A galaxy-wide Ork invasion that heralds the rebuilding of their lost empire on an even greater scale yet. Political bureaucracy and infighting that paralyses the Imperial response. Secret and possibly traitorous experiments being carried out by the Cult Mechanics. Terra itself directly threatened. A Chapter lost. Entire sectors lost. Possible Chaos interference. The Beast Arises series has it all it seems. The previous four novels have been rather revolutionary in many ways, and as the story progresses there’s always another big twist just around the corner.
With Guy Haley’s Throneworld, the series marks the third straight novel which is among some of the best works to come out of Black Library in the past five years. I’ve read a fair number of novels from Guy Haley and he’s always impressed me with his narrative styles and his plot twists. That all holds true for Throneworld as well, in which we see the Eldar themselves getting involved with the Ork-Imperium conflict, even as the larger narrative progresses well beyond the weirdness happening on Terra, for the stalwart sons of Dorn have managed to consolidate their power and beginning anew their campaign against the Orks.
Note: Some major spoilers from the previous novels and this novel are mentioned here.
We are now getting to the point where the series is starting to pick up some momentum. The first three novels have laid out the conflict and we now are starting to see some real movement every which way. Leading up to the fourth novel in the series, we are now in that particular mode where you can start to predict how certain characters are going to react to certain situations and that anticipation is what is driving this series more than anything else because in the meta-sense, these characters and their strife really do leave a mark.
David Annandale’s The Last Wall had a lot to deliver on, given how Gav Thorpe ended The Emperor Expects. It was certainly a very unexpected ending, and the questions that it raised got me to push through this novel, finishing it in less than a day, as the clock counts. It is full of some amazing action and tons of intrigue all of which deepens the mysteries behind the resurgent Ork threat and I feel that it is a great addition to the series as a result. David definitely didn’t disappoint in any way.
Note: Some major spoilers from the previous novels and this novel are mentioned here.
The first two novels in the Beast Arises series proved themselves to be a good introduction to an Imperium that is drawn into a massive galactic conflict against the resurgent Ork threat some 1500 years after the Heresy and after the Emperor broke the Orks in the Ullanor Crusade. With Dan Abnett’s I Am Slaughter we met a lot of the early players and with Rob Sanders’ Predator, Prey we saw their narratives develop even as more characters were added and the story increased vastly in scope.
Gav Thorpe’s novel The Emperor Expects is the third in the series and definitely the best novel so far. Both Dan and Rob are very good at depicting big battle scenes, but Gav takes things up a few notches in this novel, not to mention that he also gives us a fantastic naval battle to read about as the Imperial Navy finally take the battle the Orks. Even outside of the set-piece action we have some extremely well-written narratives for all the characters as the politicking on Terra deepens and the Space Marines of various Chapters prepare to respond as well.
Note: Some spoilers from the previous novels and this novel are mentioned here.
Black Library’s Horus Heresy range has been notable since its inception to turn out some really high quality audio dramas. James Swallow began the great trend with his various Garro audio dramas, spinning out of his novel The Flight of the Eisenstein and other authors since have taken great steps forward with the format as well. Some along the way haven’t been as good as I wanted them to be, but by and large, the Horus Heresy audio drama range is quite a good one and I would definitely recommend readers of the novel to experiment with these and give them a chance.
One of the latest audios in the series is Templar by John French, which focuses on the Imperial Fists First Captain Sigismund as he leads a strike force of Imperial Fists against traitorous Word Bearers within the Sol System itself. Sigismund has largely been a background character in the series thus far, but under John French, I think the character is set to become a major player, as he should be, given how large a character he is in the lore. Produced by Heavy Entertainment, this is one of their finer audio dramas for Black Library, and voice-actor Gareth Armstrong remains as great as ever.
In the last installment of this series, it was Aaron Dembski-Bowden, Gav Thorpe, Rob Sanders and John French. This time it is Matthew Farrer, Nick Kyme and Chris Wraight. As it turns out, this past weekend we’ve also had the first ever Black Library Weekender, a two-day weekend event at which there was a ton of information released about the Heresy: more audios, more novels, more anthologies, a new author joining the ranks, and more time-limited edition novellas among other things. So instead of what I thought I’d cover for the fourth installment, It’ll be how the new stuff announced matches up with what I had envisioned. But anyway, here’s today’s writeup for you all.
Well, I’ve read the 22nd novel in the series by now, the Shadows of Treachery, and it has sparked off more stuff that I think could feasibly turn into a part 4 for this series. Anyhow, last time I talked about this topic, I covered Dan Abnett, Graham McNeill, Ben Counter and James Swallow. This time its going to be Aaron Dembski-Bowden, Gav Thorpe, John French, and Rob Sanders.
This is a question that has been bothering me for the last week quite a bit. Mostly in relation to what the chapter name Sons of Corax really means. Ages ago on warseer when someone was posting their own DIY chapter they had some sort of similar name for a different legion successor. One of the posters said it was quite presumptuous of the chapter to name itself after the primarch, somehow indicating that the particular chapter was more favored by the primarch.
