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Best Movies of 2013

Its been an interesting year for the movie industry, whether we talk Hollywood or Bollywood. Big tent-pole movies were the norm at the box office, and there were both successes and flops from each region. It can’t be denied either that some of the box offices successes have proved to be quite surprising, such as the runaway hits Frozen and The Hunger Games #2: Catching Fire, which continue to tell studio executives that female-led movies, especially action movies, CAN be successful if given a chance and that hiding behind ridiculous sexist attitudes and thinking just doesn’t cut it anymore.

Or let’s talk Guillermo Del Toro’s Pacific Rim which underperformed in the US but was a big hit in international markets and the reason for the former can no doubt be laid at the feet of the subversive trend in American media of trash-talking movies that are different.

But enough of that. This post, the first such that I’m doing, is meant to celebrate the movies that I thoroughly enjoyed this year, whether Hollywood or Bollywood, and that’s what I’m going to focus on here. So let’s have at it.

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Bechdel and Mako Mori: Team-up or Deathmatch?

In the wake of the international success of Guillermo del Toro’s latest movie, Pacific Rim, there has been a lot of chatter about the characterisation in the movie. Specifically, people have been talking about the characterisation of Mako Mori, the only female character of note in the movie. Many people have condemned her as a weak, ineffectual protagonist, while others have hailed her as a great example of strong representation of female characters in movies.

I myself fall in the latter camp because I loved the character and I was able to look beyond what false trap that the character generates and consider her within the context of her culture and her own dialogue. You can read my thoughts on Mako in my review of the movie here.

One of the fallouts of Pacific Rim has been that a Tumblr user came up with the “Mako Mori Test” to evaluate female characters in movies. You can read more about it here. The test is a response to the fact that Pacific Rim fails the much more popular and long-established “Bechdel Test” but, for that user, was indeed a good representation of a female character, as I’ve already said. Clearly, the older test has some limits and the newer proposed test seeks to address those deficiencies.

So the question becomes, how do the two tests fit in with each other? Are they in conflict or can they be used together? That’s what this editorial is about.

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Reviewer Subjectivity

Friend and reviewer Ria, over at her blog Bibliotropic, posted a while back about subjectivity and objectivity in reviews. Her post was borne out of her experience reading a novel that, while in and of itself was a good piece of fiction, did not measure so well when put in context of the genre it was written in. In short, she was writing about subjectivity and objectivity in reviews as an experience, rather than a review style or mindset.

And it got me thinking about my own experiences. I had never really considered this before, you see. I approach each novel, each comic, as an object on its own, without the context of the wider genre or industry first and foremost. That evaluation is something I do subconsciously, without thought, and it is automatic. In my reviews, I rarely if ever mention whether the piece of fiction being reviewed compares to the industry/genre at large. I merely note if it is as good as other books/comics I’ve read, and even then, I use a very sample of such works, only the ones that I consider to be absolute best.

And therein is the contradiction of it.

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Pacific Rim: Born To Win

More than Iron Man 3 or Star Trek: Into Darkness, Guillermo del Toro’s Pacific Rim was high on my list of summer movies to watch this year. As much as I was looking forward to the Superman reboot Man of Steel. The trailers promised something totally incredible that was also a lot of fun to watch because of the movies roots in the genre it was set in.

Large monsters à la kaiju? Check.

Large controlled robots à la mecha anime? Check.

Big bad-ass action scenes? Check.

Pseudo science with goofy scientists? Check.

End of the world? Check.

So in all of this, the promise is great. In a way, this isn’t something that we haven’t seen before. But still, it is something that that is completely different. Why, you ask. Well, hit the break to find out!

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