In recent years, my relationship with the Star Wars franchise in its entirety has been in flux. Whether it be the disappointments of Episode VII: The Force Awakens or some of the recent novels like A New Dawn by John Jackson Miller or Honor Among Thieves by James S. A. Corey, I haven’t been enamoured of the franchise at all. There have been stand-outs such as Paul Kemp’s Lords of the Sith and James Luceno’s Tarkin, but there haven’t been many. And I won’t even get into the new comics from Marvel since most of them are retreading the area already covered extensively under Dark Horse and I don’t have much interest in them. However, when Rogue One was announced as a stand-alone movie in the franchise, and a prequel to the original Star Wars no less, I was excited because it was going to focus on almost entirely new characters and present us with something that we hadn’t really seen before on such a major platform.
Cue this past Thursday when the movie finally released. The trailers had built up a lot of hype for me, who was desperately looking for something to cheer for after the failings of The Force Awakens. Yes, the story would go over some material from Dark Horse and what some of the earlier video games had covered, but it was still mostly uncharted territory. Additionally, the period of the Galactic Empire’s dominance of the galaxy is one of the most fascinating periods in Star Wars lore, and I was totally ready for this movie. It looked to have a really awesome cast with some great promised cameos and I was all-in. And you know what, the movie didn’t disappoint. It was almost everything that I wanted from The Force Awakens but never got, and then some.
Note: This review contains some major spoilers from the movie, especially the ending, so read at your own risk.
So by now, I’m sure that most people have heard of Disney’s latest animated venture, Frozen, which has ended up smashing quite a few records, and has set some new challenges for Hollywood to follow. The movie has been both a critical and commercial success, whether we talk in its home North American territories or globally. All through the last three months, it has been the talk of much discussion pretty much everywhere. Myself, I wasn’t even aware of the movie until quite recently. I’m usually not all that big on animated movies these days, mostly because they’ve just fallen off my radar of late. But then I started hearing from social media friends about Idina Menzel’s track “Let It Go” from the movie and the portrayal of sibling relationships in the movie. And I was interested.
I saw the movie a little over two weeks ago, in 3D. Given how long the movie came out, I feel quite fortunate that I managed to get such a late viewing of it here in Dubai, but I suppose that speaks for the incredible success of the movie in the first place. I went in with some moderately high expectations, nothing particularly specific, but expecting a similar kind of wonder that I’ve felt on watching Disney’s classics from the 80s and 90s. And you know what? I came away amazed and ecstatic, brimming with energy verve to talk about it. For my money’s worth, it was one of the best movies of 2013, and I gave it place of honour as the best movie of the year, even above Pacific Rim (review), which I just loved.