I have put up with DC’s Forever Evil event for going on six months now, since last September. It started off fairly well I think, all things considering, but has kind of been wallowing along for a while now. With the penultimate issue in stores this week, I believe things are finally looking up, even though the new issue is still plagued by many missteps, and the story really is all over the place sadly. But I must admit that I get a weird kick out of reading this title, even though I haven’t been enjoying it all that much. On a very basic level, this is quite an interesting series.
In the previous issues, we’ve seen some big reversals for the Crime Syndicate, even though they still hold innumerable advantages over the heroes of the world and are almost unassailable. But, with Luthor’s Injustice League on the prowl now, things are changing a little bit, bit by bit. Because in the absence of the heroes of the world, whether they are dead or unreachable, it is up to the villains to save the world, quite literally, and any heroes alive who are still willing to make a stand are in very, very short supply. And the art hasn’t improved at all, which is still very disappointing.
On account of traveling to and from India this past week, my comics reading took a back-seat, as did my novel reading incidentally. Very few comics read, but most of them were good at least, a saving grace.
For the Crime Syndicate of America, the end has finally begun. For four issues now, they’ve continued to establish their dominance over the Earth. Whether we talk about the big time heroes like those of the three Justice Leagues, or the lesser heroes like the Doom Patrol and the Teen Titans, they’ve taken out almost everyone, and have shown themselves to be supreme. But nothing lasts forever. And this new issue is a perfect example of that. The story has taken a long time to get to this point, but it is finally here, and I’m honestly very relieved that things are actually moving forward now.
The new issue is a contest of arms. In the last issue we saw that Lex Luthor led his band of supervillains to Wayne Enterprises in Gotham to procure some tech, but ran into Batman and Catwoman there. In the midst of it all, Power Ring arrived with a band of Earth 1’s villains like Deathstroke and Giganta to take them all out. This is the issue that packs a ton of action into the story and moves the story forward in the context of the big enemy that the Crime Syndicate ran away from, from their own Earth.
In 2012 and, by extension, 2013 we had the greatest surprise in comics in recent years. Or so I believe. Doctor Otto Octavious essentially killed Peter Parker and transferred his consciousness to his body. Now, for more than a year, the “new” Peter Parker has been the Superior Spider-Man, marking a new age in comics where a villain became a hero in an attempt to genuinely do some good. I’ve certainly never read a story like this. Dan Slott and Ryan Stegman’s Superior Spider-Man Volume 1 proved to be an eye-opener in many ways for me, and through all his appearances in other comics, I’ve definitely come to enjoy Superior Spider-Man.
With Marvel’s latest event, Inhumanity, things are gearing up for the launch of the event’s premier series Inhumans in April and in the lead-up we are getting several titles each month which lay down the groundwork. Inhumanity: Superior Spider-Man #1 is one such title that, while it has only a passing connection to the event for now, helps to flesh out the ordinary lives of New Yorkers as they deal with the fallout of the Infinity event and the Terrigen Mists causing widespread mutations all over the world. One of my favourite writers by far, Christos Gage tells a really personal story in this issue and he is assisted most handsomely by Stephanie Hans who turns out one of the most gorgeous comics I’ve seen in a long time.
A few days ago I did my best of 2013 list for the books I had read in the second half of the year. In a departure from previous such lists I divided the books and the comics into separate posts so that I didn’t have one massive post up. Massive posts are a bit tough to handle, especially when you are promoting them on social media. And with the split posts, the directions are different and there’s no unnecessary crossover.
So, with the books already having been covered, I now delve into my favourite graphic novels of the year. A post with the best single issues will follow on later.
You can check out my top-of-the-month lists on my Reading Awards page and this list is both an extension, and a continuation of what goes on there.
Let’s see what makes the cut and which comes close then!
Well, here we are. This will be the final CPoTW post of the year, even though today is the last new comic book day of 2013. Just the way these schedules all work out and all.
Moving on, this was a somewhat light week in some respects since I didn’t get around to as many comics as I wanted to. Quite a few titles slipped through the cracks, which is happening more and more given the sheer volume of how many comics are (generally) released each and every week. Still, one bright ray of sunshine in all of this was that I managed to read three entire graphic novels this week, all of them for Batgirl, with one featuring Cassandra Cain and the other two featuring Stephanie Brown, both characters who are much in demand among several outspoken communities of fans to be revived in the New 52. Having read these graphic novels, I certainly agree with that!
The sluggishness and boredom, I am feeling it. When you stretch out an event across two books for several months, you need to make sure that the pacing of the entire story is spot on. It is essential. Sure, event stories make for much better reads in collected formats, but readers do have to get over the hurdle of the monthly schedules. And when books are delayed, then that hurdle gets ever bigger. This is what Geoff Johns’ latest event, with artists David Finch and Ivan Reis, is suffering from now. Last month’s Justice League #25 was inexplicably delayed. That then led to a delay in the release of Forever Evil #4 which came out this week along with Justice League #26. Whatever the delay might have meant to achieve, Forever Evil #4 proved to be a disappointment.
The main issue with the Forever Evil event is that it appears to be moving far too slowly. Each issue contains a tiny bit of plot progression and a tiny bit of character progression. The stories are generally written quite well, but taken together, there is a clear problem there. And it doesn’t help that each month David Finch’s artwork proves to be a big disappointment. I ask myself if Forever Evil #4 was worth the three week delay. The answer would be a no.
Event comics are often maligned because of their meta-perspective, giving us the overlay of events happening across an entire line. Some can be really good, such as how the recently concluded X-Men: Battle of the Atom was in its first month, or how Throne of Atlantis and Trinity War were. But some can be… bad, such as Infinity because the event comics don’t really give you a consistent story to follow. Or characters for that matter. Geoff Johns has had more experience with event comics than most writers today given all the work he did for Green Lantern in its pre-New 52 days, and so he’s often a dependable guy for such comics.
Sadly, he seems to be missing the mark again and again with Forever Evil, the main 7-issue event mini-series specifically. In two issues thus far he’s given a lot of different perspectives to advance the main storyline, setting up the various tie-in comics for the event, or even drawing on them to further the main storyline. Its a “feeding off each other” effect that isn’t really working for me. And the art is mediocre at best.
Forever Evil is the BIG event of the year for DC Comics, surpassing even Trinity War. Where last month was all focused on the supervillains of DC Universe, this month we go back to things being a bit more regular. But even though all the regular series are back in action this month, that doesn’t mean that Forever Evil isn’t going ahead. It very much is.
The first issue was just about decent. It had some great moments with Lex Luthor, and it gave a pretty decent overview of all the changes going on in the superpowered community, whether for the good guys or the bad guys. But, the art was definitely not up to mark, and David Finch left me disappointed throughout. Sadly, that trend seems to have continued with this issue.