With Conan Vol.1: The Frost Giant’s Daughter and Other Stories, Dark Horse embarked on a bold strategy where the classic Conan stories were shaped anew, with writer Kurt Busiek putting together a continuous narrative that charted the rise of Conan from a simple Cimmerian warrior to the King of Aquilonia. With the addition of fantastic artists like Cary Nord and Dave Stewart, the series began well with the first volume, establishing a clear frame of reference for the characters and his adventures in a way that would always leave you wanting more.
In Conan Vol.2: The God In The Bowl and Other Stories we see more of the same as Conan now sets out for the Nemedian city-state to learn more of the world, to hone his skills as a thief and see more of what the world at large could offer someone like him. Kurt’s writing is very much on point in this volume, as it was in the previous one, and now that the Cimmerian is in more familiar circumstances, the story becomes all the more enjoyable. And along the way, artists Tom Mandrake, Cary Nord, Thomas Yeates and Dave Stewart add a particular vividness to the visual aspect, enhancing the story in every way possible.
Of all the heroes over the years who have left their mark on the wider world of fiction, few if any come close to the pedigree of Conan the Barbarian. Multiple movies, hundreds of comics, numerous novels and short stories. Decade after decade goes by and he is always there in some form. Dark Horse Comics, who have held the license for the comics on the character for several years now have done a great job of shepherding Conan through various iterations, whether as a young warrior first stepping out in the world, or as an aged king. That is where we start with here.
Conan Vol.1: The Frost Giant’s Daughter and Other Stories is a collection of some of the earliest Conan stories, chronologically speaking, where we meet Conan as a young adventurer who barely knows of the world outside of Cimmeria but is eager and willing to explore. Writer Kurt Busiek weaves the many stories together into a stunning narrative that is enhanced by artists Cary Nord, Thomas Yeates, Dave Stewart and others. The story is a little fuzzy here and there, but the creatives here have captured the essence of Conan really well and delivered a stunning package.
Let’s not mince any words here. Ever since the show’s pilot got leaked online a few months back, I’ve been pretty damn excited for this. The trailers were promising, though a bit weird, but I had faith in the show and what it promised to deliver, and the leaked pilot did set me up on the positivity train. Well now, now we are in the second week of the show, and all those months of waiting has definitely been worth it. From the people who’ve brought us so many comic-book properties on television in recent years, Supergirl is a great addition to the line-up.
I reviewed the leaked pilot back in May, which you can read here, and it was a pretty good experience for me. As I said in that article, I found the actual pilot to be much better than the trailer let on, and it made me fall in love with Melissa Benoist’s portrayal of the Maid of Might all over again. Supergirl is one of my favourite DC superheroes, and it is great to see such a perfect portrayal here, which easily matches what Grant Gustin has been doing for close to two years now as The Flash. The supporting cast is also working fairly well together, and though there are a few kinks here and there in terms of story and general character-writing, this show has started off great.
Last year DC/WB announced that Supergirl aka Kara Zor-El would finally be making her way back to live-screen this year, with the character getting an ongoing show on CBS, which is part-owned by CW, the network that airs the hit-and-successful superhero shows The Flash and Arrow with a joint spin-off Legends of Tomorrow launching later this year as well. As a huge fan of the unfairly maligned Supergirl movie with Helen Slater, this was great news for me, especially since I love the character, and because the current creative team on the Supergirl comics is also just totally rocking it right now.
Through all the casting information and plot details that were revealed about Supergirl, it came across as a decent addition to the DC/WB television DC universe, and I was certainly excited by the prospect. And then just a few days ago we had what was an awesome 6-min trailer that introduced Melissa Benoist as Kara Danvers aka Kara Zor-El aka Supergirl. The trailer had some flaws, but it was promising, and I couldn’t wait to see more. Which I did last night since the pilot episode got “leaked” onto the internet everywhere, and I saw for myself just how good this show was really going to be, and that the trailer didn’t do the show enough justice.
