Gail Simone and Walter Geovani’s Red Sonja, launched last year in July, has proven to be one of the best new comics of recent months. It even made my “Top 5 New Comics of 2013” list. For a fan of the character and the setting, Gail and Walter have done some incredible work with the series and their first arc of six issues was always fun and enjoyable without fail. Now, they are launching into their second arc after a 2-month break and it looks like they have both upped their game significantly. Which is all that I wanted really.
As said, this issue starts off a new arc. After defeating Dark Anisia in the previous arc and freeing the populace of an usurper king, now Sonja is headed all over Hyrkania and beyond to round-up the six greatest artisans of the age for an immense banquet being held in a month’s time by Samala, the Emperor of a pseudo-Egyptian kingdom. Gail’s writing is as top-notch as ever this time around and even the art clicks together very well. This might just be my favourite issue of the series thus far.
And so we come to it, the final issue of Gail Simone and Walter Geovani’s first arc on the new Red Sonja series. When the first issue came out in July, it seemed as if the road to the end of the first arc would be long. But here we are, and the journey to this issue has been a really fun and exciting one. The last issue promised one hell of a one-on-one clash between Dark Annisia and Red Sonja, but there was a gut-wrenching twist at the end, something that did leave me quite shocked. It was a cliffhanger which made me really anxious to get to this issue, and I’m quite elated that the finale lives up to its promise.
The final issue of the arc this may be, but it is still just as great an issue as any of the others. The Red Sonja who we saw in the first issue has grown quite a bit and the one we see at the end of this issue is a different person. Not too different, mind you, but the character has definitely been changed by her experiences fighting against her sister-from-the-pit and almost dying in the wilderness. If you were waiting for Red Sonja to truly be the hero of this story, then this is the issue that you have to read for that.
One thing that I love about Gail Simone’s story arcs is that she writes strong, consistent stories regardless at what point they are set. Be it the beginning, or the middle, or the end, her writing always entertains in all sorts of different way. The Movement, Batgirl, Birds of Prey, she’s been excellent in all of them, and her revival of Red Sonja in collaboration with artist Walter Geovani is further proof that she is one of the best writers in the industry, no doubts about that.
As a fan of the character, I was immediately on board with this series even before the first issue had been released. After that, it was only a matter of form since Gail and Walter gave me a story and a character that I could really latch on to. They’ve put Sonja through some really tough moments in the previous four issues, and now she is on the mend, and spoiling for a fight, which she does get by the end, except for a slight unforeseen complication which was perfect.
Every now and then, its fun to get lost in a setting and a character to the degree that all that matters is the fun you have while reading (or watching, as may apply). This is one of the things that draws me to sword and sorcery stuff so much. There are some really fun tropes in the genre that otherwise would seem odd and out of place, but here, they are perfect. And nothing exemplifies sword and sorcery like Red Sonja and Conan do, characters who are the poster characters of the genre and have been around for decades.
With her fourth issue, Gail Simone proves once again why she is such a good fit for this rebooted series. The new issue continues a tradition of action-packed stories with some really fantastic art. And the same goes for artist Walter Geovani. I’ve always loved his work, and he continues to impress.
My love for everything that Gail writes is no longer a surprise. Or it shouldn’t be at any rate. She is one of the best writers working in the industry right now and a good part of it is because she is able to portray her characters so well. And her scripts are always exciting, no matter what. I’ve been following her from series to series, whether that be her original run on Birds of Prey, or the second, or Batgirl, or The Movemehernt, or even Red Sonja. And I can’t wait to read her Tomb Raider comic when it comes out.
With Red Sonja, for two issues now, Gail has presented a very nuanced and personal take on the titular character and this is something that she continues in the new issue. But this time, she takes things a step further and presents a much more modern and ass-kicking back-story for the character, something that has been in Sonja’s lore since her very inception. And it rocks.
Quite unintentionally, sort of, last week was a full-on comics week for the blog. And it seems that it was also a week where Gail Simone was 2/2 for her releases, Batgirl #23 (review) and this one, the second installment of her Red Sonja reboot for Dynamite Entertainment. Her first issue (review) was an absolutely amazing issue and everything that I expected from the second one, I got, and then some.
Currently, the only other writers who are hitting the same kind of heights for me right now are Scott Snyder with Batman, Geoff Johns with Aquaman/Justice League/Justice League of America and Jason Aaron with Thor: God of Thunder.
Its also great to see that two incredibly awesome female characters in comics are being written by one of the best in the industry. Its heartening. I love it. And I want more.