Daily Archives: December 6, 2013
When I compiled my list of “51 Most Anticipated Novels of 2013“, I put Chris Wraight’s Blood of Asaheim on it because I had really liked his first full-length 40k novel, The Battle of the Fang for the Space Marines Battle series. He gave a really nice depth to the Space Wolves with that book, and he brought together the disparate portrayals of the 40k Space Wolves by William King’s classic novels and Dan Abnett’s Horus Heresy piece, Prospero Burns. I love the former, but I detest the latter. Chris Wraight gave me a nice middle ground between the two and that’s what I hoped that Blood of Asaheim would be. It wasn’t.
Blood of Asaheim isn’t tied to Battle of the Fang in any direct way. They are both novels about the Space Wolves Chapter, but where the previous novel is set 1,000 years after the Horus Heresy, Blood of Asaheim is set in the current 40k timeline, one where Ragnar Blackmane is the Wolf Lord of his own Great Company, as per the character’s history as set in the tabletop lore. Chris Wraight offers up several new characters and the premise itself is an interesting one, but unfortunately the execution turned out to be pretty flawed because it was essentially repetitive material.
This week, to acknowledge that his Facebook page hit 400,000 likes, Arrow lead actor Stephen Amell posted a 14min Q&A video in which he answered some fan questions that he had taken on his page. In response to one of them, he said that he believes a show should get better, should improve, as it went along in the season. And he firmly believes that every episode this season has been better than the one before. And I agree. It so happened that right after I saw that video, I saw this week’s episode of the show, with a ton of excitement locked in because it was going to debut one of my favourite superheroes, Barry Allen, in a pre-origin role.
And it was good. Good. GOOD more like it. Aside from a few small things that I found problematic, this episode is true to the spirit of the show, particularly this season where Starling City is transformed into the City of Heroes. More great scenes on the Island, more character drama, more top-notch action, a commitment to the idea of superheroes, and supervillains, and more on the epic cliffhanger that we had with the previous episode, something that is going to become a much more intrinsic part of this season.
Note: this review contains some minor spoilers.
In the New 52, DC has tried to take a lot of gambles and few of them have paid off, if at all. Launched earlier this year, Gail Simone’s The Movement is one of those gambles and for me, it is one that has definitely worked enough to keep bringing me back every month and caring about the characters. Gail and artist Freddie Williams have done some great work on the series for its first arc and their second arc continues apace with the release of the seventh issue this week, which does one thing that the first arc was, of necessity, missing: consequences.
In any superhero story, there are always consequences for the powers that a hero has. And given that these stories are written to get us to identify with, associate with, and get invested in these characters, there need to be consequences for their actions and their nature. This is at the core of this new issue and once again the execution is pretty brilliant. For me, The Movement has been DC’s break-out hit of the year and there’s no stopping this train ride.