Agents of SHIELD is a show that has had a rather roller coaster ride since it debuted in 2013. It got off to a really shaky start and didn’t get better until well into the first season, around the same time that the phenomenal Captain America: The Winter Soldier movie came out. The first season ended on a good note, and then the second season last year beat most of my expectations with how good it was and how it introduced the Inhumans to the Marvel Cinematic Universe, which was an excellent move on the part of the showrunners.
And now, after Avengers: Age of Ultron, the Marvel Cinematic Universe has gotten more dangerous, because people with powers are being feared all over the globe, and because the misguided actions of Skye’s mother have released the Terrigen mist to spread all over Earth. New powered people are popping up everywhere, and it is up to SHIELD to keep them safe, and perhaps even put them in the field against those who would harm them. That’s the basis for the new third season of the show, which steps up the action and intrigue to a whole new level, and is the better for it.
Last time we were with Kamala Khan aka the new Ms. Marvel, Loki crash-landed a prom party and she rightly schooled him for his scheming and planning, in addition to some great heroics in general. That’s one of the most endearing things about the title and the character because G. Willow Wilson has made Ms. Marvel into a very fun and relaxed title that occasionally deals with real world issues but never gets too heavy with the allusions so that you go and think “geez, not this again”. More than a year on since release, and Ms. Marvel is still one of the best titles on the shelves, and for good reason!
Taken together, issues #13 through #15 of Ms. Marvel are about Kamala exploring more of her Inhuman legacy and also learning more about herself and fighting against everyday challenges borne out of the patriarchal bias of society. G. Willow Wilson has taken a somewhat similar line before, using Kamala’s adventures as social commentary in one way or another, but she really hits it out of the park with these three issues, and the art by new-to-series Takeshi Miyazawa impresses as much as that of Adrian Alphona before, making for a very seamless transition.
The first Middle East Film and Comic Con happened back in 2012, three years ago, and it was a huge success for fans of all types of entertainment media. We all are so familiar with the big conventions that happen in San Diego and Boston and London and other places all throughout the year, and so, having a “local” on a somewhat similar level is a great thing to have, by far. I’ve certainly enjoyed my three years of going to the convention and while there have been some hiccups along the way, as there were this year, the MEFCC is still a great force to reckon with and should things really work out at the top level, then we can make some magic happen I think.
This year’s MEFCC was billed to be bigger than it was last year, primarily on the back of a guest list that included as superb celebrities like William Shatner, Haley Atwell, Gillian Anderson, while also bringing in some top western comics talent like Charles Soule, Andy Suriano, Matt Hawkins, Tula Lotay and Mahmud Asrar. That was pretty much the reason I wanted to go this year, in addition to the fact that I was taking part in a Magic the Gathering tournament at the event, the PPTQ Milwaukee. Here then is my kinda-sorta log of the event, such as it was.
Of late, Ms. Marvel writer G. Willow Wilson transformed the title from one that was meant to remind us of the incredible potential of brand-new characters (and young ones at that) to one where the title could actually tap into the apathy of the modern generation and force them to sit up and take notice of the things around them. It was a nice (subtle) arc that I really liked, and it also brought to conclusion the whole thing going on with the supervillain The Inventor, with the whole thing becoming one of the most fun and awesome meta-arcs of any comics of late.
In this past week’s issue, we see a new guest character on the comic, none other than Loki Laufeyson, the adopted son of the All-Father Odin and the All-Mother Freyja. Loki is sent to Kamala’s high school by Freyja to find out and neutralize a threat to Asgard. Of course, said threat also involves The Inventor, so things are a bit woozy there for a while, but by the end, you see some fantastic stuff between Loki and Kamala, not to mention that Elmo Bondac’s art made for a nice change from Adrian Alphona’s typicla high standards.
Last time we were in the world of Ms. Marvel, we were witness to the titular hero stepping up big time to be a responsible member of her generation, and inspiring others to do the same. It was a great moment that I think underscores some real-world realities and thus writer G. Willow Wilson is able to better place her hero in the ongoing changing world of comics, where the comics are often a stark reflection of our world and our changing perception to it. Nothing to be scoffed at, that.
The Inventor has been ever-present since the start of the series and while G. Willow Wilson has dealt with some other things along the way, the story has still remained focused on Kamala’s first nemesis, someone who can be considered to be at-level and thus a good foil for her in some ways while also being the primary antagonist. With Ms. Marvel #11, G. Willow Wilson closes out her first mega-arc, while at the same time artists Adrian Alphon and Ian Herring continue to present some truly excellent artwork.
Recently writer Ales Kot turned Secret Avengers on its head when he revealed that Modok had actually been the one to have planned all the bad stuff that had been happening to the Secret Avengers and Maria Hill, and that at the same time his favoured henchman Snapper had also been quite actively involved in his master’s machinations. It was truly a head-twisting moment, as far as I’m concerned, and it helped put into perspective certain other things that the series had been developing of late. And all of that went hand-in-hand with the excellent art that the series art team had been putting out, especially of late.
