Given the way that DC’s last big crossover event, Trinity War, ended and the way that the current event, Forever Evil, started, the big question on everybody’s mind has been just what the hell happened to the three Justice League teams. Forever Evil #1 jumped forward in time a bit and its opening act is disconnected with the ending of Justice League #23, which was the final Trinity War issue. It was only until the final page of this month’s Forever Evil #2 that we were able to get a glimpse of that in-between time, or rather, the result of it.
With Justice League of America #8, the first JL issue to hit stands since Justice League #23 in August, we finally begin to explore where the heroes are, what’s happened to them, and what the future has in store. Matt Kindt begins his 6-issue arc on this title with this new release, and it promises to be an interesting time, if he can get rid of all the kinks in his script.
Supergirl. Maid of Might. Girl of Steel. Superman’s cousin. She has been a mainstay of DC comics for a number of years and has featured in several different mediums over that time, right alongside big blue. Most recently, the character’s biggest break was as a recurring character on CW’s Smallville, a show that lasted ten full seasons and featured Supergirl in several key episodes during the later seasons. Played by Linda Vandervoort, this version of Kara Zor-El was an elder cousin who had managed to escape the destruction of Krypton but had become stuck in her pod’s stasis field during a crash on Earth. Other than the movie Supergirl where the character was played by Helen Slater, this was Supergirl’s biggest outing.
And then came the New 52 in September 2011 and rebooted her comics continuity, and even gave her a much bigger platform than before. Universe reboots tend to do that. I read all the first twelve issues and even the special Zero issue last year, but I struggled to connect with the character. I just couldn’t. Mike Johnson and Michael Green’s scripts had a lot of potential, but the execution often fell short for me. And I stuck with the title for that first year because I love the character.
With the advent of the announced creative change from issue #20, with Michael Alan Nelson being brought in (and new artist being brought in for #21, Diogenes Neves), I decided to get back to the title and suffer through the H’el on Earth issues so I could be caught up with everything that had happened since I had stopped at #0.
Note: Contains spoilers for the previous issues, especially the H’el on Earth event issues.