As you might well know from the reviews I’ve been posting in the last few months, Red Sonja is one of my favourite female characters in comics and with Gail Simone on writing duties for her with Dynamite’s latest relaunch, things are on the up and up for her. She’s always been a character that I enjoy reading about, and this past week Dynamite released a one-shot called Li’l Sonja which reimagines the fiery redhead as an all-ages kids character, very much in the same vein as, say, Powerpuff Girls or Li’l Gotham or Itty Bitty Hellboy.
I just read the issue a few minutes ago and I got to say that it was a lot of fun. Knowing that it is all-ages and being a little familiar with Jim Zub’s writing style from his Samurai Jack comics with Andy Suriano and Josh Burcham for IDW, I knew that I would be in for a treat here and I wasn’t disappointed. Honestly, if Li’l Sonja was a cartoon being aired in the mid-90s, I would have totally been watching it. Honest truth! Jim’s writing is great and the art team has done a great job as well.
Over at her blog, Helen Lowe has had an interesting discussion taking place of late on the topic of what makes epic fantasy what it is. Its been quite an informative discussion to say the least (more). The descriptions and definitions that people attach to this seemingly simple 2-word phrase have provided a lot of new perspectives, many of which I have never considered before.
And that made me think about how I define “epic fantasy”. What are the components of it? What are the essentials? Like with any other discussion about the definition of genre categories, there are no easy answers here either and that has a lot to do with personal biases and preferences. I’ve seen a lot of books come out in the last few years that have been hailed as epic fantasy but that I wouldn’t necessarily classify as such, since for me there are some basic requirements for a book to be hailed with that genre label.
Which is what this post is about.