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Revolutionary War: Death’s Head II #1 (Comics Review)

My introduction to Marvel’s Marvel UK line has been fairly decent so far. With the entire brand relaunched as part of a crossover involving one-shot issues for almost all the major characters and teams, this has been one of the more fun things that Marvel has done for its Marvel Now initiative. Alpha #1 and Knights of Pendragon #1 were really cool while Dark Angel #1 was fairly decent. Now we finally get to see Death’s Head II #1, and this one thankfully continues the story that ended in Alpha #1, something that I’ve wanted to see since I read that issue.

As part of the entire crossover, this is a fairly good issue, but on its own, not so much. Characterisation is the big stumbling block for this issue, and even the art is not all that good, compared to the other one-shots that have been released so far. Death’s Head as a character is a really fun, but that’s all that there is to this issue, and the material never really transcend itself like what happened in Alpha #1 and Knights of Pendragon #1. Still, it wasn’t all that bad, and it did move the overall story forward, so that was nice.

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Revolutionary War: Dark Angel #1 (Comics Review)

Last week Marvel began the revival of its Marvel UK line with Revolutionary War: Alpha #1 by Andy Lanning, Alan Cowsill and Rich Elson. It was a pretty good first issue for a new series, actually the first in a new crossover specific to Marvel UK, and I really liked it. I had no prior connection to any of the characters so that uniqueness helped the charm too. That issue ended on a really interesting note and I was excited about how Kieron Gillen and Dietrich Smith would handle Dark Angel, who made her revived first appearance in the closing stages of Alpha #1. Sadly, the reality failed to match the expectations.

Handling a character’s revival isn’t everyone’s cup of tea. The main problem I had with this issue is that it went to great lengths to give me Dark Angel’s back-story and it was all poorly executed. That is the bottomline. While Smith’s art is really good for the most part, Gillen’s script and his dialogue just did not work for me, and I can only hope that the next couple issues pick up the slack and do better, because this is a series that I do want to like.

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