About a week or so ago, I posted a list of some of my favourite female authors in SFF, past and present (that is, some of the women on the list are now sadly deceased). For the follow-up, I wanted to focus on some of my favorite female characters in SFF, irrespective of genre. Until March last year, I didn’t really have such a list in my mind. Even though I had read a few books by then that had female protagonists or supporting characters, I’d never really considered if any of them were my “favourites”. But that changed around quickly when I read Nathan Long’s Jane Carver of Waar, and all of a sudden, I realised that there were so many female characters I’d read of over the years that I would put on a list of favourites.
It was a really interesting revelation, and it led to me paying much more attention to such characters in the books I was reading, or had read, or would read. One thing that I noticed while compiling this list was that for the most part my favourite female characters fall into the role of the “warrior”, which is another subconscious thing I never really paid attention to.
Really weird how these things work out.
Once again, as caveat for this list, this is by no means comprehensive, just a small selection of a much wider range. And in this list, I’m not limiting myself to just novels and the like, I’m extending it to comics and movies as well, given that I am much more familiar with these media in terms of the content, rather than with the creators. Feel free to check out my reviews (books and comics) of the various novels I’ve read in the last two years for a bigger interest list.
The voting process on my latest reading poll closed last night, after two weeks of intense excitement and record after record. Once again, just as with the previous two polls that I’ve run, this was a humbling experience given the tremendous response from the authors and their fans and everyone else who helped make this new poll such a success.
Year-long (at least) readers to the blog will remember that last year in April I attended my first ever major con, the inaugural Middle East Film and Comic Con. It was a fantastic event, and I’ve been waiting for the second installment ever since. I got the chance this past weekend, and it was absolutely amazing. I am told that where the attendance last year had been upwards of 13,000, this year it was predicted to be in the 23,000-26,000 range. That is unbelievable, an almost 100% increase over and above the first year. I will say that the show absolutely deserves it. The organisers put on a terrific show, and it was certainly a few notches above last year.
About 2 weeks ago, I asked readers if they would be interested in some sort of a semi-regular column on the blog, the core topic being publishing & marketing. The response on the blog itself was rather lukewarm, to be honest, but I did have some good, albeit short, conversations with people over Twitter and Facebook about this.
The whole idea for the column sprung out of the “disaster” earlier this month when it was revealed that Random House’ eBook-only imprint, Hydra, was contracting new authors on the conditions that there would be no advance payments (which disqualifies the imprint from being considered a publishable market according to the rules, regulations and guidelines of the Science Fiction Writers of America’s organisation), and that they wanted complete rights over the work in question, irrespective of medium/format. Their payment structure was also dubious, frontloading almost all the costs of publishing the author’s work on the author himself/herself. Such costs include editing, covers, marketing, and so on, from what I understand. John Scalzi has done two in-depth posts on the subject here and here.
Given the amount of information out there already on this particular subject, the furor over which has caused Hydra to revise some of its terms and offer authors better payment plans after a VERY stern letter from the SFWA, I am not going to cover this for now. All I can say is that if you are looking to get published by such eBook-only imprints, and I stress eBook-only, then you damn well make sure that you do not sign away your rights for foreign translations, audiobooks, print, and so on. Other people have already said it best: make sure to get some legal opinion and at least ask around when you get that contract. Make sure that you are informed about what you should and should not be doing.
Anyhow. Moving on.
For this first installment in this column series, I wanted to talk about publisher communication. Communication is a funny thing. We all define it quite differently and it means different things for different people. The specific area I want to cover today is how publisher communication works with marketing in the context of keeping readers and reviewers (they need not be mutually exclusive) informed and keeping a positive dialogue open. So here we go! Read the rest of this entry