It is not long before we finally get to see the new incoming creative team for The Flash, after Brian Buccellato and Francis Manapul’s excellent run on the title, the recent one-shot by Christos Gage and Neil Googe, and now the second of the three-parter arc that Brian is doing with Patrick Zircher. In the last issue we got to see a more supernatural side of the Gem Cities as a ghostly killer from the past returns to haunt the two cities and we begin to get some insight into the very history of the twin cities. Now, in The Flash #28, we go much more further on every single level.
Unexpectedly, there is a guest star on this issue and it set up some really interesting narrative opportunities. It didn’t quite go as far as I wanted to, but I enjoyed seeing this particular team-up. And still, I loved the entire mystery that Brian has setup, including the mystery of Nora Allen’s death. And over on the art side, Patrick Zircher did a great job once again, putting his own spin on the Scarlet Speedster’s adventures as he deals with a supernatural caper that has deep ties to the Gem Cities.
As with most other big-name comics properties, my first experience ever with the Fantastic Four was an old animated cartoon that used to air in the 90s. It might have been reruns or something, but that’s besides the point. For a young kid, the 90s were an awesome time to be in, what with all the great programming happening on Cartoon Network and other channels. That Fantastic Four cartoon was one of the best. Years later, the movies happened, but they were disappointing. At some point last year or the year before, I tried to get into the FF comics, but never went back after like the first few issues.
And now with the reboot, I think I have a Fantastic Four comic that I can definitely read and enjoy and thus stick with. With his recent runs for DC now over, James Robinson has quickly picked up two new ongoings with Marvel, first All-New Invaders and now Fantastic Four. And I have to say that I enjoyed his Fantastic Four more than I did the other series. Better written, much more emotional, much more punchy. And the work by all the artists is also pretty good, on the high side of what is happening with the Big 2 and especially all the new ongoings that Marvel has launched this year so far.
The Die Hard films can be a bit hit and miss, especially of late. The original movies are fairly decent, the new ones not so much. Last year, we got to see the fifth film in the franchise and its the worst of them all to date. As I said in my review of it last year, even the fourth film was quite a bit better than this. This one is just a regurgitation of the kind of things that made the previous movies good, but executed poorly.
A Good Day To Die Hard, apart from a ridiculously long name, is just not the kind of action movie I want to see, especially not one with Bruce Willis’ acting power behind it, which suffered here in fact. When the material is bad, not even one of the world’s best actors can do much about it.
As a big fan of the James Bond movie franchise, I’ve watched all the films several times, especially the ones featuring Daniel Craig and Pierce Brosnan, the two Bonds that I am most familiar with. However, Daniel Craig hasn’t exactly had a good run with the three movies that he has done and Skyfall, the most recent Bond film (#23), being a perfect example. It lies in between Casino Royale and Quantum of Solace and it straddles both sides of the fence.
There was a lot that was wrong with the movie, and not all that much that was actually good. Because of that factor, it remains one of the least exciting movies I’ve seen in recent years, especially since becoming a movie blogger. And here’s the review where I go in some detail.
EVE Online has been one of those games to come out in recent years that I’ve wanted to play for a long time. The entire world sounds exciting and intriguing and is full of the kind of awesomeness that I want in a game like that. Sadly, I have yet to get the opportunity, for fate always conspires to keep me away from it, sadly. But I suppose that a comic based on the game is the next best thing right? And what really could be better than a comic that is inspired by events that happened in the game as a result of player interaction? Sounds very ironically meta doesn’t it? Well, that was the hook for me to get and read this comic.
Turns out, its not quite what I was looking for. Nothing against the story itself, per se, its just that the art isn’t always clear, and the story is just slightly convoluted that I don’t understand what exactly is going on. But still, I got pulled into a mystery here, and since I love big, loud space opera, I did like this issue on a certain level. Time will tell whether or not this story will be good or not, since we have three more issue to go, but I’m hopeful nonetheless.
My first ever experience with Tomb Raider was this one PC game demo that I got off a magazine CD. I remember it clearly because I just ran around the starting area with no clue as to what to do. I just couldn’t find a way out. Then years later, I saw the two movies featuring Angelina Jolie. They were good, decent, but hardly exciting fare. Then again years later, when I finally got a Nintendo DS in college, I bought a Tomb Raider game on a trip to San Francisco for a gaming convention. And it was fun. A lot of fun. I’ve still got it, even though I haven’t played it for like 4 years now.
Last year Dark Horse announced that they would be doing a new Tomb Raider comics series and that this was going to be set in the aftermath of the recently released video game with the rebooted continuity. I was excited. I hadn’t played the game but the comic was going to be written by one of my absolute favourites, Gail Simone, and that’s all that I wanted. This week, the first issue got released, and it was everything that I wanted out of it, and more. And the art was quite good as well. Very different to what I expected but good nonetheless.
