The latest installment in the nearly 4 decades old Star Wars franchise, Rogue One, released last week and it has been generating a lot of very specific buzz. It is no secret that often times the franchise overall is seen as a sausage fest, i.e., just a collection of dudes doing some things while the women are relegated to the sidelines. And such a criticism is justified because while there are countless secondary media where the roles of women in Star Wars have been magnified and given center-stage, the movies have made no progressive decisions outside of the norm.
Today, while on Facebook, I came across a post from a female friend who saw the movie and was put off by the dismal representation of women in Rogue One. I cannot blame her for that. Despite having a strong female lead in Felicity Jones’ Jyn Erso, she really is the only woman who is doing anything significant. The post has generated a lot of feedback from both sides of the aisle on representation in the movie in specific and in Hollywood at large, and I wanted to take a different tactic here, talking about how what we did get was still a bold move, and why it all matters moving forward.
Note: There are some spoilers from Rogue One here so if you wish to avoid those spoilers, please do not read the article. If you want to read my (spoiler) review of the movie, you can read it here.
So, the big moment of the year has finally come and gone. This past Thursday, Star Wars: The Force Awakens, the seventh installment in the 38-year old movie franchise was released to great fanfare and the internet has been abuzz with speculations and discussions ever since. This is the first movie of the franchise that has been released under the auspices of Disney, which bought Lucasfilm from George Lucas some three years back, and is also the first in a new trilogy that will also eventually veer off into several spin-offs, charting a bold new era.
However, we come back to the movie itself. When Disney declared that all existing Star Wars canon outside of the movies and 2-3 animated series was now part of a discontinued universe termed Star Wars Legends, I was mad as hell. I’m a huge fan of the incredible and complex tapestry that has been woven by thousands of people in the last four decades and for Disney to disrespect that in such a way screamed foul to me. But, I was willing to give the movie a chance because when the trailers hit, I was ecstatic. They hit the right note for me and promised so much. And now I tell you whether the movie lived up to those promises.
Note: This review contains massive spoilers. Do not read if you have not seen the movie as yet.
In just eight months or so, we will have the first new live-action Star Wars movie since 2005. The Force Awakens is the name of this movie, continuing on from the legacy of both the original and the prequel trilogies. The trinity from the original trilogy will be returning in The Force Awakens, older and wiser, but still alive and kicking, and I think that it is going to be a glorious time for Star Wars fans. Some months ago, we had the teaser trailer that kicked everything off last year, and just today, we got to see the first proper trailer for the movie.
Before we start with the whole thing let me make one thing clear, while I understand Disney’s decision to scrap the Star Wars Expanded Universe canon, I am also completely opposed to the whole idea since the SWEU contains such a wealth of incredible lore shaped over decades by hundreds of people. To just throw it all by the wayside… well, that rubs me the wrong way. Either way, having seen the new trailer, I’ll be going into the movie with an open mind, largely because I love how tasteful the trailer is and how it completely pulls me in, which is invaluable.
Yesterday, Marvel/Disney released a set of three photos from the upcoming Guardians of the Galaxy (check here), the first movie in the Marvel Cinematics Universe that will take place entirely in space and will feature the wider (science) fantastical world of Marvel comics. Its going to feature the team often dubbed as the Cosmic Avengers and has some interesting star power behind it in the form of Chris Pratt and Zoe Saldana in two of the lead roles with WWE wrestler Dave Bautista in a third and the other two CGI-animated characters being voiced by Bradley Cooper and Vin Diesel.
We also got a 15-second teaser trailer at the same time, which was kind of nice, but far too brief. Personally, I don’t like teaser trailers. They are far too short to do anything really, even if I end up liking them. But then, but then just this morning, I saw a tweet by actress Karen Gillan in which she shared the FIRST FULL TRAILER of the movie! And I was hooked. Man, if the movie holds up to what this trailer is showing, this movie is going to be great.
Its been an interesting year for the movie industry, whether we talk Hollywood or Bollywood. Big tent-pole movies were the norm at the box office, and there were both successes and flops from each region. It can’t be denied either that some of the box offices successes have proved to be quite surprising, such as the runaway hits Frozen and The Hunger Games #2: Catching Fire, which continue to tell studio executives that female-led movies, especially action movies, CAN be successful if given a chance and that hiding behind ridiculous sexist attitudes and thinking just doesn’t cut it anymore.
Or let’s talk Guillermo Del Toro’s Pacific Rim which underperformed in the US but was a big hit in international markets and the reason for the former can no doubt be laid at the feet of the subversive trend in American media of trash-talking movies that are different.
But enough of that. This post, the first such that I’m doing, is meant to celebrate the movies that I thoroughly enjoyed this year, whether Hollywood or Bollywood, and that’s what I’m going to focus on here. So let’s have at it.
Last year, news arrived that Disney had bought Lucasfilm and that once the deal was done with, the company owned full rights and licenses to anything involved Star Wars, Indiana Jones and other properties that were under the purview of Lucasfilm. At the time, there was absolutely no news about future Star Wars movies, and the license for all related comics was with Dark Horse Comics, who’ve had that specific license under contract for almost two decades and have done their share of adding to the Expanded Universe over the years, building on what Marvel originally did. But then, as expected and dreaded, it was announced a few days ago that by the end of this year, the license would be shifted back to Marvel and that Dark Horse would no longer publish any new Star Wars materials.
Part of this entire move has been that within weeks of buying Lucasfilm, Disney announced plans to do a third Star Wars trilogy of movies, Episodes VII to IX, and even plans to do several spin-off movies, most notably involving the Bounty Hunter Boba Fett, one of the most iconic characters in the Star Wars setting. The big question now is how much of the Expanded Universe would Disney adhere to, and whether it would just chuck out all of it. Details are starting to emerge on this front and there has been a lot of talk about it recently. Here is what I have to say on the matter, as someone who has been invested in the setting since early 2001 and has really come to love everything about it, whether good or bad.
In the wake of the international success of Guillermo del Toro’s latest movie, Pacific Rim, there has been a lot of chatter about the characterisation in the movie. Specifically, people have been talking about the characterisation of Mako Mori, the only female character of note in the movie. Many people have condemned her as a weak, ineffectual protagonist, while others have hailed her as a great example of strong representation of female characters in movies.
I myself fall in the latter camp because I loved the character and I was able to look beyond what false trap that the character generates and consider her within the context of her culture and her own dialogue. You can read my thoughts on Mako in my review of the movie here.
One of the fallouts of Pacific Rim has been that a Tumblr user came up with the “Mako Mori Test” to evaluate female characters in movies. You can read more about it here. The test is a response to the fact that Pacific Rim fails the much more popular and long-established “Bechdel Test” but, for that user, was indeed a good representation of a female character, as I’ve already said. Clearly, the older test has some limits and the newer proposed test seeks to address those deficiencies.
So the question becomes, how do the two tests fit in with each other? Are they in conflict or can they be used together? That’s what this editorial is about.