DC’s Villain’s Month kicked off in style last week with several one-shots featuring some of DCU’s biggest villains, plus the first in Geoff Johns’ new event series. Its certainly been a power month for DC. Sadly, I didn’t get a chance to read any Marvel comics this weeks, which sucks, but hoping to change that this week.
One can hope!
So once again, in no particular order, here are the comics I read this week, the reviews I put up for them, and my top picks. Full reading list, as always, is available here and all my comics reviews are available here.
As I mentioned in my review of Supergirl #21-23 a week back, I had a lot of fun getting back into the title with the creative change of writer Michael Alan Nelson and artist Diogenes Neves. Up until then (actually till about #19), the series had been plodding along, going from one boring story arc to another, and I had lost faith in the title almost completely. So much so in fact that I had taken a 10-month break in between.
With Michael and Diogenes coming in however, the title gained a new life and I’m finally really excited about reading this book. However, in Villain’s Month, Supergirl has not been trusted with an issue of its own, which is rather sad since there is a distinct lack of female creators and female heroes being featured during this time. And with Cyborg-Superman being put forward as a distinctively Supergirl villain, it is odd to see his Villain’s Month issue being main-titled under the Action Comics banner. DC marketing clearly has a loose hold on how best to put forward all their titles.
Either way, I was really excited for this issue, given how Supergirl #23 ended, and because I’ve come to really like Michael’s work. Of course, I’ve even had the pleasure of meeting him in person and discussing his plans for Supergirl, so cue more excitement. I had no idea at the time that he was going to be moving forward with this title like this, so I’m quite elated to see where he goes next.
Note: This review contains major spoilers for Supergirl #23 (primarily the ending).
Supergirl. Maid of Might. Girl of Steel. Superman’s cousin. She has been a mainstay of DC comics for a number of years and has featured in several different mediums over that time, right alongside big blue. Most recently, the character’s biggest break was as a recurring character on CW’s Smallville, a show that lasted ten full seasons and featured Supergirl in several key episodes during the later seasons. Played by Linda Vandervoort, this version of Kara Zor-El was an elder cousin who had managed to escape the destruction of Krypton but had become stuck in her pod’s stasis field during a crash on Earth. Other than the movie Supergirl where the character was played by Helen Slater, this was Supergirl’s biggest outing.
And then came the New 52 in September 2011 and rebooted her comics continuity, and even gave her a much bigger platform than before. Universe reboots tend to do that. I read all the first twelve issues and even the special Zero issue last year, but I struggled to connect with the character. I just couldn’t. Mike Johnson and Michael Green’s scripts had a lot of potential, but the execution often fell short for me. And I stuck with the title for that first year because I love the character.
With the advent of the announced creative change from issue #20, with Michael Alan Nelson being brought in (and new artist being brought in for #21, Diogenes Neves), I decided to get back to the title and suffer through the H’el on Earth issues so I could be caught up with everything that had happened since I had stopped at #0.
Note: Contains spoilers for the previous issues, especially the H’el on Earth event issues.