Aquaman is one of those few DC books that nicely mixes in humour with otherwise dark events, and even just events with a huge scope at that which deeply and personally change the world-view of the characters irreversibly. But at the same time, Aquaman’s story is one about hope and determination. At several times during his run, Johns emphasised this and ran with it as far as he could take it. It proved to be a really good time. And now it looks like the new writer on the team, Jeff Parker, is cut from the same cloth because that’s pretty much what Aquaman #28 was all about.
In his first two issues on the title, Jeff worked to expand the scope of Aquaman’s world, introducing new characters and new monsters. And he did it in pretty good style too. Now in Aquaman #28 he finally makes two worlds collide as Aquaman finally learns of the newest threat to Atlantis, involving another conspiracy against the underwater empire. I really must say that I enjoyed this issue as much as I did the previous two. On the art side, I didn’t like it so much, because Aquaman and some of his supporting cast looked a bit beefed up and they didn’t look like their previous incarnations either. But it was overall still good.
Years ago, there used to be this little animated series called Defenders of the Earth. To a young kid growing up in the 90s, the show was one of the most memorable ones at the time, in part because it featured The Phantom, a comics character from my childhood that I had a ton of fun reading about in the Hindi-version comics that were released in India. I don’t remember the show all that much, but I do remember that Phantom, Flash Gordon and Mandrake pretty much kicked ass every time and that Ming the Merciless was utterly despicable, a true villain.
Fast forward to now, when Dynamite has begun releasing Kings Watch, a mini-series that focuses on the adventures of this trio and goes to some new places. The original animated series was set in 2015. It is now 2014 (the series started in September last year). Funny how that works out, huh? Reconnecting with these characters after all this time has been quite a thrill, and this first issue has been very entertaining. The story isn’t quite as put together as I would like it to be, but the art is pretty top notch and this is definitely a really good issue. One that makes me want to pick up the others immediately.
Not as busy a week as the last but fairly busy nonetheless. The new creative teams on various ongoing titles continue to go strong, particularly Justice League Dark and Witchblade while some of the newer titles like Black Science continue to be exception, so that’s one thing that I really liked about this past week. January in particular has been a really excellent month of comics what with Marvel’s full-on All-New Marvel NOW! launch and some really good issues for DC’s Forever Evil event.
Just one graphic novel again this week, the Lee/Buscema magnificence that is Silver Surfer: Judgement. I was meaning to read at least one more, but time wasn’t on my side and I missed out. Hopefully the new month gets off to a good start.
In December Jeff Parker took over writing duties on Aquaman from Geoff Johns. After more than two years of Geoff’s excellent run on the title, which saw the title become one of DC’s best-selling titles in the New 52, we are finally getting a fresh perspective on things and based on #26 and #27 both, I have to say that some really exciting times are ahead for the readers. The previous issue was almost perfect. It met my expectations and it has some great story and art both.
This past week’s #27 proved to be another good installment of the series. It wraps up the plot with the Atlantean mythological sea-monster that was terrorising Reykjavik, Iceland and at the same time it furthers the subplot involving the political tensions in Arthur’s advisory council while also giving us more information on Triton Base, a hidden underwater research base created to investigate future potential threats from the underwater kingdom and Aquaman’s relationship to it, among other things. And the art was also good, although the switch at the end with the pencillers created a bit of a WTF moment.
Welcome to the first CPoTW post of the year. Technically this should be the last of the previous year, but publishers did this funny thing where the new comics came out on 31st December, so, you get the picture.
This was an extremely thin week of comics reading for me, and I’m not quite sure what more to say more than that. I read just six comics in total and as it turns out, they all happened to be good. I suppose that even a reading machine like me needs a break now and then. And I could probably have used it, in hindsight, since I moved through through three graphic novels in the previous week. And that’s a lot. At least, all six of these new comics were good!
Geoff Johns wrapped up his Death of a King arc on Aquaman in November in as royal a manner as possible. If Aquaman could have had the same scope as Green Lantern, then Aquaman #25 could have been better still, but regardless, I’m pretty damn happy with how that arc turned out. Geoff ended his run on the series on a high note, left a few subplots open for future development and evened the playing field for incoming writer Jeff Parker. Reading Jeff’s interviews prior to Aquaman #26 coming out, I was pretty damn excited about his run, especially since I’ve enjoyed his Batman ’66 comics of late.
With the new issue, Jeff Parker goes full out from the get go. Following on from a run as successful as Geoff’s, which really put Aquaman on the map as a serious superhero and not someone to scoff at as a second-stringer, Jeff has a lot to live up to. But with his first issue he is firing on full cylinders and I loved it, for sure. And its great that series regular Paul Pelletier is staying on as the artist, to create that nice bit of visual continuity.