In fall of 2012, one of the most awaited films of recent years debuted to audiences all over the world. Following on seventeen years since the Sylvester Stallone-starrer Judge Dredd, which was a massive disappointment, audiences finally had a Judge Dredd movie which actually looked cool from all the promos and which seemed to correct the mistakes of the past. Sadly, nothing worked out as intended. Whereas the previous film had at least made back some of its money and more besides, the new one failed to recoup its investment in the first place, and the budget was even half of what it had been before.
No doubt, several mistakes were made with the new movie, and they all contributed to what was eventually a box office flop. But since then, Dredd has gained a significant cult following. Whereas the theatrical release was a flop affair, the DVD/Blu-ray sales were highly encouraging. Stores, whether physical or digital, were constantly out of product. This was unexpected and on some level, this helped change perspectives. Now, there are talks of a sequel happening at some point, which is quite significant in and of itself. I can only hope that there is a sequel, because I enjoyed the movie. I pretty much loved it. Watch it with my highest recommendation.
I keep saying this and it never gets old for me: despite everything “new” that the Big 2 have done of late, Valiant Comics is still not done pulling out all the stops to establish themselves in the big leagues of superhero comics. Their Unity ongoing, which is a team-up comic featuring some of their biggest heroes, is proof of it. I wasn’t sure what all to expect from it when I heard about it and the book has been a very pleasant surprise. It has kept me coming back month after month, and I suppose that is evidence enough of how much I am enjoying reading this series.
In the first three issues, we saw a superhero team go up against one of the most powerful men on the planet. It was quite a brutal three issues and featured some of Matt Kindt’s best writing. He’s been very hit and miss for me, but with this series he has definitely a hit, and that is pleasing on a personal level since the Valiant universe is so very different from what exists at the Big 2. It is fresh, it is unique, and it also a whole lot of fun. It also helps that the art on this series is so damn good.
2010’s Expendables kind of marked Sylvesterr Stallone’s return to big, loud action movies after somewhat of a sabbatical (somewhere around that same time he also starred in the latest Rambo movie). Rising to prominence in the 80s and continuing on through the 90s, Stallone has been one of the industry’s biggest action stars for a long time, and with this movie he brought together a whole bunch of his peers to deliver some, hopefully, kick-ass action with a cool story. Unfortunately, that didn’t work out because the story was basically boring and lacked heart.
Then in 2012 he returned with Expendables 2, with an expanded ensemble cast that also included as its villain another big 80s and 90s action star, Jean-Claude Van Damme. Thankfully, the new movie was much better on pretty much every front and it has held up to repeat viewings in a way that the first movie did not. Now this year in August we are going to get Expendables 3 and soon we will also be getting Expenabelles (working title) which will do what Stallone did in the same movie, but with an all-female cast. I’m excited. In the run-up, here’s my (reposted) review for the second movie, which was pretty good, all things considered and would certainly be my recommendation.
A stable week for a change and this meant that I was able to read some more comics this time. Didn’t get through quite as many as I wanted to, and I certainly didn’t get around to reviewing as many as I wanted to, but that’s fine really. Gotta take a bit of an occasional lighter load I think. Most of the Marvel books I read this week weren’t all that impressive (as the top picks at the end will show), but DC was better. And Vertigo’s newest series looks to be damn good too, can’t wait to check out the second issue of that next month.
And I did manage to begin my Flash New 52 read-through finally with volume 1 last night, so that’s something there. Planning to read a lot of graphic novels this year, mostly in terms of catching up with series I’ve missed out on, so we shall see how it all pans out.
When the movie Battleship was announced, I had a hard time believing that it was true. Battleship is a tabletop game where two players never get to see each other’s playing field, and its all a matter of guesswork. There is far more to it of course, but I was left wondering how the gameplay would translate into a movie. I wondered if it could even be pulled off, and competently too. When I saw the movie, I found that particular aspect to be interesting. I wasn’t sure what to expect, so perhaps that made me more congenial to the approach used.
All the same though, Battleship is quite a decent movie. It was never going to win any awards, given that it just didn’t have all that much star power (or in a prominent role at that), but that was never my concern. I went in expecting a decent movie, and got it. Repeated viewings have only made it more palatable to me. Because sometimes you need a movie that is just about the big, loud action. And that’s what Battleship is. I’m totally fine with that.
In recent years, there has been a big shift in Hollywood productions. Slowly but surely, we are getting more movies featuring female protagonists. Many people would point to the Twilight franchise as an abomination and what not, but can you really argue with the results? The industry is in a situation where even such “bad” films can still do their part to raise the point clearly and with distinction that female-led movies can do well at the box office. But the kicker is the quality of such a heroine of course, and that’s where the movie adaptation of Suzanne Collins’ first The Hunger Games novel comes in.
The Hunger Games followed the Twilight trend of adapting young adult novels featuring female protagonists for the big screen, a trend that hasn’t worked out for some other recent adaptations unfortunately. It features a very awesome female lead who kicks all kinds of ass and who is strong by her own merits, by her own doings. She isn’t defined by the people around her. She defines them. Of course, it also helped that the story itself was quite good. I’ve seen the movie a number of times since watching the theatrical release, and it has held up pretty well. The sequel, Catching Fire, released a few months ago, went a few steps further and was equally good at the least.