Finally, this was a week where my non-DC reading far out-stripped my DC reading. Villain’s Month really seems to have taken a toll with my reading, what with reading like seven or eight titles a week. Things are finally becoming more normal, and that’s excellent in and of itself. Lots of Dark Horse and IDW reading as well this week, which was really nice, since I’m playing catch-up with a few of their titles and really need to be getting down to read these issues.
However, no luck with reading any graphic novels again this week. I had hoped to read at least one during my flight back to Dubai from Delhi but things didn’t work out like that since I slept on the entire flight, all three and a half hours of it. That’s something I suppose. But now I have the time I hope so will see what happens.
The other day I was having a conversation on Twitter with my reviewer friends Paul Weimer (of SF Signal and Functional Nerds) and Sally Janin (of Qwillery) about a recent debut novel that is causing waves in the publishing industry. The book in question is called Stormdancer and is Jay Kristoff’s first book in the (billed to be) Lotus War series. The premise of the novel is that it is a coming-of-age story of a young girl in a setting that is touted as Japanese Steampunk, and explores her relationship with her somewhat-estranged father and an arashitora, or thunder tiger, or griffin. Our point of discussion was the cultural appropriation by Kristoff in the novel, his particular approach being severely unpalatable to me as someone who, while not very well-versed in, is still quite familiar with Japanese culture. The discussion extended to whether or not a reviewer’s familiarity with the settings/cultures portrayed in a speculative fiction novel play a big part in our perception of how good/bad a novel is.