25 Series I Want To Read in 2014
Last year, I blogged over at The Founding Fields about 25 book series from various genres, science fiction, fantasy, urban fantasy, space opera, etc that I wanted to read in 2013. The intention behind that particular reading challenge was to read a broad variety of some of the most popular names in those genres as well as to try out several new authors and revisit some favourite classics. While I wasn’t as successful in the challenge as I might like, I’ve made it a new year resolution to make sure that I do indeed repeat the challenge in 2014 with new books, new authors, and finish it this time.
To that effect, here are the 25 book series I’ve picked for this reading challenge for this year. You can see the previous list for 2013 here.
12 Days of Best Covers of 2013: Day #6
The sixth book cover that I pick for the “12 Days of Best Covers of 2013” list is Jon Sullivan’s superb illustration for Ari Marmell’s In Thunder Forged, the first Fall of Llael novel from Pyr Books, set in the Iron Kingdoms setting. I read the novel a few weeks ago and while its not among the best novels I’ve read this year, its certainly been one of the better ones and I definitely loved the setting and the characters book. It makes me wish that I knew more about Iron Kingdoms and that the next book in the series was already out. Now that would truly be amazing, especially if Jon draws the cover once again.
The sixth comic cover that I pick is the cover for writer Gail Simone and artist Walter Geovani’s first issue of the rebooted Red Sonja series from Dynamite Entertainment. The cover itself is courtesy of Nicola Scott, who is one of my absolute favourite comics artists. The first issue was rather remarkable in that Gail put together a team of seriously awesomely talented female artists and got them to do the cover and several variants, one each. The result was pretty fantastic, as was the rest of the issue itself. Gail and Walter have definitely put Red Sonja on the map for me, a dilettante with the character’s comics, and now I’m a full fan.
Without further ado, hit the break to see both the covers in all their glory! The full list of all these covers is available here.
The Cover Art Mega-Post Part 3
So this is the third such post I have done for the blog. I took a 2-month break in between posts so that I could have some more material to showcase here, and it certainly has helped. There were a lot more books I wanted to cover, but I chose to stick withe magic number 17, the number of books I’ve covered previously.
A lot of the books on this list are next year’s releases, and just as before, they all sound great, even some of the ones that are second or third (or else) in their respective series. I’m not sure if I can put aside the time to catch up to them any time soon but I’m hopeful that I’ll be able to get around to some of them at least. We’ll see how that works out.
In the meantime, enjoy all these great covers and these books! Hope you liked the previous posts and that you’ll like this one as well.
Publishing and Marketing 01: Publisher Communication
About 2 weeks ago, I asked readers if they would be interested in some sort of a semi-regular column on the blog, the core topic being publishing & marketing. The response on the blog itself was rather lukewarm, to be honest, but I did have some good, albeit short, conversations with people over Twitter and Facebook about this.
The whole idea for the column sprung out of the “disaster” earlier this month when it was revealed that Random House’ eBook-only imprint, Hydra, was contracting new authors on the conditions that there would be no advance payments (which disqualifies the imprint from being considered a publishable market according to the rules, regulations and guidelines of the Science Fiction Writers of America’s organisation), and that they wanted complete rights over the work in question, irrespective of medium/format. Their payment structure was also dubious, frontloading almost all the costs of publishing the author’s work on the author himself/herself. Such costs include editing, covers, marketing, and so on, from what I understand. John Scalzi has done two in-depth posts on the subject here and here.
Given the amount of information out there already on this particular subject, the furor over which has caused Hydra to revise some of its terms and offer authors better payment plans after a VERY stern letter from the SFWA, I am not going to cover this for now. All I can say is that if you are looking to get published by such eBook-only imprints, and I stress eBook-only, then you damn well make sure that you do not sign away your rights for foreign translations, audiobooks, print, and so on. Other people have already said it best: make sure to get some legal opinion and at least ask around when you get that contract. Make sure that you are informed about what you should and should not be doing.
Anyhow. Moving on.
For this first installment in this column series, I wanted to talk about publisher communication. Communication is a funny thing. We all define it quite differently and it means different things for different people. The specific area I want to cover today is how publisher communication works with marketing in the context of keeping readers and reviewers (they need not be mutually exclusive) informed and keeping a positive dialogue open. So here we go! Read the rest of this entry
Regrets on a Literary Journey
Ever since I started proper with this writing business in February last year, I have been exposed to a really, really big world of writing out there. First it was finding the Bolthole. Then came becoming acquaintances with the various writers and editors at Black Library on Facebook. Then came interactions with them on Twitter. And then came the big explosion in November with NaNoWriMo.