With the show back on air for season 2 following the recent big break and the awesomeness of seeing Barry Allen on the show in the moments before he becomes The Flash, its time to get the momentum going once more for Arrow. The mid-season finale was a hell of a place to stop before the long break, and while the mid-season premiere wasn’t quite what I was looking for despite being a good episode, my enthusiasm in the show is undimmed. In fact, each and every week I am more and more excited because the show has surpassed pretty much all my expectations of it in this season.
Episode 11 is, first and foremost, aptly named: “Blind Spot“. It is all about the blind spots that the various leading characters have with regards to each other. This episode does a great job of thematically exploring that concept even though that’s pretty much what a lot of it has been about from the get go. But I dare say that nothing we’ve seen so far has been quite on point as in this episode. And additionally, the biggest thing of all, I finally got to saw one particular character kick ass just the way that I wanted the character to ever since the character’s first moment on the show. So indeed, this was a pretty good show.
Note: The review contains a spoiler to a really awesome and cool moment from the mid-season finale, episode nine.
Here we are, the mid-season finale of Arrow for its second season. Up until now, in almost each episode, we’ve seen how the writers, the producers, the actors and the directors and everybody else involved have all tried to push the bar and set new levels of achievement with the show. The season started off really well and as expected, the mid-season finale something of a smash-hit as well. The defining thing about this season has been the show’s willingness to take characters and concepts from the comics and reinvent them for a modern television audience who are looking for a balance between the goofy comic concepts and something that they can well relate to.
This week’s episode, the last one we’ll have since the show is now on a one-month break till January 15th, is the second of a 2-part arc which saw the introduction of Barry Allen aka The Flash, one of the core characters of the DC comics universe and a major hitter since he’s been a part of various Justice League teams since his intro. But things didn’t end there of course. Given the long break, the writers tie up a lot of the loose ends and give closure to quite a few subplots that had been running through the season so far. And they do it all in fantastic style. As I mentioned to various friends on Twitter, the last five minutes of the episode left me with my jaw hanging open.
Three Ghosts was a damn awesome episode and I seriously wish that all future episodes are this good.
Note: This review contains some minor spoilers about the episode, although your mileage may vary.
This week, to acknowledge that his Facebook page hit 400,000 likes, Arrow lead actor Stephen Amell posted a 14min Q&A video in which he answered some fan questions that he had taken on his page. In response to one of them, he said that he believes a show should get better, should improve, as it went along in the season. And he firmly believes that every episode this season has been better than the one before. And I agree. It so happened that right after I saw that video, I saw this week’s episode of the show, with a ton of excitement locked in because it was going to debut one of my favourite superheroes, Barry Allen, in a pre-origin role.
And it was good. Good. GOOD more like it. Aside from a few small things that I found problematic, this episode is true to the spirit of the show, particularly this season where Starling City is transformed into the City of Heroes. More great scenes on the Island, more character drama, more top-notch action, a commitment to the idea of superheroes, and supervillains, and more on the epic cliffhanger that we had with the previous episode, something that is going to become a much more intrinsic part of this season.
Note: this review contains some minor spoilers.
Arrow has been building up a lot of steam for a while now. Till now we’ve been exposed to a lot of character drama in the show and season 2 has given us some new characters and situations to wrap our heads around. Season 2 has proven to be far superior to season 1 in pretty much every single way that matters and its been a hell of a ride. New characters like Brother Blood, Dr. Ivo, Black Canary and others have done really good work, while older characters like Detective Lance and Roy Harper have exceeded themselves. But nothing compares to what this week’s episode did with Moira Queen.
In the previous episodes there’s been an undercurrent of a mystery about the Queen family, something so bad that it could destroy the Queen family. Well guess what, State vs Queen reveals that episode in all its glory, and it pretty much throws Moira Queen’s court case for her complicity in the destruction of the Glades into turmoil. It was a rather unexpected twist, but not all that unexpected either since I had kind of been thinking along the same lines, I just got the scale of the whole thing wrong. And that’s not all that happens in this episode. We get to see kick-ass action on the Island too. And an old character from season 1 makes a return as well. Now that was a cliffhanger.
One of the best things about Arrow throughout its entire run so far is that the show makes a clear and successful effort at identifying with the larger setting that it is a part of, the DC Universe that has developed over decades of comics and and movies and television shows and what not. This has been a strength of the show since the start and it has presented some really interesting reimaginings of several characters like the titular hero and his posse of allies and his rogues gallery, some of which have transitioned over from the Batman-side of things.
This week’s episode was another such installment, and it brought back one of the fairly important villains of the first season, the assassin called Deadshot who, in the show’s continuity, is a personal nemesis of Ollie’s friend Diggle since he killed Diggle’s brother. The entire subplot involving Diggle and his revenge was one of the most intriguing elements of the first season and in this episode, its all back in full as Diggle gets to make a really, really tough call. And we get to see the Arrow version of ARGUS’ director, Amanda Waller.
Note: Contains some minor spoilers about the show.