Earlier this year Top Cow relaunched its Aphrodite series, giving the character a new spin by putting her in a post-apocalyptic future where mankind has mostly destroyed itself and is now divided into two factions, one that holds genetic engineering supreme and the other that holds machines supreme. The first arc was an absolute cracker and as a fan of the character from her appearances in Ron Marz’s Artifacts series, I thoroughly enjoyed the new take.
With the newly-released #6, Matt Hawkins and artist Stjepan Sejic begin a new arc that picks up some time after the end of #5. The lead-up to this has been quite good and Matt doesn’t disappoint with the story. Aphrodite has been targeted by both sides of the ongoing conflict and a new faction has entered the mix, someone familiar and yet very different. The fun is in finding out how all the characters are continuing to develop and where they are all headed, as well as all the revelations about who and what Aphrodite really is.
Reading Top Cow comics always gives me a thrill. Whether its the characters or the story or the art, everything is always spot on and entertaining. Having read a wide variety of their books in the last year or so, I’ve enjoyed almost all of them, whether monthlies or trades, and the experience has been very positive for me. Reading Matt Hawkins’ futuristic reboot of the Aphrodite property has been one of the highlights of that experience, and for good reasons too.
Characters like Aphrodite, in all her different incarnations, are very few and far in between in comics. In the Top Cow Universe, she occupies a very specific and niche place, built up on the concept of Artifacts that a few select individuals are heirs to. Ever since I started reading Ron Marz’s Artifacts maxi-series last year, Aphrodite has been one of my favourite characters, and Matt Hawkins’ recent work with her has only solidified that, and given me even more reasons to like her.
My reading of more of what Top Cow publishes continued lat night with the latest issue of Matt Hawkins’ Aphrodite IX, a series that was rebooted under his direction and features art by Stjepan Sejic, Top Cow’s premier artist. In the three issues that I’ve read so far, Matt has created a really interesting post-apocalyptic world and has populated it with equally interesting characters, whether they be the geneticists of Genesis City or the cyborgs of Speros, or the protagonist herself, Aphrodite IX.
The tale so far has been one of deceit, betrayal, assassination and a race of control, which are always great concepts to base a story around. And that is exactly what Matt has been doing so far.