As you may no doubt have noticed on the blog recently, I’ve been picking up the threads of my Black Library reading, first with the Beast Arises series and then with some other stuff the reviews for which will be going up in the coming days. Back in the day, sometime around 2014, I was very much immersed in the publisher’s output, having been a fan for eleven-plus years at that point, but then I dropped off and my reading was rather fragmentary. Now, the ride back has been pretty awesome and intense, and all the upcoming material for the next three months that we’ve been shown has gotten me excited all over again.
Check after the break to see what novels and short stories and audio dramas and more Black Library has coming up in the next few months! This is a curated list of products that I can very well see myself picking up and going through.
I remember reading the old Bloodquest comics quite fondly. Starring the disgraced Blood Angels Captain Leonatos and a bunch of other Blood Angels from across the Chapter’s divisions, Bloodquest was a great story about penance and redemption and heroism. In late 2012 Black Library published the first new Bloodquest story in several years, Prisoners of the Eye of Terror, written by one of my favourite authors and with a pretty damn good cast. The audio hit all the right notes for me and it even made it to my “Best of 2012 Part 2” list at the end of the year. That’s how good it was.
This review is a repost of the original review on The Founding Fields, which can be found here.
Up until mid-2011 I had never listened to an audio drama and didn’t even really know what it was. Then, I suddenly got on a kick to listen to all of Black Library’s various audio dramas that I could, and in 2012 I expanded that to Judge Dredd audios from Big Finish. These were some of my biggest exposures to the Judge Dredd franchise and Jonathan Clements’ 99 Code Red stands as one of my absolute favourites by a long margin. It has a great story with some great voice-acting and I certainly recommend it.
This review is a repost of the original review on The Founding Fields, which can be found here.
Among the very first Black Library audios that I listened to was Dan Abnett’s masterpiece Thorn and Talon. Containing three audios set across the timeline of Dan’s Eisenhorn and Ravenor trilogies, it was a pretty damn good audio, one that set a very high bar for others that followed. Even now, almost three years after it was first published, it still remains as one of Black Library’s finest audios, due in no small part to the excellent voice-acting. The audio made my “Best of 2012 Part 1” list as well so it is highly recommended!
In light of The Founding Fields currently suffering some major site issues, I’m going to be reposting my reviews from the site to the blog, so enjoy away!
The original review can be found here.
I’ve remarked before how strong Black Library’s audio range is for its flagship Horus Heresy series. The successes have been many, the not-successes very, very few. And that’s just the way I like it. Both Big Finish and Heavy Entertainment have done a great job with the voice-actors they’ve brought to the various stories, penned by some of the publisher’s finest writers, and the audios are one way that I can get a regular quick fix of Horus Heresy without hunkering down in a novel or an anthology. And gotta admit, listening to some of these high-action audios while in a gym has its own rewards too!
Last year the publisher debuted two brand-new audio dramas that used Dan Abnett’s near-excellent Know No Fear as a starting point. In that novel, the tale of the Word Bearers’ betrayal of the Ultramarines in the the Veridian system unfolded, and it was a turning point in the Horus Heresy, as important as the Dropsite Massacre at Istvaan V. While Nick Kyme’s audio Censure is set in the years after the betrayal at Calth (the primary world in the Veridian system) as the Underworld War for control of the world rages on, Gav Thorpe’s Honour To The Dead is set in the early moments of the betrayal. The former focuses on a key individual from Know No Fear and the latter on a battle between two Titan legions. Both are strong audios in almost all respects, and I would certainly recommend both.
Black Library has had a fairly strong audio range for several years, thanks in part to the excellent work done on the Horus Heresy audios. Two years back the publisher began releasing short 8-10minute audios as well, in addition to its longer range, and they too proved fairly successful. First with Big Finish and then with Heavy Entertainment, several characters and stories have been brought to audio life by the publisher, whether we talk Warhammer 40,000 or Warhammer Fantasy Battles, and it has been a truly great experience, with very few missteps along the way.
