As you might well know from the reviews I’ve been posting in the last few months, Red Sonja is one of my favourite female characters in comics and with Gail Simone on writing duties for her with Dynamite’s latest relaunch, things are on the up and up for her. She’s always been a character that I enjoy reading about, and this past week Dynamite released a one-shot called Li’l Sonja which reimagines the fiery redhead as an all-ages kids character, very much in the same vein as, say, Powerpuff Girls or Li’l Gotham or Itty Bitty Hellboy.
I just read the issue a few minutes ago and I got to say that it was a lot of fun. Knowing that it is all-ages and being a little familiar with Jim Zub’s writing style from his Samurai Jack comics with Andy Suriano and Josh Burcham for IDW, I knew that I would be in for a treat here and I wasn’t disappointed. Honestly, if Li’l Sonja was a cartoon being aired in the mid-90s, I would have totally been watching it. Honest truth! Jim’s writing is great and the art team has done a great job as well.
There isn’t any comics issue or character in recent months, or even in the last couple years as far as I know, who has drawn as much attention and controversy as Harley Quinn, who got a new ongoing series today from veteran industry professionals Jimmy Palmiotti and Amanda Conner. The controversy had largely to do with an apparently insensitive artist submission that was put together for this title in September, which involved some test art panels that completely lacked the context of the actual issue. Do a search for it and you’ll find all there is to know about it. That’s not what this post is about thought.
I love Harley Quinn as a character. Bruce Timm and Co. introduced her in Batman: The Animated Series nearly two decades ago and since then she’s gained a life of her own, becoming one of the most quirkiest characters in comics, and that’s saying something since she debuted as the sidekick to the Joker, the Clown Prince of Crime and you can’t get any (insanely) quirkier than that guy. And yet, Harley one-upped him. With this new issue, a zero issue no less, Harley Quinn is back in the saddle with lots of great humour and some fantastic artwork.
This week was a bit heavy on DC reading, mostly because a lot of top titles were released, titles I’d been looking forward to all month and so I went all-out for the most part. Some bit of Marvel and Image mixed in as well, which is always great to break up the monotony of reading just the DC-stuff. Read a bit more this week than I usually do, which was a surprise since this week was also marred by reading a really huge science fiction novel, which proved to be a long, long slog, so that’s something I guess.
Also, I finally managed to read a graphic novel, which was great. It wasn’t one that I was really planning to read, but it was on the list for a long time, so it all balances out in the end, which is what matters most. And now I’m pumped on to read more, and this week should be good on that front. Fingers crossed!
I seem to be on some sort of a high of late, reading kids-friendly comics. It opens up a whole new world really. Batman ’66, Lil’ Gotham, Samurai Jack, and a bunch of others. Lil’ Gotham especially looks very interesting and I’ve certainly been hearing great things about it, which is why I bought the first few issues this weekend. Can’t wait to get into them. It appears that what Lil’ Gotham does with Gotham and the Bat-family characters, Itty Bitty Hellboy does with Mike Mignola’s signature creation.
Itty Bitty Hellboy reimagines Hellboy and his gallery of allies and villains for a very young audience, which is a really interesting concept since the Hellboy comics are very adult-oriented and have a very grim and gritty feel to them, from what little I’ve seen while browsing through. Even the two movies that have been made are a great example of that vibe. Itty Bitty Hellboy goes off int he completely opposite direction however.