Frustratingly enough, just when the Zero Year arc on Batman is winding down to a close, we get a filler issue with a story that doesn’t begin for almost another two months. I’ve liked most of Zero Year that I’ve read so far, and while some of the things have been dragged on a bit, such as the entire second half of the arc involving the Riddler and Doctor Death, it has definitely been a fun story thus far, and I really, really want to see how it all ends. That said, I wasn’t really sure what to expect from this story, and what I ended up getting was packed with a bunch of awesome it turns out.
Batman #28 is a story that sets up Batman: Eternal, which will be a new series that DC is going to launch in April this year, and is meant to be a weekly series, with a rotating cast of 4 writers for the first big arc. As such, the story is set in Gotham’s future, quite a few years from now, and it posits a world where Gotham has suffered some kind of near-apocalyptic event. Perhaps a zombie apocalypse? Hmm, that might be a good story actually! Anyways, this was a fun story with James Tynion IV coming back to co-write with Scott Snyder and this time the art isn’t handled by the series regulars, but by guest artists who I presume will be working on the new series.
Batman: Zero Year has been one of the best mini-events in comics that I’ve read to date. In the space of the first four issues, #21-24, Scott Snyder and Greg Capullo gave us a fantastic look at the early years of Gotham as it would come to be under Batman’s vigilantism and we saw the fantastic origin of the titular character. With superb art comes a superb story and till now, nothing has been the least bit disappointing, apart from some really minor stuff.
Which is why, reading this brand-new issue, I was confused as to what was happening. With the last issue, Snyder/Capullo ended their first arc and concluded the Red Hood Gang story, rather dramatically I might add, and they set up the Riddler to be the new big villain. With the new issue however, it is as if we are in an interlude, which doesn’t quite jive with the way that everything is two minutes to midnight in the story, with the worst storm in Gotham’s history approaching and the city entirely without power.