This past week, John Layman ended his excellent run on Detective Comics with #29, which also marks the end of his 3-part Gothtopia arc, in which the Scarecrow created a serum to make everyone happy and caused a mass delusion that Gotham was the safest and greatest city in America. He even managed to subvert all the heroes and drew in a number of… medically-oriented villains to his cause, such as Harley Quinn, Professor Pyg, Mr. Freeze and the Merry Maker. But now, the Great Detective is on to them, and the fight is for the future of Gotham and the entire American eastern seaboard.
When Gothtopia was teased out with Layman’s contribution to Detective Comics #27, I was pretty excited. In the New 52, it seemed to be a pretty unique story, and when all the tie-ins came, I was even more excited. Well, except for the Catwoman tie-in, which wasn’t all that good really. But, Layman delivered quite handsomely on the entire premise, and he wraps up things in this issue with a bit of the panache that I expected. Its not as good a story as the previous two issues, but I liked. And the art by Aaron Lopresti and Art Thibert continues to be awesome, so that’s something as well.
John Layman’s run on Detective Comics is coming to a close very soon. The few of his issues that I’ve read, particularly the fourth volume of the new series, have been really good, and he has certainly impressed me with each issue. In fact, I’ll go one step further and say that he is one of my favourite writers at the moment. This weekend, I got to meet him in person at Comic Con India and it was great! Given some of my other plans this year, I’ll be reading his other series Chew quite soon, probably once his excellent Gothtopia arc on Detective Comics is done.
In last month’s celebratory issue, we saw the beginning of Gothtopia, a story in which Gotham is the safest city in America, by far, and where crime is at an all-time low. In fact, it is virtually extinct, except for suicide rates going up. Seemingly an Elseworlds take at first, the story quickly morphs into something else, and things really get interesting. In the new issue this past week, John fills in some of the blanks and shows how things got to this point. And Aaron Lopresti’s artwork is just as amazing as ever, supporting John’s script in every way.