Since October last year, this has been coming, the end of one of the best shows on television in the last five years. Something that a lot of people hoped would be great, but doubted would actually get to that stage. But CW’s The Flash beat pretty much every expectation that fans had of it. It breezed by, changed the landscape, and maintained one hell of a consistency week after week. Sure, there were the occasional silly things such as the Bug-Eyed Bandit and what not, but by and large, and for me at least, The Flash was so much better of a show than Arrow, and I don’t say that lightly.
In episodes 21 through 23 (“Grodd Lives“, “Rogue Air“, and, “Fast Enough“), we see some of the most incredible moments of the show as yet. The first of those is pretty obvious. Gorilla Grodd was hinted at as being a villain on the show since the pilot and much of my fascination with the show was because of that expectation, which this episode met in a really great way and did justice to one of my favourite villains from the DC verse. The second switched things around a bit when Barry got Snart and his gang involved in his fight against Harrison Wells, with some truly tragic results, but which also solidified his moralities. And then, and then we have the finale from last night, which was beyond incredible. I had such huge expectations from the finale, and I certainly wasn’t disappointed. It was what fans needed and deserved after a season’s worth of trust and promise.
Note: This review contains some major spoilers for all three episodes, though I’ll try to keep things simple for the finale.
CW’s debut superhero spinoff show has been going all-out of late. While things have been heating up with regards to the overall mystery of Dr. Harrison Wells and the Reverse-Flash, the various characters’ lives have also been affected a great deal. Some characters have come out of it positively, while others haven’t. But that’s fine I suppose since the cast of the show is so big. And through all of it, there’s always that strong sense of optimism that the good guys, even while the villain of the show carries out his inside-man job.
Last week’s “Who is Harrison Wells?” and this week’s “The Trap” showcase really well how things are changing on the show. For the good guys, Harrison Wells’ secret is out in the open, they just have to find some solid proof of all the criminal things he has done so that the biggest mystery of the show can be finally solved as far as the CCPD is concerned: did Barry’s father really kill his mother? That has certainly been the driving force for Barry since that fateful night, and we are finally getting some major revelations, with these two episodes leading the way as The Flash
‘s debut season moves into its final stretch with just three more episodes to go.
Since it premiered back in 2012, Arrow has not been a show to ignore the dark corners of the superhero psyche. Again and again we have seen some really horrible things happen on the show, whether it is torture or mutilation or what have you and betrayal of the self and betrayal of the family is something that has been a running theme on the show. Season 3 itself got off to a really grim tone last year, and recent episodes have shown that this theme isn’t going anywhere and that the times are indeed wholly dark for Team Arrow.
Episodes 18-20 of the show have been very interesting from a story perspective. Oliver’s secret is once again out in the open as Ra’s al Ghul intensifies his… pressure on Oliver to become the next Demon’s Head, and with this come some true heroics from the team. And not only that but we also get to see Ray Palmer become a hero himself, as he begins to embrace the difference he can make alongside Team Arrow and even perhaps as a part of it. But that is all overshadowed by what is happening in the flashbacks, where Oliver and the Yamashiros’ freedom has become anything but.
Two episodes back The Flash finally addressed the question of whether Barry would get to time travel or not when he accidentally went back in time for about a day, and then ended up repeating that day (to a degree). The writers also did well in addressing the notion of what happens when you time travel, how you do it, and what the consequences can be. Of course, the time travel was important in more ways than one since in the “repeat” events unfolded in a manner conducive to Dr. Wells not killing Cisco, so that was a thumbs-up in my eyes. Some of the other things though, well, they really didn’t sit well with me.
And the two most recent episodes, “Tricksters” and “All Star Team Up” haven’t really done much to address those issues. If anything, things have kind of gotten worse, at least as far as Iris and her relationship with everyone is concerned. In last week’s episode we saw the amazing Mark Hamill return to the franchise as the Trickster, though now aged and past his prime when the CCPD gets him to consult on a case that ties into his legacy. Suffice to say, it was an explosive episode in the way that only an episode with the Trickster can be. And in this week’s episode, we saw yet another crossover with Arrow when Ray Palmer and Felicity arrive in Central City to consult with the STAR Labs team on Ray’s suit, and all sorts of hilarious shenanigans follow, including one of the most… well, weird villains the show has had to date.
