Vertigo’s Hinterkind is one of those out-there kind of comics that the publisher loves to put out. They are different from the norm, often bend conventions a certain way, and they all have a very unique flavour. Ian Edginton proved that with last month’s first issue, in which he told a post-apocalyptic story wherein mankind is almost extinct, nature has taken over the world, and there are creatures from mythologies and urban legends running around all over.
He continues in the same vein with the new issue, building on the things he introduced in the previous issue, adding to the world, and giving you more reasons to care about it. But at the same point, things feel a little too slow. But, this was still an interesting issue because we get to see the other side of the conflict, much as with the bookend final scenes of the first issue, and we get to find out what the Hinterkind think of humans and what their goals are.
As I’ve said before elsewhere, Vertigo Comics puts out some of the best stuff in the industry and their biggest selling point is how diverse each title, how different it is to the next. Vertigo’s various settings all have a different vibe, different feel to them, as you can see from Jeff Lemire’s Trillium or Scott Snyder and Sean Murphy’s The Wake or Bill WIllingham’s Fables. These are very much non-traditional comics and they are executed brilliantly.
Joining this stellar line-up is the latest by Ian Edginton, Hinterkind, a post-apocalyptic story in which humanity is now the endangered species and nature has run wild all over the world. Just the description of the setting itself intrigued me and made me want to read the comic ASAP. And I would have, as soon as New Comic Book Day came, if it wasn’t or some other reading commitments and plans that intervened. Might be reading this “late” but its sure been one hell of an experience.