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The Hunger Games: Death and Glory

In recent years, there has been a big shift in Hollywood productions. Slowly but surely, we are getting more movies featuring female protagonists. Many people would point to the Twilight franchise as an abomination and what not, but can you really argue with the results? The industry is in a situation where even such “bad” films can still do their part to raise the point clearly and with distinction that female-led movies can do well at the box office. But the kicker is the quality of such a heroine of course, and that’s where the movie adaptation of Suzanne Collins’ first The Hunger Games novel comes in.

The Hunger Games followed the Twilight trend of adapting young adult novels featuring female protagonists for the big screen, a trend that hasn’t worked out for some other recent adaptations unfortunately. It features a very awesome female lead who kicks all kinds of ass and who is strong by her own merits, by her own doings. She isn’t defined by the people around her. She defines them. Of course, it also helped that the story itself was quite good. I’ve seen the movie a number of times since watching the theatrical release, and it has held up pretty well. The sequel, Catching Fire, released a few months ago, went a few steps further and was equally good at the least.

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Best Movies of 2013

Its been an interesting year for the movie industry, whether we talk Hollywood or Bollywood. Big tent-pole movies were the norm at the box office, and there were both successes and flops from each region. It can’t be denied either that some of the box offices successes have proved to be quite surprising, such as the runaway hits Frozen and The Hunger Games #2: Catching Fire, which continue to tell studio executives that female-led movies, especially action movies, CAN be successful if given a chance and that hiding behind ridiculous sexist attitudes and thinking just doesn’t cut it anymore.

Or let’s talk Guillermo Del Toro’s Pacific Rim which underperformed in the US but was a big hit in international markets and the reason for the former can no doubt be laid at the feet of the subversive trend in American media of trash-talking movies that are different.

But enough of that. This post, the first such that I’m doing, is meant to celebrate the movies that I thoroughly enjoyed this year, whether Hollywood or Bollywood, and that’s what I’m going to focus on here. So let’s have at it.

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