In recent weeks, CW’s Arrow has taken a somewhat darker turn, and it all has to do with how the metaplot concerning the League of Assassins has developed and the large shadow that the season villain, Ra’s al Ghul, has begun to cast on the characters. He is a downright manipulative bastard and since Oliver has refused to take up his offer of becoming the next Ra’s al Ghul, the current incumbent has seen fit to take it upon himself to make sure that Oliver does what he wants, no matter who has to die for that, criminals or innocents or both.
Last week’s “Suicidal Tendencies“, while it involved the Suicide Squad for much of the episode’s running length, was pivotal in what it made Oliver confront when it came to the League. Maseo is wholly sworn over to the League and he is now on a mission to destroy the Arrow’s reputation in Starling, on orders of Ra’s al Ghul. And this creates problems, not the least of which is Ray confronting the Arrow while decked out in his brand-new ATOM suit. And on the other side of the world in Kaznia, the Suicide Squad team does a few really unexpected things, things that really made me love the likes of Deadshot and Cupid. Oh and there was a wedding involved, which was kind of fun amongst the darkness.
The Flash last week ended on a pretty exciting note: Barry doing some real time travel finally, amid a whole host of other complications for the scarlet speedster that leave him in some of the most complicated situations of his life as a superhero. With all that happened in last week’s episode, what I wanted out of the episode this week was to go big and go explosive because it is a pretty big freaking moment for everyone involved on the show, and the trip getting there was certainly one to talk about and go home to.
In this week’s episode, “Rogue Time“, we have the consequences of Barry time-traveling as he did. Like I said, it was a pretty big moment, with him going back in time almost an entire day, and this episode lays out just what that is going to cost him in the long run. For one, though Cisco doesn’t die in the “new” day, and Barry is able to ensure that Mark Mardon is caught well in time, the Rogues are back in town and they make life hell for Barry. And all the complications of time travel mean that it is not just Barry’s superhero life that is affected, but also is his personal life, especially his relationships to two other characters.
Note: This review contains some major spoilers about this episode.
When CW’s Arrow went on break back in February, the final minutes of the 15th episode of the 3rd season provided us with one of the biggest twists to date on the show: Ra’s al Ghul, the Demon’s Head and leader of the League of Assassins, wanted to make Oliver Queen his successor, the next Ra’s al Ghul. Whoa! Whoa! Whoa! Hold your horses there! What!? Yep, pretty damn big twist and something that needed a lot of clarification from a story perspective. Which is where the returning episode from last week, “The Offer“, came in.
The episode last week laid out exactly why Ra’s al Ghul chose Oliver as his successor instead of his own daughter, Nyssa al Ghul, who has been quite the force on the show ever since her debut in the middle of the second season. In a war of dual identities where much of the good he has done has been twisted and rendered ineffective, Oliver seriously considers the offer, and the journey to get to that point speaks volumes about how he and his friends and allies have developed over the last three years, and the long road that lies ahead of them all.
We currently live in one of the greatest periods in comics history. First, superhero movies have become the real BIG thing on the box office and there are several studios scrambling to get a slice of the big pie it is and create some lasting legacies. Second, superhero television has continued to grow at a breakneck pace in the last three years, surpassing most expectations I dare say, even after all the previous greats that we’ve already had. And leading the charge for superhero television right now is CW’s The Flash, which has done much to incorporate comic-book concepts in a realistic way for the audience and also balance the humour and the grim realities really well.
About a month ago, The Flash left us off with a great episode that did much to cement the place of yet another superhero in the incredible line-up of CW’s other characters, Firestorm. The episode also finally gave us a good view of Gorilla Grodd, in an epic scene that involved Harrison Wells and General Eiling as well. Returning this week, the show kind of got back to the basics as Clyde Mardon’s brother Mark Mardon returned to Starling to avenge his brother’s death, while also moving forward with the whole “identity of the Reverse-Flash” plot that has been swinging about in the story for a good while now.