The Hunger Games: Death and Glory

In recent years, there has been a big shift in Hollywood productions. Slowly but surely, we are getting more movies featuring female protagonists. Many people would point to the Twilight franchise as an abomination and what not, but can you really argue with the results? The industry is in a situation where even such “bad” films can still do their part to raise the point clearly and with distinction that female-led movies can do well at the box office. But the kicker is the quality of such a heroine of course, and that’s where the movie adaptation of Suzanne Collins’ first The Hunger Games novel comes in.

The Hunger Games followed the Twilight trend of adapting young adult novels featuring female protagonists for the big screen, a trend that hasn’t worked out for some other recent adaptations unfortunately. It features a very awesome female lead who kicks all kinds of ass and who is strong by her own merits, by her own doings. She isn’t defined by the people around her. She defines them. Of course, it also helped that the story itself was quite good. I’ve seen the movie a number of times since watching the theatrical release, and it has held up pretty well. The sequel, Catching Fire, released a few months ago, went a few steps further and was equally good at the least.

Black Widow/Wonder Woman: Impossible Perfections

Yesterday evening, I read an article on the geek news site The Mary Sue, which touched on an interview that ToonZone had with James Tucker recently (link to article). In this interview, he was asked by Warner Bros. CEO Kevin Tsujihara’s recent comments that the studio really needs to get on with making a Wonder Woman movie because it is too big a thing to miss out on, essentially. Tucker is a supervising producer of the studio’s DC Animated division and as such, what he says should carry some weight in the discussion that has surrounded this topic of late: Wonder Woman getting her own live action movie, or at least the failed television show being given the go ahead.

I’ve been quite frustrated with all the non-news about the topic, particularly since DC and WB seem to be dragging their heels on the subject. What little comments that have filtered down to the masses, other than Tsujihara’s somewhat positive take, have all been about gender inequality and this notion that Wonder Woman can only work if she has THE perfect script going for her because she is, in a nutshell, too difficult a character to bring to the mainstream cinema audiences. Tucker’s comments fueled that fire further with his own brand of such silliness.

So, in a fit of frustration, I took to Twitter to talk about it and had a very interesting discussion with a few people about what is happening. This post is an offshoot of that entire discussion.