After a slightly lackluster Batman and Robin #23.1: Two Face, I was ready to be amazed and wowed. James Tynion IV, a former student of Batman-scribe Scott Snyder has written a few back-ups for Batman and is the writer for the ongoing Talon, which is a Gotham title featuring a Talon of the Court of the Owls, one of their assassins. So it is well and good that if James is writing a Villain’s Month title, it be about both the Court of Owls and the Talons.
Scott Snyder introduced the Court of Owls and their Talons in his first year on the rebooted Batman title, and in them, he created some of the most iconic villains for Batman. Once that storyline ended with Batman #11, I’d been looking forward to reading more about them eventually, which was where James’ Talon stepped in, but I haven’t read more than two issues of that unfortunately. Which is why Batman and Robin #23.2 was one of my most highly anticipated titles for Villain’s Month. James certainly doesn’t disappoint.
Supergirl. Maid of Might. Girl of Steel. Superman’s cousin. She has been a mainstay of DC comics for a number of years and has featured in several different mediums over that time, right alongside big blue. Most recently, the character’s biggest break was as a recurring character on CW’s Smallville, a show that lasted ten full seasons and featured Supergirl in several key episodes during the later seasons. Played by Linda Vandervoort, this version of Kara Zor-El was an elder cousin who had managed to escape the destruction of Krypton but had become stuck in her pod’s stasis field during a crash on Earth. Other than the movie Supergirl where the character was played by Helen Slater, this was Supergirl’s biggest outing.
And then came the New 52 in September 2011 and rebooted her comics continuity, and even gave her a much bigger platform than before. Universe reboots tend to do that. I read all the first twelve issues and even the special Zero issue last year, but I struggled to connect with the character. I just couldn’t. Mike Johnson and Michael Green’s scripts had a lot of potential, but the execution often fell short for me. And I stuck with the title for that first year because I love the character.
With the advent of the announced creative change from issue #20, with Michael Alan Nelson being brought in (and new artist being brought in for #21, Diogenes Neves), I decided to get back to the title and suffer through the H’el on Earth issues so I could be caught up with everything that had happened since I had stopped at #0.
Note: Contains spoilers for the previous issues, especially the H’el on Earth event issues.