Aquaman is one of those few DC books that nicely mixes in humour with otherwise dark events, and even just events with a huge scope at that which deeply and personally change the world-view of the characters irreversibly. But at the same time, Aquaman’s story is one about hope and determination. At several times during his run, Johns emphasised this and ran with it as far as he could take it. It proved to be a really good time. And now it looks like the new writer on the team, Jeff Parker, is cut from the same cloth because that’s pretty much what Aquaman #28 was all about.
In his first two issues on the title, Jeff worked to expand the scope of Aquaman’s world, introducing new characters and new monsters. And he did it in pretty good style too. Now in Aquaman #28 he finally makes two worlds collide as Aquaman finally learns of the newest threat to Atlantis, involving another conspiracy against the underwater empire. I really must say that I enjoyed this issue as much as I did the previous two. On the art side, I didn’t like it so much, because Aquaman and some of his supporting cast looked a bit beefed up and they didn’t look like their previous incarnations either. But it was overall still good.
Not as busy a week as the last but fairly busy nonetheless. The new creative teams on various ongoing titles continue to go strong, particularly Justice League Dark and Witchblade while some of the newer titles like Black Science continue to be exception, so that’s one thing that I really liked about this past week. January in particular has been a really excellent month of comics what with Marvel’s full-on All-New Marvel NOW! launch and some really good issues for DC’s Forever Evil event.
Just one graphic novel again this week, the Lee/Buscema magnificence that is Silver Surfer: Judgement. I was meaning to read at least one more, but time wasn’t on my side and I missed out. Hopefully the new month gets off to a good start.
In December Jeff Parker took over writing duties on Aquaman from Geoff Johns. After more than two years of Geoff’s excellent run on the title, which saw the title become one of DC’s best-selling titles in the New 52, we are finally getting a fresh perspective on things and based on #26 and #27 both, I have to say that some really exciting times are ahead for the readers. The previous issue was almost perfect. It met my expectations and it has some great story and art both.
This past week’s #27 proved to be another good installment of the series. It wraps up the plot with the Atlantean mythological sea-monster that was terrorising Reykjavik, Iceland and at the same time it furthers the subplot involving the political tensions in Arthur’s advisory council while also giving us more information on Triton Base, a hidden underwater research base created to investigate future potential threats from the underwater kingdom and Aquaman’s relationship to it, among other things. And the art was also good, although the switch at the end with the pencillers created a bit of a WTF moment.
Welcome to the first CPoTW post of the year. Technically this should be the last of the previous year, but publishers did this funny thing where the new comics came out on 31st December, so, you get the picture.
This was an extremely thin week of comics reading for me, and I’m not quite sure what more to say more than that. I read just six comics in total and as it turns out, they all happened to be good. I suppose that even a reading machine like me needs a break now and then. And I could probably have used it, in hindsight, since I moved through through three graphic novels in the previous week. And that’s a lot. At least, all six of these new comics were good!
Geoff Johns wrapped up his Death of a King arc on Aquaman in November in as royal a manner as possible. If Aquaman could have had the same scope as Green Lantern, then Aquaman #25 could have been better still, but regardless, I’m pretty damn happy with how that arc turned out. Geoff ended his run on the series on a high note, left a few subplots open for future development and evened the playing field for incoming writer Jeff Parker. Reading Jeff’s interviews prior to Aquaman #26 coming out, I was pretty damn excited about his run, especially since I’ve enjoyed his Batman ’66 comics of late.
With the new issue, Jeff Parker goes full out from the get go. Following on from a run as successful as Geoff’s, which really put Aquaman on the map as a serious superhero and not someone to scoff at as a second-stringer, Jeff has a lot to live up to. But with his first issue he is firing on full cylinders and I loved it, for sure. And its great that series regular Paul Pelletier is staying on as the artist, to create that nice bit of visual continuity.
This was a really busy comics reading week, primarily because I read two graphic novels this time around, both of them for Marvel no less. I have finally dipped my toes in full in Dan Slott’s Superior Spider-Man and the first taste has been quite interesting and fun. On the flip side, the somewhat older Immortal Iron Fist proved to be a bit of a mediocre book, but no less intriguing for that fact and I’m quite interested in the character now. Other than, a lot of the DC comics this week were really good and this is quite pleasing in fact. And Zero Year tie-ins are finally over so I look forward to a month of no such tie-ins.
