Where one leaves off, another picks up. That seems to be Marvel’s motto of late, especially with their All-New Marvel launch/relaunch of certain titles. Marvel doesn’t exactly have all that many teen superheroes, unless you count some of the X-kids from their various team books. With the recent cancellation of Young Avengers, Marvel launched a new teen superhero book, New Warriors, last month and it seems to be stylistically somewhat similar to the other series. But this brings back (apparently) an old team but with some new faces, so things are certainly interesting.
The first issue was a bit all over the place, and was just about good enough for me to recommend it to you, the readers of this blog. With the second issue however, I am starting to have some serious doubts because this too was all over the place but much more than the first issue. The pacing was odd and the story just didn’t quite click with me either. There were some nice moments here, but I confess that I felt lost most of the time. And the art is okay, no major complaints about it, not at the moment at least, I must say.
As with most other big-name comics properties, my first experience ever with the Fantastic Four was an old animated cartoon that used to air in the 90s. It might have been reruns or something, but that’s besides the point. For a young kid, the 90s were an awesome time to be in, what with all the great programming happening on Cartoon Network and other channels. That Fantastic Four cartoon was one of the best. Years later, the movies happened, but they were disappointing. At some point last year or the year before, I tried to get into the FF comics, but never went back after like the first few issues.
And now with the reboot, I think I have a Fantastic Four comic that I can definitely read and enjoy and thus stick with. With his recent runs for DC now over, James Robinson has quickly picked up two new ongoings with Marvel, first All-New Invaders and now Fantastic Four. And I have to say that I enjoyed his Fantastic Four more than I did the other series. Better written, much more emotional, much more punchy. And the work by all the artists is also pretty good, on the high side of what is happening with the Big 2 and especially all the new ongoings that Marvel has launched this year so far.
If anything, February has been a bigger month for Marvel and its All-New Marvel NOW! launch than January was. More titles, a bit more oomph in general, and just as interesting in the final tally. And given that January was a pretty damn good month for the publisher in terms of unit sales and market share, I’m thinking that February is going to be equally good. I mean, when you launch these many new #1s and with many of them getting their sequel issues in the same month, that’s going to add a lot of padding to your wallet. Like a lot.
But that’s fine, as long as the titles being released are decent. And New Warriors #1 is kind of entertaining I suppose. There’s an overload of characters and everything is basically frontloaded at the reader as far as the team’s makeup is concerned, but that’s fine. This is not a group that I’ve really read about before (I hardly remember what I read in Civil War), so there’s that charm about them that I drew me to the title. Beyond that though, I can easily see this as being a good replacement for Young Avengers, following the cancellation of that title recently. Art is good, story is decent. All good.
As I mention in the review, I’m a pretty big fan of most things Spider-Man. I love the character, having grown up watching the animated series on Fox, and I’ve seen most of the other animated series as well that have come out over the years. I remember each and every one of them fondly, although details are mostly forgotten. I loved playing the various video games that came out in the early 2000s, and I’ve seen the movies many times. Yes, even the flat-out terrible Spider-Man 3.
With The Amazing Spider-Man, I was looking for something a big different, something fresh, and that’s the experience that the movie gave to me. I enjoyed it, even the cheesy parts, and I’m pretty pumped up for the upcoming The Amazing Spider-Man 2 which is going to introduce (and reintroduce for the movies) some new villains. Over on the comics side, Peter Parker will be returning to life as Spider-Man too, once Dan Slott’s run on Superior Spider-Man with Doc Ock as the titular hero finishes up and Marvel relaunches The Amazing Spider-Man with a new #1 to coincide with the movie release. Its going to be a fun time!
A stable week for a change and this meant that I was able to read some more comics this time. Didn’t get through quite as many as I wanted to, and I certainly didn’t get around to reviewing as many as I wanted to, but that’s fine really. Gotta take a bit of an occasional lighter load I think. Most of the Marvel books I read this week weren’t all that impressive (as the top picks at the end will show), but DC was better. And Vertigo’s newest series looks to be damn good too, can’t wait to check out the second issue of that next month.
And I did manage to begin my Flash New 52 read-through finally with volume 1 last night, so that’s something there. Planning to read a lot of graphic novels this year, mostly in terms of catching up with series I’ve missed out on, so we shall see how it all pans out.
My introduction to Marvel’s Marvel UK line has been fairly decent so far. With the entire brand relaunched as part of a crossover involving one-shot issues for almost all the major characters and teams, this has been one of the more fun things that Marvel has done for its Marvel Now initiative. Alpha #1 and Knights of Pendragon #1 were really cool while Dark Angel #1 was fairly decent. Now we finally get to see Death’s Head II #1, and this one thankfully continues the story that ended in Alpha #1, something that I’ve wanted to see since I read that issue.
