I’m a huge fan of Barbara Gordon aka Batgirl (and for a long time, the Oracle). She’s been a favourite for a good long while and when I started reading the comics written by Gail Simone last year, I found myself a new outlet to appreciate the character even more. Far more. Those comics are a mainstay of my DC reading right now, and the series is one of my top titles each month (at least, whenever Gail Simone is the writer). A few days ago I decided to read some different Batgirl comics, since during Barbara’s tenure as the Oracle, other characters have taken on that mantle, most notably Cassandra Cain and Stephanie Brown, both of whom are absent in the New 52.
The first of the comics featuring these characters I read was Batgirl: Redemption, which marked the second run of the title and was only for three issues, tangentially leading into the entire Death of Batman arc. Featuring Cassandra Cain, written by Andrew Beechen and drawn by excellent artists like Jim Calafiore and Jonathan Glapion, this wasn’t the best introductory comics to read, but I liked it well enough. There are lots of things going on in here and I was lost a few times, but I still enjoyed the characters thoroughly.
First off, apologies to everyone who was waiting for this review to up yesterday, as expected. I ended up going to a cousin’s birthday party in the evening and that took up a huge chunk of my reading time. And when I sat down to read the issues again for the review, I was just way too tired and kept dozing off in the middle. So once again, apologies.
Now, for the review. Given the immense proliferation of Batman-related titles in the New 52, Scott Snyder and Greg Capullo’s run is the only one I stuck with when I begin reading comics again last year. It was a maze of titles and I was unsure what to pick up. Recently, my fellow The Founding Fields reviewer Bane of Kings was talking quite highly about John Layman’s run on the title so I decided to pick it up from its fourth volume arc, starting on the special #19 issue which commemorates what would have been the 900th issue of Detective Comics had DC not renumbered their titles for the New 52.
And I found that I quite enjoyed these issues. Layman’s writing is fantastic, easily a match for Snyder’s and the same can be said for Fabok’s art, which is just as good as Capullo’s but is stylistically different. Whether its the special, or the conclusion of the Emperor Penguin saga or the League of Assassins one-shot or the three-issue arc with the villain Wrath, I enjoyed both the writing and the artwork. Fabok is already a favourite and now I’m a Layman fan as well.
Note: Some minor spoilers for the backups are mentioned in this review.
Much as with DC’s New 52, Marvel’s reboot of its entire line-up (mostly) means that its a great place to get started with their comics. New books. New creative teams. The whole deal. I’ve tried to get a start on some of the titles, primarily X-Men but I’ve only stuck with a very small handful. With news of the Guardians of the Galaxy movie being a part of Marvel’s phase 2 for its cinematic universe, I decided to go ahead and read the current ongoing, written by a long-time Marvel main-stay, Brian Michael Bendis.
Marvel doesn’t exactly any cosmic books ongoing right now. As far as I can tell, Guardians of the Galaxy and Thor: God of Thunder are the only such, despite the fact that a lot of the Marvel events have an effect on the entire galaxy, especially when they feature villains like Thanos and Ultron and Galactus and who knows who else. My first taste of Guardians of the Galaxy has been excellent, and I look forward to getting down with the second volume.
Jason Aaron is, without a doubt, one of the best comics writers in the industry right now. He’s taken Thor: God of Thunder to stratospheric levels with his excellent writing and with the recent launch of the Thanos Rising mini-series, he was all set to continue that trend. He’s done some other work for Marvel before, and continues to do so, but really, its only his space opera styled stuff that I’ve read and he’s made me into enough of a fan that I’d follow him from book to book, no questions asked.
Which reminds me, I need to get a start on his Wolverine and the X-Men run at some point
Either way, with Thanos being such a central character to Marvel’s cosmic setting, I had some initial reservations on how Jason would deliver. And that’s nothing on his skills as a writer. Its just that Thanos is so much larger than life that there undoubtedly will be reservations. But an in-form Jason makes all these worries go away.
Note: This is a review for the Thanos Rising mini-series, which is 5-issues long. I’ve read the issues individually, rather than reading the graphic novel, which won’t be out for a few months yet.