Since my review of The Movement #9, it has come to my attention that the series is getting cancelled after issue #12, which will be in May. This is something that makes me really sad. Because it has been a series that dared to step out of the norms of superhero comics and do something radically different. It is an experiment that worked for a while, but unfortunately, due to various reasons, the series is now on the chopping block. With the new issue, the current 2-part arc comes to a close and after that we have two more issues to go. All we can hope for is that the series ends on a high-note.
In the previous issue Batgirl came to Coral City, hunting for a super-powered criminal. She ran afoul of The Movement though, and things ended up pretty bad though. And in the meantime, her target ran amok in the streets. This was the kind of the story that I really wanted to see on this title since its conception and Gail Simone delivered on it quite fantastically. It was a personal story, and that felt right at home for both Batgirl and the members of The Movement. And the art, headlined by penciller Freddie Williams II, was pretty decent as well.
A stable week for a change and this meant that I was able to read some more comics this time. Didn’t get through quite as many as I wanted to, and I certainly didn’t get around to reviewing as many as I wanted to, but that’s fine really. Gotta take a bit of an occasional lighter load I think. Most of the Marvel books I read this week weren’t all that impressive (as the top picks at the end will show), but DC was better. And Vertigo’s newest series looks to be damn good too, can’t wait to check out the second issue of that next month.
And I did manage to begin my Flash New 52 read-through finally with volume 1 last night, so that’s something there. Planning to read a lot of graphic novels this year, mostly in terms of catching up with series I’ve missed out on, so we shall see how it all pans out.
Spinning out of the Wanted arc and then the Gothtopia tie-in last month, the new issue of Batgirl goes in a surprisingly different place as Gail Simone explores the thematic links between Gotham’s Bat-family and vampires of urban myths. As I keep saying, Gail Simone has made this title one of DC’s relative heavyweights since the New 52 relaunch, and its definitely one of my highest anticipated titles of each month. The Wanted arc was pretty damn excellent, and now it looks like we might be getting some smaller stories again, like the Ventriloquist 2-issue arc that we had before Wanted.
Barbara has been through a ton of things recently, and she is still picking up the pieces of her life. Its not easy, especially not when a madman comes into town, seemingly intent on some kind of righteous vengeance, a complete and total loon as it were. But she does gain an ally, someone who hasn’t been around in the series for a while and her return is quite fun indeed since I love her as a character and Gail injects a lot of humour in her scenes. To top it all off, Fernando Pasarin and Jonathan Glapion’s art is excellent as ever, another plus.
On account of traveling to and from India this past week, my comics reading took a back-seat, as did my novel reading incidentally. Very few comics read, but most of them were good at least, a saving grace.
In its first eight issues, The Movement did something that wasn’t really being done in comics. It told the story of a vigilante superhero team that didn’t see itself as superheroes. And it tapped into the ongoing discussion of how social media can be used for changes in social structures and tackling corruption. It had characters that were flawed, and many of these characters represented minorities in comics in a way that perhaps only Earth 2 under James Robinson did. Suffice to say, Gail Simone and Freddie Williams II tackled something really different, and they made it work.
With the latest issue, #9, we see the beginning of a new arc on the series, and we finally see a meeting of the characters of the Movement and Batgirl, something I’ve been waiting to see ever since The Movement was announced (for the unaware, Gail is the writer for Batgirl as well). The setup here is quite interesting, and I loved how all the characters interacted with each other, especially Katharsis’ reaction to Batgirl being in town, another confrontation that I’ve wanted to see here. The art is not quite as good as what’s come before, but that is not all that big a deal.
Once again, a very light reading week, with no graphic novel reading at all. I took a trip to India and back over the weekend, mostly because preparations for a cousin’s upcoming marriage and mom’s treatment, so reading time was extremely limited. I’m even behind on my novel reading at the moment, so I’m generally not doing well on that front at all.
Some really fun titles launched this past week, such as Night of the Living Deadpool, so it was an entertaining week at least, for the most part.
Last week DC released Detective Comics #27 an anniversary issue of the series which commemorated the original Detective Comics #27 in which Bat-Man made his first-ever appearance. In this anthology issue was a piece by writer John Layman and artists Jason Fabok and Tomeu Morey in which we saw a very different version of Gotham in which the city is a utopia, with the lowest crime-rate in the entire United States. At the end of the issue there was a substantial reveal that hinted at a much larger story, and this week’s Batgirl #27 is the first issue to follow on from there and build on the concepts introduced.
In the vein of that story, we see an alternative take on Barbara Gordon and the city of Gotham, where things are actually cheerful. Gone are the dark Gothic trappings of the city, replaced by sunshine and positivity that gives you a pause. Of course, this is only a thin veneer that hides a dark truth and the issue is spent dealing with that, in a somewhat oblique way. Fresh from wrapping her Wanted arc, Gail dives head-first into the Gothtopia crossover and she delivers another great issue with new artist Robert Gill.
Less than a year since Detective Comics celebrated its 900th issue with New 52: Detective Comics #19, an anthology issue which brought together several different creators, we have New 52: Detective Comics #27, which celebrates the landmark issue of the original series that first introduced Batman to the world as Bat-Man, the caped crusader and dark knight of Gotham who solved the city’s crime with acts of vigilantism. And again, we have an anthology issue bringing together different creators, and telling some really different stories while also giving some bonus art to fans.
I was really excited for this issue. I kind of missed the whole lead-up to Detective Comics #19 since I wasn’t reading the series at the time, but I am now. And one thing that happened this afternoon was that I was massively disappointed. This issue, in its first half, basically retells classic tales and does a hack-job. The second half, with original stories that will be carried over in future issues, is actually good. But the first half definitely bothered me, and it was the writing far more than the art that bothered me.
For this new seasonal list of the best SFF characters I’ve read this year, my fourth pick consists of some more DC leading ladies, the Birds of Prey from Gail Simone’s first run on the title, with art by Ed Benes. At the time the team consisted of Barbara Gordon aka Oracle and Dinah Lance aka Black Canary. Helena Bertinelli aka the Huntress joined them with Gail Simone coming on to the title.
Hit the break to see why I picked this character.
We are finally here, the end of the Wanted arc for Batgirl which put Barbara through some of her most trying moments in life. Having killed her monster of a brother, then gone up against the psychopathic Ventriloquist and then on the run from the Gotham Police for her brother’s murder, Barbara has gone through the lowest of low moments, emotionally speaking. The interruption of the Zero Year issue last month by Marguerite Bennett was extremely frustrating since otherwise #25 would have ended this fantastic story arc, something I’d really been looking forward to. But no matter, it came out this week and it left me completely amazed.
I’m really sad that this arc is over. It was a short arc, as such things go, but by god, Gail Simone did some of her best writing in this arc, especially where Barbara herself as a character is concerned, let alone her father Commissioner Gordon. There are a lot of things that made this issue amazing, such as the art by Daniel Sampere, Steve Wands, Blond and Jonathan Glapion, or the mind-blowing cover by Alex Garner. Everything was pretty much pitch-perfect here.
Managed to read a handful of more comics this week, since there were a lot of titles released that I was really interested in, and a couple from previous weeks that I hadn’t been able to get around to at the time. As usual, it was all a mixed reading experience, with some really good comics mixed in with some bad ones and a few that straddle the fence between the two extremes. More positive ones than negative ones.
No graphic novels this week sadly, since this week was a real slog in reading, again, and I was struggling for time in general with everything else too. Perhaps this coming week can be different!