As part of the entire crossover, this is a fairly good issue, but on its own, not so much. Characterisation is the big stumbling block for this issue, and even the art is not all that good, compared to the other one-shots that have been released so far. Death’s Head as a character is a really fun, but that’s all that there is to this issue, and the material never really transcend itself like what happened in Alpha #1 and Knights of Pendragon #1. Still, it wasn’t all that bad, and it did move the overall story forward, so that was nice.
Up until some time last year, hard to pin down exactly when, but I’m thinking middle of the year, I had no idea that She-Hulk even existed. For that matter, up until a handful of months before that, I had no idea that there was a Red Hulk. In fact, the only Hulk I’ve ever known about is Bruce Banner’s plain-joe Hulk. Still, it was exciting to hear that Marvel was launching a new She-Hulk series for its All-New Marvel NOW! launch-wave, though my excitement was tempered by the fact that Charles Soule, a writer I don’t like all that much and would prefer to avoid altogether, was on the writing duties for this.
I went in with an open mind because She-Hulk is a character that I am really interested in exploring more, but all the same, I ended up being disappointed. That too for the reasons I expected, and a few that I didn’t expect. The big culprit here is the art, unfortunately, making this the second of Marvel’s new series I’ve read this week that failed for me on the art level, and which has a passingly good story, more mediocre than anything. I frankly expected more out of this.
Another new week of comics, and that means another new week with a new book launching from Marvel, as part of its brand-new All-New Marvel NOW! initiative, under which the publisher is either relaunching some series, or launching new ones with characters old and new alike. One of this week’s big highlight is X-Force, which already existed under the Marvel Now banner, but not quite in this form, I’m given to believe. I’ve never read any X-Force or related comic, and neither have I read anything with any of the characters featured here, except for Psylocke, who has had some good moments in Brian Wood’s X-Men of late.
Being my first X-Force comic, and with these characters in particular, the transition is a bit rough. I barely know any of them, and Si Spurrier’s writing isn’t very comfortable in that regard either. But, I think the series has a really interesting premise all the same, with the X-Force team being mutantkind’s self-appointed black ops team, and that’s the charm, certainly. Rock-He Kim’s art on the other hand leaves a lot to be desired and is definitely one of the weaker points of this issue. It has neither the substance nor the charm that I expected.
After the double-shipping last month, this month we get to a regular monthly schedule for Nathan Edmondson and Phil Noto’s excellent Black Widow. The first two issues were quite stellar, both of them one-shots designed to introduce the character and set her up before launching into something approximating a long arc, like a 5-6 issue story. The art didn’t grip me as much in the first issue, given how different Noto’s art style is, but the second issue was quite an improvement still, and now with the third issue, I’m in love with his work.
The new issue is a two-headed beast. It tells a mostly standalone story, but there is also a subplot that supposedly leads in to a slightly bigger story in the next issue. And as with the previous two issues, we continue to get a look into how Natasha thinks, what her personal mission is, and what her morals are. With an espionage twist, the book really makes her come across as a hero, and I’m all for that because she is one of the in-the-grey characters who are also heroes.
Not as busy a week as the last but fairly busy nonetheless. The new creative teams on various ongoing titles continue to go strong, particularly Justice League Dark and Witchblade while some of the newer titles like Black Science continue to be exception, so that’s one thing that I really liked about this past week. January in particular has been a really excellent month of comics what with Marvel’s full-on All-New Marvel NOW! launch and some really good issues for DC’s Forever Evil event.
Just one graphic novel again this week, the Lee/Buscema magnificence that is Silver Surfer: Judgement. I was meaning to read at least one more, but time wasn’t on my side and I missed out. Hopefully the new month gets off to a good start.
Spinning out of the recent Infinity crossover event is Inhumans, which was originally supposed to be written by Matt Fraction but will now be written by Charles Soule. Consequently there has been a delay in the series being released, and in the wake of that there has been some rejuggling of issues. Most notably this past week’s Inhumanity #2 which was originally solicited as Inhumanity: Medusa #1, a one-shot. I liked Fraction and Coipel’s Inhumanity #1 well enough. It was a really interesting story, the art was good, and I had fun. I’d wondered if there’d be a follow-up, and now it is here.
Knowing next to nothing about the Inhumans, aside from what I read in Infinity and Inhumanity #1, I felt distinctly lost in several places here because there are callbacks to characters I have no knowledge of, and this issue pretty much gets into things from the get go. It also doesn’t help that there are two pencillers on this issue with no less than four inkers in all and two colourists as well. So the issue is a hotchpotch in terms of the art. I liked the story, but it was also disappointing at the same time.