In Secret Avengers #12 we see some more momentous things. The revelation about Modok has certainly been a game-changer, but events elsewhere have already gained steam and this issue deals largely with the fallout of such. If you are a fan of Secret Avengers in general or the characters found herein in particular, then this is an absolute must-read issue because we finally learn some of what goes on in Modok’s mind, and that’s more valuable than almost anything else.
Marvel’s Avengers & X-Men: AXIS event has been a right headache for me. The whole “hero morality-inversion” really messed things up for a lot of characters, and none more so than Queen Medusa of New Attilan, the leader of the Inhumans and NuHumans. She became war-like and aggressive, deliberately courting disaster from the world powers while her people suffered and it was the only thing in Charles Soule’s recent issues that I didn’t like, the rest of the story and the art being pretty high on my list.
Last week’s Inhuman #11 brings an end to the whole inversion thing and it feels like such a letdown since for Medusa things are over in a snap and she’s back to her old self. Which just makes the whole inversion thing for her seem really contrived and pointless in the end. Thankfully, the arc with Reader and Xiaoyi was given the focus this time and ended up being really well done. And of course, Ryan Stegman and Richard Isanove’s art continued being great, so that was something to look forward as well.
By now, pretty much everyone knows that Lucasfilm is now owned by Disney and that the giant mega-corp is going to be putting out new Star Wars movies through its own studio and comics through its Marvel publishing arm. Since this whole thing kicked off, I’ve been very dead-set against what Disney is doing with the Star Wars franchise, especially once it was made known last year that pretty much the entirety of the Star Wars Expanded Universe was junked in favour of new continuities and new characters and so on. Very disheartening.
But, at the same time, I have to say that Star Wars #1 by Jason Aaron reads a lot better than I expected it too. It is set just after the events of Star Wars (1977) and follows the new adventures of the Star Wars Trinity (Han, Leia, Luke) as they continue to further the goals of the Rebel Alliance against the Empire. This is actually a fairly good story, and the art too is pretty good actually. John Cassaday, Laura Martin, and Chris Eliopoulos do right by the setting and the characters, which is all that can be asked at this stage and I hope that the series is consistently good, so that it takes some of the bitter sting away of the whole “reboot”.
No “Magic 40” in the first week of the new year, but the second week definitely sees me hit that landmark number, and with graphic novels mixed in to boot!
This week’s surprise hits were Angry Birds/Transformers #2 from IDW Publishing, Ares & Aphrodite #1 from Oni Press, Operation: S.I.N. #1 and Wolverines #1 from Marvel. The disappointments of the week were Angela: Asgard’s Assassin #2 and Ant-Man #1 from Marvel and Future’s End #36 from DC. Ongoing greats like Swamp Thing #38 and Detective Comics #38 from DC, Bucky Barnes: The Winter Soldier #3 from Marvel, and John Carter: Warlord of Mars #3 from Dynamite to name a few were just as I expected them to be: superb.
As mentioned above, the graphic novels for the week were Legends of Red Sonja Volume 1 from Dynamite and Quest: Age of Darkness Volume 1 from Zenescope. The former was a fun book where Gail Simone brought together several different female prose writers, paired them with different artists, and wrote a grand, sweeping Red Sonja story. The latter was part of the publisher’s Age of Darkness event and was more a prequel story.
I skipped outon the previous week since there was a very small number of comics released, and I wasn’t really interested in reviewing more of them than I already did. So, welcome to the first good and proper edition of this new feature, and have a blast!
The picks for this week are: Eternal Warrior: Days of Steel #3, Angela: Asgard’s Assassin #2, Operation: SIN #1, Detective Comics #37-38, Justice League 3000 #12-13 and Vampirella #7-8.
Last year I did a small roundup over at The Founding Fields with fellow reviewer Bane of Kings which contained a list of the best new comics to have come out in 2013. It was a rather small list with only 10 entries each from the two of us, reflecting our reading for the year and the consequent small pool to pick from. But in 2014, I greatly expanded my weekly reading, and so for the round-up of the best new comics to have come out in 2014, whether as mini-series or ongoings, I have decided to go much bigger.
There were a ton of new comics to come out last year and many of them started off well enough but unfortunately well by wayside since subsequent issues were nowhere near as good. That however, is a call to make on any new comic and you have to have a wait-and-see attitude for the most part. For this embiggened round-up, I have some mini-series here and some ongoing titles. Some have had multiple issues come out in 2014, while some have had less than three.
Irrespective of that, these are all the most promising new series of 2014, and I think that they are all well worth the read in 2015.
Let’s see what makes the cut and which comes close then!