Not much of a secret of late that ever since Selina took over as the Head of the Calabrese-Kyle family that things have been heating up between the various crimelords of Gotham. She is a completely new element thrown into the picture, someone who never worked well with any of the others, being a lone wolf of sorts, but now she is suddenly at the head of the entire pack. Since taking over from the previous writer, Genevieve Valentine has been crafting a pretty incredible tale with the “former” Catwoman, and artists Garry Brown and Lee Loughridge have clearly enjoyed going to town with the new status quo of the titular character.
With all that Selina has been through of late, there are still plenty of challenges ahead of her and this past week’s Catwoman #39 presents one of the many ways in which she has started to bounce back after all the setup of the previous issue. This time, she takes Roman Sionis head on and even attempts to influence the Hasigawa family. Her enemies are all converging on her, and Genevieve shows that Selina is at her best with her back to the wall. This issue also presents some new opportunities to the artists, and they deliver quite well on the expectations.
The first two installments of The Eternity War have been very impressive. Writer Dan Abnett did some great work in the now-cancelled ongoing and then he ported all of that to the new series, where he has finally pitched He-Man against Hordak in a mass epic war that is something straight out of a fantasy novel. And it is glorious. Utterly glorious. It also helps that artists Pop Mhan and Mark Roberts have given him ample support and have put out some really great visuals that perfectly capture the feel of the setting and the franchise at large.
The newest issue from this past week takes a break from all the He-Man stuff and instead focuses on a character I’ve dearly missed in the new series, She-Ra aka Princess Adora aka Despara aka He-Man’s sister. She has been conspicuous by her absence so far, but in this issue Dan Abnett deftly segues her arc into a mission for the new Sorceress, Teela, and shows what happens when She-Ra goes after her former Horde comrades. And along the way, we get more awesome visuals by Pop and Mark, who have a great handle on how to depict all the glory of She-Ra.
Marvel launched its new line of Star Wars comics in January/February and one of the many new titles is Darth Vader, which is set in the aftermath of the Battle of Yavin and has Darth Vader trying to make up for his mistakes. Or at least, that’s what I think writer Kieron Gillen is attempting to do here, but the first issue fell flat for me as far as the story and the characters go, though the art wasn’t so bad and was fairly decent in places. Being a huge fan of the titular character, this did not seem like a good start to me at all, especially as I’m still sour on the whole deal with Marvel getting back the rights to these comics.
Darth Vader #2 continues the story of the titular character having been verbally punished by the Emperor and going on a crusade to hunt down the rebels who so confounded him at Yavin, particularly the young pilot who destroyed the Death Star, a supposedly impregnable battle station the size of a moon. And my issues with the story continued, what with General Tagge being an absolute ass in this issue, acting just like the pompous fool of an Imperial officer I’ve come to expect. The art was marginally better too.
One of the newest kids on the block, John Carter: Warlord of Mars has turned out to be pretty impressive, reminding me of Arvid Nelson’s first arc on Warlord of Mars, which totally made me fall in love with the characters and the setting, though the movie John Carter had done that already to a great extent. The comics were just icing on the cake. In the soft-rebooted world of the new series, writer Ron Marz goes forward in a great way, touching on things we haven’t seen before, and artist Abhishek Malsuni has contributed well, creating some really strong visuals.
From this past week, John Carter: Warlord of Mars #4 finally touches on the animosity between John Carter and Captain Clark by giving us a flashback to the battle that set off their rivalry in the first place. And it makes for a really great read since that first meeting was under banners of war, much as their reunion in the present is going to be. Captain Clark has slowly developed as a major villain for John Carter, and this issue adds some much-needed backstory, not to mention that the artwork as a whole continues to be good.
As I have said before, my “25 Series To Read In 201x” reading challenge is meant to allow me to touch base with trilogies (and longer series) that are out in publication currently and have proven to be big successes while also going back to read some classics, especially a few favourites that I have not revisited in the longest time. For this year’s challenge, one of the series that found its way to my list is the Empire trilogy by Raymond E. Feist and Janny Wurts, a trilogy that stands as one of the best fantasy series I’ve read to date, for far too many reasons. And going back to it last month proved to be a blast.
The Empire trilogy is set on the world of Kelewan in the Empire of Tsuranuanni. In his Riftwar Saga trilogy, Raymond introduced us to the worlds of Midkemia and Kelewan which became locked in a grand war across time and space. In this particular trilogy with Janny, he tells us of the events happening on the other side of the conflict, as the Riftwar novels mostly focus on Midkemia. The books focus on young Mara of the Acoma, the last scion of her family as she struggles to rebuild her family’s fortunes and carves out her own political identity in a world of strict social mores and ruthlessly cunning rivals.
I remember back in the first season of Arrow, there were a ton of breaks in the show. It was as if we couldn’t go a straight month without one break in-between episodes or something. It was quite frustrating for someone like me, who hadn’t really watched shows “live” before, binge-watching entire seasons being more my thing, and so it was one of the few things I didn’t like about Arrow. But I’ll admit that when an episode leading up to a break is as awesome as the mid-season finale back in December, or this week’s episode, “Nanda Parbat“, then things are very different.
