Aquaman is one of those few DC books that nicely mixes in humour with otherwise dark events, and even just events with a huge scope at that which deeply and personally change the world-view of the characters irreversibly. But at the same time, Aquaman’s story is one about hope and determination. At several times during his run, Johns emphasised this and ran with it as far as he could take it. It proved to be a really good time. And now it looks like the new writer on the team, Jeff Parker, is cut from the same cloth because that’s pretty much what Aquaman #28 was all about.
In his first two issues on the title, Jeff worked to expand the scope of Aquaman’s world, introducing new characters and new monsters. And he did it in pretty good style too. Now in Aquaman #28 he finally makes two worlds collide as Aquaman finally learns of the newest threat to Atlantis, involving another conspiracy against the underwater empire. I really must say that I enjoyed this issue as much as I did the previous two. On the art side, I didn’t like it so much, because Aquaman and some of his supporting cast looked a bit beefed up and they didn’t look like their previous incarnations either. But it was overall still good.
Not as busy a week as the last but fairly busy nonetheless. The new creative teams on various ongoing titles continue to go strong, particularly Justice League Dark and Witchblade while some of the newer titles like Black Science continue to be exception, so that’s one thing that I really liked about this past week. January in particular has been a really excellent month of comics what with Marvel’s full-on All-New Marvel NOW! launch and some really good issues for DC’s Forever Evil event.
Just one graphic novel again this week, the Lee/Buscema magnificence that is Silver Surfer: Judgement. I was meaning to read at least one more, but time wasn’t on my side and I missed out. Hopefully the new month gets off to a good start.
In December Jeff Parker took over writing duties on Aquaman from Geoff Johns. After more than two years of Geoff’s excellent run on the title, which saw the title become one of DC’s best-selling titles in the New 52, we are finally getting a fresh perspective on things and based on #26 and #27 both, I have to say that some really exciting times are ahead for the readers. The previous issue was almost perfect. It met my expectations and it has some great story and art both.
This past week’s #27 proved to be another good installment of the series. It wraps up the plot with the Atlantean mythological sea-monster that was terrorising Reykjavik, Iceland and at the same time it furthers the subplot involving the political tensions in Arthur’s advisory council while also giving us more information on Triton Base, a hidden underwater research base created to investigate future potential threats from the underwater kingdom and Aquaman’s relationship to it, among other things. And the art was also good, although the switch at the end with the pencillers created a bit of a WTF moment.
This was a really busy comics reading week, primarily because I read two graphic novels this time around, both of them for Marvel no less. I have finally dipped my toes in full in Dan Slott’s Superior Spider-Man and the first taste has been quite interesting and fun. On the flip side, the somewhat older Immortal Iron Fist proved to be a bit of a mediocre book, but no less intriguing for that fact and I’m quite interested in the character now. Other than, a lot of the DC comics this week were really good and this is quite pleasing in fact. And Zero Year tie-ins are finally over so I look forward to a month of no such tie-ins.
I still have a big backlog of graphic novels to burn through, so I have that to keep me busy further I suppose. More on that as it happens.
I keep saying this and I never get tired of it: Geoff Johns’ two years on Aquaman for the New 52 have been nothing short of phenomenal. From the very first issue, he has been turning out a great story and has worked with artists who’ve really gone the lengths to make Aquaman come across as a badass, kickass, and really fun character to read about. It wasn’t until the Throne of Atlantis crossover with Justice League however, that Geoff really began to up the stakes time after time, and he’s been on a really good run since then.
The series has been defined with all these epic arcs, each bigger and more profound than the last. So, in that context, it really is no surprise that he kicked off his latest arc, Death of a King, with a bang and that the last couple issues have been so bloody amazing. When I read #23 last night, it was definitely an experience, and it made me really excited to see how things are going to end up going down in #25 (out November).
So apparently, we are definitely getting a new Batman in about two-years’ time, and the role will be played by actor/producer/director Ben Affleck. For the uninitiated, we saw Christopher Nolan wrap-up his Batman movie trilogy last year with the Christian Bale-starrer The Dark Knight Rises and Ben Affleck has done comic book roles before in Mark Steven Johnson’s Daredevil.
This is certainly an interesting time for DC/WB since they just recently launched their own cinematic universe with this summer’s hit Man of Steel and we know that there are going to be three more movies in this “phase 1” at the least: Batman vs Superman (2015), The Flash (2016), and Justice League (2017). I blogged a while back about how DC could start building its own cinematic universe to counter what Disney/Marvel have been doing with an incredibly successful line of Marvel movies.
This “plan” of mine, called Justice League: Strange Union, called on WB studios to make movies with characters that we haven’t yet seen in a live action adaptation for the cinemas and to keep any characters they wanted to reboot for the eventual Justice League film where Martian Manhunter could be added in as a new character for people to get to know.
As things stand though, based on the information that came out of San Diego Comic-Con last month and from all Hollywood sources last night, my plan is pretty much what I knew it would be: a mere hopeful fantasy.
Its absolutely no surprise that following the immense success of Marvel Studios’ various superhero movies, DC Entertainment and Warner Brothers have announced their own plans for movies based on DC’s famous characters. Over the last eight years we’ve seen Christopher Nolan’s Batman trilogy, Bryan Singer’s Superman Returns, and Martin Campbell’s Green Lantern. There has been next to no continuity between these films, unlike the Marvel films which have all been connected through various agents of S.H.I.E.D and their infamous Director, Nick Fury. In fact, such interconnectivity has been one of the selling points of Marvel’s films.
You might ask, why is that? What makes the Marvel movies so different from the DC films?
Its straightforward. Marvel Studios stepped into the business with a clear direction of what they wanted to do. I don’t know exactly if it was the intention or not, but all of their films, especially from Iron Man 2 and out, have been building up towards a specific point, The Avengers. One by one, they released movies that would all tie-in together to culminate in the premier Marvel superhero team-up, thereby bringing their “Phase 1” to fruition.
And they’ve succeeded enormously. Which is where DC and WB step in because they want to mirror the success with their own properties. But its not easy to do that. All attempts so far have pretty much tanked. There just isn’t the same vision, and the same ability to face challenges at WB, from what we can see. Their various Wonder Woman projects seem to keep getting stalled for one reason or another. There are talks of a Green Lantern and Batman reboot already, and we are just about to have a new Superman movie that is another reboot after Singer’s Superman Returns from 2006.
A few weeks ago I was discussing this with fellow book blogger and friend, Nick Sharps, and I outlined the basics of what DC and WB should do to make sure that they are able to reproduce Marvel’s success.
It all ends up being about the vision.