I still have a big backlog of graphic novels to burn through, so I have that to keep me busy further I suppose. More on that as it happens.
After twenty-six months on the relaunched title, Geoff Johns’ run finally comes to an end with this issue. Responsible for reintroducing the character to comics fans everywhere and making him as big a character as he could, Geoff revamped Aquaman and made him into one of DC’s definite heavy-weights. The title has recorded some high sales and the collected editions have even made it to the New York Times Bestseller’s List. Now that is impressive for a character who was largely relegated to suffering fish-jokes, despite always being a mainstream DC hero.
As is appropriate, Geoff closes out his run on the title by closing out his current arc as well, Death of A King. He created some wonderful mythology for the character, giving his backstory an epic scope that I definitely did not expect. Even with this final issue, he goes some places that I didn’t expect and he wowed me. He goes out with a definitive bang and leaves a teaser for his next crossover arc that is coming next year, Rise of The Seven Seas, which will unfold in the pages of Aquaman (under Jeff Parker) and Geoff’s own Justice League. Exciting times!
Slow reading this week, mostly because of the fact that my weekend was taken up entirely with celebrations for Diwali, an annual Indian festival, and because the National Novel Writing Month began on the weekend too. So I was either having a blast with cousins, and getting tired out a lot, or doing lots of writing on a new project which you can read about here.
Right mix of comics once again, some of them disappointing, some of them unexpectedly good, and some in between as well. Got another graphic novel finished this week, which was good. I’ve had it on my reading list for ages now, so its nice to get that out of the way and reduce my immense reading pile by that much at least. Pretty tough to maintain a reading list as long as mine.
Next week, or this week rather, should be good since there are a lot of cool comics coming out. And I’m hoping to get another graphic novel out of the way. We’ll see.
Following the recent news that Aquaman scribe Geoff Johns is stepping off the title, starting with issue #25 next month, I suppose it shouldn’t be a surprise that this issue has been wr itten by (thus far) guest writer John Ostrander, who previously penned issue #20. Much as with that issue, this too is a story about The Others, the team of heroes that Aquaman used to be a part of before he stuck in with the Justice League. And once again, this issue is one that lacks excitement and a certain finality, unlike all the issues penned by Johns himself.
This issue introduces a new foe for Aquaman and The Others, someone who has been a part of the DC universe for a long time, and its great to see her make her New 52 debut. Least, I’m assuming its her debut since I’m haven’t seen her in any of the books I’ve read or seen her name come up anywhere, not even in Paul Cornell’s Demon Knights Volume 1. But the issue isn’t just about her of course, its about The Others themselves, the team that Aquaman brought together years ago, and the one that he still nominally leads.
This week was a bit heavy on DC reading, mostly because a lot of top titles were released, titles I’d been looking forward to all month and so I went all-out for the most part. Some bit of Marvel and Image mixed in as well, which is always great to break up the monotony of reading just the DC-stuff. Read a bit more this week than I usually do, which was a surprise since this week was also marred by reading a really huge science fiction novel, which proved to be a long, long slog, so that’s something I guess.
Also, I finally managed to read a graphic novel, which was great. It wasn’t one that I was really planning to read, but it was on the list for a long time, so it all balances out in the end, which is what matters most. And now I’m pumped on to read more, and this week should be good on that front. Fingers crossed!
Its no secret that I love Geoff Johns’ run on Aquaman in the New 52, which was my first time reading anything directly related to the character. The series really came out of nowhere and it has impressed me month after month as the storytelling and the art keep getting better, with some minor stumbles here and there. For me, this is the series that got me to really like, and even respect, Aquaman as a character, and for that alone, this series rates highly in my list of favourites.
Going into Villain’s Month, the coverage that Aquaman villains get wasn’t all that spectacular, focusing as it did on two characters we’ve already seen a fair bit of in the main series, but I was excited for them nonetheless. Aquaman #23.1 which Black Manta was good, but it fell short of my expectations. With the new issue, it is better, but it still fails to meet those same expectations, and that is largely due to the narrative decisions made by Geoff Johns and Tony Bedard.