“Nanda Parbat” this week is one of the most intense episodes of the third season yet, and also one of the best to date. Last week Thea found out that Malcolm had used her in his war against the League of Assassins, making her commit Sara’s murder. It was an emotional moment for everyone involved and the new episode picks from that point, affecting everyone once again. Thea makes a dangerous choice and then it is up to Oliver and Diggle to figure out a way out of this jam, while Felicity and Ray continue working away at his ATOM suit, which we finally saw in full!
Marvel’s Agent Carter has been building up to a climactic finish for a couple weeks now, introducing some really great twists in order to flesh out the story of how the ignored Peggy Carter became one of the SSR’s top agents and how the SSR eventually transforms into SHIELD. For me, last week’s episode “Snafu” managed to deliver some really big moments, and promised a hell of a lot for this week’s season one finale, at just a measly eight episodes, so going in to it, my expectations were pretty huge.
And having watched the episode yesterday, and having had more than 24 hours to mull it over, I’m still not sure whether I liked the finale or was disappointed with it. Both of them maybe? In many ways, the climactic finish was just that, climactic. But in many other ways, it was disappointing because there was essentially a story reset and things kinda went back to normal and some of the characters did some really stupid things. Some decent action, some decent revelations about the characters, but ultimately, kind of forgettable I suppose.
Last week, Fox’s Sleepy Hollow did something rather daring that I didn’t expect, twice. Not only was Henry killed off in the penultimate episode of the second season, but we also had Katrina travel back in the past to change history because of the circumstances of Henry’s death. What should have been a really emotional episode was perhaps less so, but I think the daring aspect of it kept me hooked. And it did have a sense of impending finality to it, so in retrospect it was kind of clear the route that the writers might take, but it was still pretty surprising.
This week’s episode “Tempus Fugit“, the second season finale, shows what Katrina hopes to achieve in the past, what particular outcome she wants to change so that she can have a life with Jeremy (Henry) that she’s always wanted and the lack of which turned him to his dark past. In terms of action, the episode definitely packs a big punch, but in terms of character development, it isn’t anywhere as impressive, and a particular decision of the writers in the final few minutes definitely did not work for me either.
Of late, Ms. Marvel writer G. Willow Wilson transformed the title from one that was meant to remind us of the incredible potential of brand-new characters (and young ones at that) to one where the title could actually tap into the apathy of the modern generation and force them to sit up and take notice of the things around them. It was a nice (subtle) arc that I really liked, and it also brought to conclusion the whole thing going on with the supervillain The Inventor, with the whole thing becoming one of the most fun and awesome meta-arcs of any comics of late.
In this past week’s issue, we see a new guest character on the comic, none other than Loki Laufeyson, the adopted son of the All-Father Odin and the All-Mother Freyja. Loki is sent to Kamala’s high school by Freyja to find out and neutralize a threat to Asgard. Of course, said threat also involves The Inventor, so things are a bit woozy there for a while, but by the end, you see some fantastic stuff between Loki and Kamala, not to mention that Elmo Bondac’s art made for a nice change from Adrian Alphona’s typicla high standards.
A new year means a new reading challenge of the “25 Series I Want To Read” variety. You can find a list of authors and series (the original post for the challenge that is) over here. In the past two years that I’ve been doing this, I kinda-sorta completed the challenge in 2013, and I definitely completed it last year. It is a really fun challenge to do, and allows me to pick and choose from a wide variety of genre greats and genre debuts (relatively speaking), which is one of the many reasons that I do it all. Plus, as a consequence, it also exposes me to a wider variety of fiction out there and gets me to connect with it all on a very different level, even series that I’ve read before becoming a blogger.
One of the first books I’ve read this year is the first Planeswalker novel for the Magic the Gathering setting from Wizards of the Coast, Agents of Artifice. This is pretty much an intro novel to the setting, and it definitely has a lot of typical Ari Marmell flavour, which I’ve experienced before in his Widdershins novels from Pyr Books, as well as his Darksiders novel from Del Rey. Following the Planeswalkers Jace Beleren and Liliana Vess, this novel explores the wonderful plane of Ravnica and is a fairly good read, though not without its flaws.
Nathan Edmondson has been going full out with Black Widow of late, backing the SHIELD agent into a corner of hell and making her work doubly hard. Recently, she finally infiltrated a high-level meeting of CHAOS, the group that has been causing problems for SHIELD and for her right from the first issue of the series last year, and she didn’t exactly come out of it without a scratch. It has been a pretty incredible journey so far in this series, and with the addition of yet another guest star this past week, things look set to get even more crazy.
Black Widow #15 deals with the aftermath of Natasha’s infiltration of a high-level CHAOS meeting, a meeting that she forced to happen so that she could finally face her enemies. But things didn’t go according to plan since it turns out that CHAOS has hired soldiers who can, effectively, turn invisible. Problematic for sure, and much of this issue focuses on how Black Widow beats these guys, with some expert help of course. And that’s where the true fun of this book is, since each guest appearance so far has been handled artfully, and that looks set to continue with this one too.