Joining the publisher’s ever-growing audio catalog is this month’s The Tranzia Rebellion radio play. Where this is now audio format differs from the usual audio dramas and audiobooks is that there is absolutely zero narration. Everything is with the characters with no narrative commentary or some such. The first two episodes, penned by C Z Dunn (formerly editor at Black Library and now working for the parent company Games Workshop) and produced by Heavy Entertainment, are really good. They are scene-setting installments of course, but still they quickly establish the characters and the story, with the voice-acting being diverse and enjoyable.
Black Library’s Horus Heresy range has been notable since its inception to turn out some really high quality audio dramas. James Swallow began the great trend with his various Garro audio dramas, spinning out of his novel The Flight of the Eisenstein and other authors since have taken great steps forward with the format as well. Some along the way haven’t been as good as I wanted them to be, but by and large, the Horus Heresy audio drama range is quite a good one and I would definitely recommend readers of the novel to experiment with these and give them a chance.
One of the latest audios in the series is Templar by John French, which focuses on the Imperial Fists First Captain Sigismund as he leads a strike force of Imperial Fists against traitorous Word Bearers within the Sol System itself. Sigismund has largely been a background character in the series thus far, but under John French, I think the character is set to become a major player, as he should be, given how large a character he is in the lore. Produced by Heavy Entertainment, this is one of their finer audio dramas for Black Library, and voice-actor Gareth Armstrong remains as great as ever.
It is no secret that Gav Thorpe is one of my favourite authors. Whether we talk about his work for Games Workshop and Black Library or his original novels for Angry Robot, he has always impressed. And one of his specialty areas is audio dramas. He has penned two of my favourites, the Warhammer Fantasy audio Aenarion and the Horus Heresy audio Raven’s Flight. Both audios are superbly written, and also superbly voice-acted, which is another great thing about them. He has penned others over the years, and his latest is one that focuses on the Eldar for a change, particularly one of their more interesting Aspects, the Howling Banshees.
Generally, Black Library doesn’t put out a whole lot of fiction featuring the multitude of alien species. Gav’s Eldar trilogy and Andy Chambers’ Dark Eldar trilogy are exceptions, although I cannot speak to the quality of either as I have not read any of them. Yet. But, if Gav’s novels are anything like this audio, then I will definitely give them a chance. Howl of the Banshee is also notable because it has an all-female cast of voice-actors, which is pretty dam rocking in itself, since it just doesn’t happen with BL’s audios! So that’s another win for this audio.
For a good three years now, Black Library’s audio output has been quite impressive. Both in terms of quality and quantity. Thanks to the success of the Horus Heresy audios such as Gav Thorpe’s Raven’s Flight and James Swallow’s Garro duology, the publisher’s audio franchise has really taken off for the Warhammer 40,000 timeline as well. I’ve certainly been enjoying them thus far, though there have been a few along the way that I did not like, and would even consider to be among the lower-tier works put out by the authors. But I won’t deny that BL audios are generally so much damn fun to listen to.
A short while ago we got the latest Horus Heresy audio by Graham McNeill, in which he built on many of the different concepts he’d introduced in his amazing Thousand Sons-centric novel, A Thousand Sons. They are one of the least-covered legions, although they do get a leg-up since they’ve had a novel published about them. I loved A Thousand Sons when I read it three years back, and I enjoyed Thief of Revelations as well. As ever, the audio quality was superb, and the script was really good too, offering parallels to the relationships between the Emperor and the Primarchs that have been the cornerstone of the Heresy.
I did two “Best of the…” lists last year, one for the half-year from January to June, and the other for the half-year from July to December. The lists proved to be quite popular, and I was recently asked if I was going to be doing any more. To which I said yes. I like putting together lists like this. It gives me a chance to reflect a bit on all the good stuff I’ve been reading in novels and comics, or listening to in terms of audiobooks, audio dramas and so on.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then!
Guy Haley is one of the authors I discovered this year, when I picked up an eARC of his second Richards and Klein Investigations novel, Omega Point, and then requested the first novel, Reality 36, as well. I liked both novels and was hungry for more, which introduced me to his novel Champion of Mars which ties a bit into his novels above and was just plain fantastic. Then I heard that he was going to be writing for Black Library and that he had already been commissioned for two novels! In all honesty, Guy is definitely one of my favourite authors period. Strike and Fade is the first of his works for Black Library that I’ve had an opportunity to go through, and it is just mind-blowing.