Not much of a secret of late that ever since Selina took over as the Head of the Calabrese-Kyle family that things have been heating up between the various crimelords of Gotham. She is a completely new element thrown into the picture, someone who never worked well with any of the others, being a lone wolf of sorts, but now she is suddenly at the head of the entire pack. Since taking over from the previous writer, Genevieve Valentine has been crafting a pretty incredible tale with the “former” Catwoman, and artists Garry Brown and Lee Loughridge have clearly enjoyed going to town with the new status quo of the titular character.
With all that Selina has been through of late, there are still plenty of challenges ahead of her and this past week’s Catwoman #39 presents one of the many ways in which she has started to bounce back after all the setup of the previous issue. This time, she takes Roman Sionis head on and even attempts to influence the Hasigawa family. Her enemies are all converging on her, and Genevieve shows that Selina is at her best with her back to the wall. This issue also presents some new opportunities to the artists, and they deliver quite well on the expectations.
The first two installments of The Eternity War have been very impressive. Writer Dan Abnett did some great work in the now-cancelled ongoing and then he ported all of that to the new series, where he has finally pitched He-Man against Hordak in a mass epic war that is something straight out of a fantasy novel. And it is glorious. Utterly glorious. It also helps that artists Pop Mhan and Mark Roberts have given him ample support and have put out some really great visuals that perfectly capture the feel of the setting and the franchise at large.
The newest issue from this past week takes a break from all the He-Man stuff and instead focuses on a character I’ve dearly missed in the new series, She-Ra aka Princess Adora aka Despara aka He-Man’s sister. She has been conspicuous by her absence so far, but in this issue Dan Abnett deftly segues her arc into a mission for the new Sorceress, Teela, and shows what happens when She-Ra goes after her former Horde comrades. And along the way, we get more awesome visuals by Pop and Mark, who have a great handle on how to depict all the glory of She-Ra.
I remember back in the first season of Arrow, there were a ton of breaks in the show. It was as if we couldn’t go a straight month without one break in-between episodes or something. It was quite frustrating for someone like me, who hadn’t really watched shows “live” before, binge-watching entire seasons being more my thing, and so it was one of the few things I didn’t like about Arrow. But I’ll admit that when an episode leading up to a break is as awesome as the mid-season finale back in December, or this week’s episode, “Nanda Parbat“, then things are very different.
“Nanda Parbat” this week is one of the most intense episodes of the third season yet, and also one of the best to date. Last week Thea found out that Malcolm had used her in his war against the League of Assassins, making her commit Sara’s murder. It was an emotional moment for everyone involved and the new episode picks from that point, affecting everyone once again. Thea makes a dangerous choice and then it is up to Oliver and Diggle to figure out a way out of this jam, while Felicity and Ray continue working away at his ATOM suit, which we finally saw in full!
In recent months, Geoff Johns’ Justice League seems to have found a new lease on being awesome after all the unpleasantness of the Forever Evil crossover, and has become one of my most anticipated titles in any given month. The current story arc with the AMAZO virus is incredibly by all accounts, and it is really nice to see a comic that mixes in supervillains working alongside superheroes work out so well. Plus, who can really fault a comic where the Justice League has to depend on Lex Luthor to save the day and even work with him on it? Crazy, I tell you!
We have seen in the previous issues that as far as the AMAZO virus is concerned, the fate of metahumans everywhere and even the world hangs in the balance. And all that stands between this supposedly sentient and ever-evolving virus and the world are Lex Luthor, Superman and Wonder Woman. Batman was a part of the action too, but unfortunately he too has “fallen” and is now part of the enemy host. What this issue does really well is show off the antagonism between Lex and Superman in a great way, while Wonder Woman gets some of the most amazing action sequences that a female superhero at DC has gotten in the last three and a half years.
With Brick out of the picture, and Oliver back from Nanda Parbat or wherever it was that he “fell” while fighting against Ra’s al Ghul in a duel, it was time for the show to move on to grander things yet, such as Team Arrow dealing with their central element being back in the picture, and Oliver learning how much the city and his friends have changed in his absence. And at the same time, we also got to see some really nifty stuff elsewhere as Oliver finally comes clean with Thea about his… extracurriculars, which in itself was handled maturely by the writers of the episode.
In this week’s episode, “The Return“, we have Thea and Oliver on Lian Yu, training to fight against the League of Assassins. Malcolm wants Oliver to regain his killer instinct, the one he displayed when the two of them had their big showdown in the season one finale and which Oliver did not have during the season two finale against Slade Wilson, and so the Dark Archer puts into effect a really dangerous plan that just might see both Thea and Oliver dead. With the return of the awesome Manu Bennett as Slade, this episode would have been great on its own, but we also get to see Oliver and Maseo come to Starling in the flashbacks, and those sequences expose something deep-rooted with the show.
CW’s The Flash has full-on moved into the second half of its debut season, and by all account it is doing a terrific job. The mid-season finale changed a lot of things for almost all the characters and the show’s return from its break has been nothing short of phenomenal. Of course, there are the occasional hiccups (which show doesn’t have them?) but by and large, The Flash has been a tremendous success for comic book properties, showing explicitly that you can have humour and seriousness at the same time without compromising or overdoing either. That really is what The Flash is all about.
This week’s episode, “Fallout“, picks up from where the last week left off, with Firestorm set to go nuclear and Barry and Caitlin racing to avoid the fallout. Well, it turns out that Harrison Wells’ quantum splicer did its trick after all and the good guys are able to separate Ronnie from Dr. Stein. But of course, the tale isn’t done because General Eiling is on Firestorm’s case and much of the episode deals with the back-and-forth between them, and we learn that General Eiling knows far more about what goes on at STAR Labs than anyone thought he did, and he also comes prepared for every eventuality. Almost. As great as the episode was though, the stinger at the end was beyond awesome and incredible. Totally fangasmic in the best way possible.
