took potshots at the author and his editors at Orbit Books.
Going through the review and the comments thread, some things become apparent to me as to the intent of the review, the tone it is written in, and what, ultimately, were the reactions. However, what really ended up happening was that it all sparked off some self-examination about negative reviews. And that’s what this post is all about.
So welcome to another Publishing and Marketing blogpost.
As someone who is increasingly delving into Vertigo Comics, with titles such as Fables, Fairest, and The Wake, Jeff Lemire’s brand-new series Trillium is another experiment that I’m quite happy to say succeeds. I’ve said it before and I’ll say it again: Vertigo publishes some really far-out stuff, often edgy and completely different from the norm, and they do it really well. Fables and The Wake are two of my favourite series from this year, and I’ve enjoyed the whole ride so far.
With Trillium, Jeff Lemire does some pretty crazy far-out things, whether that be for the script itself or the art. Its comics like these that are often make or break for me, because they go either too far out or they play things too safe, and rarely is there a balance, such as with Brian K. Vaughan and Fiona Staples’ Saga. So yeah, Trillium #2 is definitely a winner for me, and here’s why.
Earlier this year, in January, I set myself a very particular reading challenge. The goal of this reading challenge was to read through 25 different SFF series (link), from across the genres and across times. To be specific, I wanted to read through at least 12 of these various series, to get a start on them. I hit that mark sometime in July, with Robin Hobb’s Farseer Trilogy #1: The Assassin’s Apprentice (review). As of last month, I added another notch to that reading challenge by reading Jaye Wells’ first Sabina Kane novel, The Red-Headed Stepchild.
Throughout the year, I’ve read all sorts of novels, good, bad, decent, meh, everything. Fortunately, Jaye’s novel proved to be one of the better ones. Urban Fantasy wasn’t all that big a genre for me until late last year and since then I’ve had a lot of fun with the genre. For me, The Red-Headed Stepchild stands as one of the better examples of the genre, a really fun and interesting story throughout, with a hell of a lot things to recommend itself.
Reading Top Cow comics always gives me a thrill. Whether its the characters or the story or the art, everything is always spot on and entertaining. Having read a wide variety of their books in the last year or so, I’ve enjoyed almost all of them, whether monthlies or trades, and the experience has been very positive for me. Reading Matt Hawkins’ futuristic reboot of the Aphrodite property has been one of the highlights of that experience, and for good reasons too.
Characters like Aphrodite, in all her different incarnations, are very few and far in between in comics. In the Top Cow Universe, she occupies a very specific and niche place, built up on the concept of Artifacts that a few select individuals are heirs to. Ever since I started reading Ron Marz’s Artifacts maxi-series last year, Aphrodite has been one of my favourite characters, and Matt Hawkins’ recent work with her has only solidified that, and given me even more reasons to like her.
I’ve long been a fan of DC’s various animated projects. Whether we are talking about Batman or Superman, Justice League or Batman Beyond or what have you, I’ve enjoyed each and every series. Growing up, the first two series that I mentioned were a large part of my childhood. I watched (or rewatched) several of these series during my college days and I was reminded of why I loved them so much. They presented some definitive versions of the heroes in question, and each and every episode served only to draw me in further. It shouldn’t be a surprise really for you when I mention that I consider Kevin Conroy and Tim Daly to be the definitive voices of Batman and Superman respectively.
Since those good old days of the 90s, DC has put out several more animated series. One of those is Young Justice, which features the young sidekicks of many of the big-name DC superheroes. With an initial line-up of Robin, Aqualad, Kid Flash and Superboy, the show starts off rather well, although there are a few negatives that prevented me from really enjoying the first two episodes.
So here we are. When I reviewed Brian Azzarello’s Wonder Woman #13-15 earlier this year, I’d said that I couldn’t justify picking up the book anymore or recommending it for that matter. The plot was stuck in limbo, the characters were doing the same thing over and over again, and the process in which Azzarello was introducing new characters to the series was just getting frantic. Pointless things were happenning and my interest in the series was waning.
Fast forward to eight months later, now, and I’ve picked up my first issue of Wonder Woman since then. Thankfully, Brian Azzarello is nowhere in sight, which is just perfect for me. This issue here is written by John Ostrander and is part of the ongoing Villain’s Month line-up as the writer deals with one of Wonder Woman’s more iconic and recognisable villains, someone that we’ve briefly seen before in the pages of Geoff Johns’ Justice League.
There have been two rather lackluster Batman Villain’s Month issues so far, Joker by Andy Kubert and Riddler by Scott Snyder (plot) and Ray Fawkes (script). They were also two of most highly anticipated issues for this month, so it kind of stings a little bit. The Riddler issue I’m still on the fence about, mostly because it seems to be a very low-key story for the character involved, but that doesn’t change my opinion on it all that much. Which is why when I read the new issue today, I was ecstatic.
I’ve never read any Frank Tieri comic before, to my knowledge, but after reading Batman #23.3, I certainly want to correct that oversight. While I don’t necessarily agree with how Penguin is portrayed, mucho serious and no comic-ishness, it was still a great issue and now I want to also go back to read Detective Comics Volume 3: Emperor Penguin, by John Layman. I’ve read some of the newer issues of that series and I love them, so that’s another motivation right there.
DC’s Villain’s Month went ahead full-steam last week with a ton of new releases. And on the other side of things with Marvel, their X-Men: Battle of the Atom event also continued apace with the release of X-Men #5. My reading is still all primarily DC, thanks to Villain’s Month because there are just so many comics to read. I’m attempting to change things around but its going to be slow. Just a comic or two here obviously doesn’t work and I intend to grab some graphic novels at the least.
We shall see what happens when it happens.