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Dredd: Judge, Jury, Executioner

In fall of 2012, one of the most awaited films of recent years debuted to audiences all over the world. Following on seventeen years since the Sylvester Stallone-starrer Judge Dredd, which was a massive disappointment, audiences finally had a Judge Dredd movie which actually looked cool from all the promos and which seemed to correct the mistakes of the past. Sadly, nothing worked out as intended. Whereas the previous film had at least made back some of its money and more besides, the new one failed to recoup its investment in the first place, and the budget was even half of what it had been before.

No doubt, several mistakes were made with the new movie, and they all contributed to what was eventually a box office flop. But since then, Dredd has gained a significant cult following. Whereas the theatrical release was a flop affair, the DVD/Blu-ray sales were highly encouraging. Stores, whether physical or digital, were constantly out of product. This was unexpected and on some level, this helped change perspectives. Now, there are talks of a sequel happening at some point, which is quite significant in and of itself. I can only hope that there is a sequel, because I enjoyed the movie. I pretty much loved it. Watch it with my highest recommendation.

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Reviewer Subjectivity

Friend and reviewer Ria, over at her blog Bibliotropic, posted a while back about subjectivity and objectivity in reviews. Her post was borne out of her experience reading a novel that, while in and of itself was a good piece of fiction, did not measure so well when put in context of the genre it was written in. In short, she was writing about subjectivity and objectivity in reviews as an experience, rather than a review style or mindset.

And it got me thinking about my own experiences. I had never really considered this before, you see. I approach each novel, each comic, as an object on its own, without the context of the wider genre or industry first and foremost. That evaluation is something I do subconsciously, without thought, and it is automatic. In my reviews, I rarely if ever mention whether the piece of fiction being reviewed compares to the industry/genre at large. I merely note if it is as good as other books/comics I’ve read, and even then, I use a very sample of such works, only the ones that I consider to be absolute best.

And therein is the contradiction of it.

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