In December of last year, DC kicked off its New 52 version of the Secret Six with a new series by Gail Simone and Ken Lashley. The first issue introduced Catman to us in detail while also covering the other members of the team roster, and it ended up being one hell of a story combined with some equally great art. As a fan of Gail’s work in general, and having read a previous Secret Six graphic novel, this was definitely one of my highly-anticipated titles of the Fall’14 season, and the book did not disappoint.
This past week’s Secret Six #2 carries on directly from where the first issue left off some 2 months back. We continue to get some great background information on Thomas Blake aka Catman, while at the same time also coming to understand the group of misfits assembled together by some mysterious character for some so-far-unexplained objective. Gail Simone continues to delve rather fantastically into what makes each of these characters tick, especially Catman, while on the other side Ken Lashley and the other artists also turn out some magic.
It isn’t a secret that CW’s Arrow has had an amazingly good season 3 as far as I’m concerned. I’ve loved pretty much all that we’ve seen on the show so far in the 2014-2015 season, and the greatest thing definitely has to be the fact that Starling City has gone bring the Vigilante’s city to a City of Heroes. Season 2 actually had that whole latter theme going on, but it was more a transitionary thing, and it is season 3 is where it all starts to really come together. And along the way, characters like Thea Queen and Laurel Lance have improved immeasurably since their earliest appearances on the show, while the others like Felicity Smoak and Oliver Queen among others have continued to grow.
Two weeks back the villain Brick, who has set himself up as the new power in the Glades, set the stage for a hostile takeover for all of the Glades, pushing out both policemen and city officials. We’ve already seen before that Team Arrow minus Oliver has really struggled against Brick before, so them going up against the big bad once again is perhaps not the best idea, but then, the way it is all handled in episode 12 shows how Team Arrow has grown into being more than just Oliver’s allies of need and circumstance. And this theme carries on over in episode 13 from this week when we see how the team functions when it is whole once again.
At a point when we are pretty much half-way through the first season of CW’s The Flash, there isn’t really any point in repeating myself that the show has been incredible since it started. Debuting the Scarlet Speedster back in October of last year, The Flash has made waves everywhere and I dare say that it has overtaken Arrow in terms of popularity, for the pure reason that it is such an uplifting show in general, less moody and more action-adventure with a bigger dose of humour. And thus the show totally fits the titular character, though the writers never shy away from showing some really serious stuff. Nor they should.
Episodes 12 and 13 of The Flash do a lot of great things. For one, we delve further into the mystery of how Ronnie became Firestorm and how Dr. Martin Stein is caught up in everything. This is where previous supervillain Hartley Rathaway fits in with a really interesting twist and we get to see Cisco get to kick some ass. Then there’s the whole thing with a new character being introduced into the mix, and suddenly, it is as if the show’s cast has increased to almost double, and I’m loving all that has been happening the last two weeks.
In the world of Swamp Thing, the new Machine Kingdom has made some incredible advances in a very short amount of time, going so far as to create its own Avatar, thereby picking one of the titular hero’s greatest enemies as its champion. And the battle that has followed from that has not been kind to the hero or his closest allies either. In fact, Swamp Thing and the others are losing the fight, and that’s where the fun really comes in I think, to see the hero tested beyond what you’d expect, and to see the incredibly rich lore of Swamp Thing really come alive.
In Swamp Thing #39 from last week, we pick up from where we left off in the last issue, namely with the cliffhanger of Swamp Thing being confronted by his own formally mortal body, now reincarnated by the Machine Queen to serve as her ace in the hole. The new issue is absolutely brutal in its execution, and writer Charles Soule sets a brutal pace for the reader. Losing to the combined power of his doppelganger, the Machine Queen and Arcane, Swamp Thing is now in for the battle of his life, to eke out the smallest measure of victory from these dark events.
DC’s Grayson has been very impressive since its debut, with only an odd issue along the way that didn’t exactly capture my attention, and that’s saying something since each issue has pushed boundaries. And last month Grayson #6 pushed even more boundaries by finally setting up a defining conflict between Agent 37 and Midnighter, one that proved to be really informative on how Dick sees himself, and how people constantly underestimate him, whether his allies or enemies. And you underestimate Dick Grayson aka Agent 37 only at cost to your own self.
Following the events of the previous issue where Dick came to blows for a third time against the Midnighter and finally met the Gardener finally Helena Bertinelli aka Matron figured out what the Fist of Cain was planning, this past week’s issue sees the hero try to set off a psychological bomb going off in Tel Aviv during a concert. There’s some really intricate stuff happening, and each is quite merited after all the cloak-and-dagger stuff of late, despite the occasional high-intensity action. But the ending, well that is indeed something different.
Another week of a “Magic 40″, though no graphic novels.
This week’s surprise hits were Ivar, Timewalker #1 from Valiant, Mortal Kombat X #4 from DC, and Twilight Zone: Shadow And Substance #1 from Dynamite. The disappointments of the week were Spider-Woman #3 from Dynamite and Spider-Verse #2 and The Amazing Spider-Man #13 from Marvel and Vampirella: Feary Tales #4 from Dynamite. Ongoing greats were Wonder Woman ’77 #3 , The Flash: Season Zero #11 and Supergirl #38 from DC, Black Widow #14 and Bucky Barnes: The Winter Soldier #4 from Marvel, and, Grimm Fairy Tales: Realm War #6 from Zenescope among others.