Once again, a very light reading week, with no graphic novel reading at all. I took a trip to India and back over the weekend, mostly because preparations for a cousin’s upcoming marriage and mom’s treatment, so reading time was extremely limited. I’m even behind on my novel reading at the moment, so I’m generally not doing well on that front at all.
Some really fun titles launched this past week, such as Night of the Living Deadpool, so it was an entertaining week at least, for the most part.
Last week DC released Detective Comics #27 an anniversary issue of the series which commemorated the original Detective Comics #27 in which Bat-Man made his first-ever appearance. In this anthology issue was a piece by writer John Layman and artists Jason Fabok and Tomeu Morey in which we saw a very different version of Gotham in which the city is a utopia, with the lowest crime-rate in the entire United States. At the end of the issue there was a substantial reveal that hinted at a much larger story, and this week’s Batgirl #27 is the first issue to follow on from there and build on the concepts introduced.
In the vein of that story, we see an alternative take on Barbara Gordon and the city of Gotham, where things are actually cheerful. Gone are the dark Gothic trappings of the city, replaced by sunshine and positivity that gives you a pause. Of course, this is only a thin veneer that hides a dark truth and the issue is spent dealing with that, in a somewhat oblique way. Fresh from wrapping her Wanted arc, Gail dives head-first into the Gothtopia crossover and she delivers another great issue with new artist Robert Gill.