Is that necessarily true?
We already have the Sons of Guilliman, Sons of Dorn, Hammers of Dorn, Angels Sanguine, Disciples of Caliban, Heralds of Ultramar, Emperor’s XYZ, Imperial ABC, Knights of the Raven, other Sons of PQR etc etc. What are the significances of these names? The Heralds of Ultramar aren’t even based anywhere in Ultramar! The Sons of Orar aren’t even Orar’s sons in the sense that the Sons of Guilliman are literally sons of Guilliman! Did Dorn ever really carry a thunderhammer (how does the Fist of Dorn fit in here when the Imperial Fists are the ones using it)? Or the Emperor’s XYZ (loyalist) chapters who have been created after the Emperor ascended the Golden Throne and isn’t even aware of them? Are the Imperial ABC chapters really favoured by the Imperium?
Where does the favoritism being and where does it end? Is there really a question of these chapters being favored as indicated by the names of these chapters?
Two other aspects of the question are A, what is the power of these names and B, what is the real significance of these names? Let’s take it one by one.
A, The Power of Names – Fiction is quite literally littered with references and cases to/of the idea that names have power. These are reminiscent of some of the oldest religions on our planet. Knowing the name of a daemon gives you power over him is a concept particularly emphasised in both Warhammer worlds and in 40K we have the new background stating that the names of Grey Knights are parts of the true names of daemons! It is all the same as knowing the true identity of a spy, which allows you to exert power over him/her.
Why else do Inquisitors in 40k operate in subterfuge, particular examples being Eisenhorn and Ravenor. They don’t think twice about falsifying identities.
In Frank Herbert’s Dune series, the name Muad’Dib is a name of power, a killing name that the Fremen soldiers can use to literally kill their enemies with the aid of their sonic weapons.
Perhaps the Alpha Legion, at least pre-Heresy, exemplified this best of all. All Alpha Legionnaires are Alpharius when questioned in the book Legion. The identity of the primarch is hidden from anyone not of the Twentieth Legion and there is even a bigger secret being kept here.
What is the power of a name in Warhammer 40,000 in your opinion?
B, The Real Significance of Names – If names have power, then they also have a significance, a deeper meaning perhaps.
What does the name Blood Angels mean for that chapter? The chapter often has angelic names for its battle-brothers. The space marines were/are the Emperor’s Angels of Death. Sanguinius was raised in the Baalite tribe ‘Blood’. Post-heresy the Blood Angels and their successors have been cursed with a vampiric heritage and the Red Thirst.
Ultramarines, is it significant only in that Guilliman’s space marines come from Ultramar, or is the significance related to the colour of their name or is it a clever pun on both?
Space Wolves, are they really wolves in space because they have larger canines than is the norm among other marines, or is it a reference to Leman Russ’ upbringing, or is it related to the Wulfen curse, or is it another clever twist on all of them?
Alpha Legion, the last legion to be formed and yet designated in an old dead (in-universe) language as the first. Alpharius, the last primarch to be found yet his name has one (of course there are multiple meanings) meaning of the first. His twin’s name, Omegon, in that same dead language is the last letter of the alphabet.
Among the Raven Guard, a lot of their captains are named after birds, just as Corax is. And they are plays on similar words. Korvydae of the Tenth, Kayvaan Shrike of the Third, Corvane Valar of the Fifth. Go to wikipedia and do a search for the word Corax and see the results that come up.
Perhaps the most telling and important from an in-universe aspect is Horus, primarch of the most accomplished legion during the Heresy, the Warmaster of the Imperium, the Emperor’s most favored son, foremost among all the primarchs. And the one who plunged the entire galaxy into never-ending war. Horus, in egyptian mythology, is one of the oldest and most significant gods. What came to be known during the Heresy as the Eye of Horus, and was previously the Eye of Terra, is an ancient egyptian symbol for protection, royal power and good health. What Horus the primarch did during the Heresy is known to everyone.
Where does this all end?
All of this is something that I’ve been thinking about in this last week. I was quite surprised when I found out that the Corvus Mellori is a species of the crow/raven family Corvidae about two weeks back. The protagonist of my short story is Valerius Mellor. I had accidentally come up with a name that tied my character to the primarch and legion his chapter is descended from. And yes, it was quite unintentional.
All this comes down to the collective fact that Black Library does not want its writers, particularly ones who are aiming to get published through them the first time (established writers might be getting some leeway), to invent new chapters. I can see where they are coming from because there is such a large number of canon chapters we known nothing about. Some of them exist as nothing but names, they have no livery, heraldry, home or any kind of backstory.
This put me in a real bind because even though Sons of Corax was a stopgap measure to name the Raven Guard successor, I have become quite attached to it. And now I have to change it. Mostly because using my own chapter name is quite a bit of risk and could potentially work against my pitch for the upcoming submissions window. And I really want to not have any negative points against the pitch, especially ones that are easily controllable by me.
So I am now changing the name of the chapter. I have a short list of 4 chapters from Lexicanum’s list of canon chapters. I am very undecided at the moment because each of them represent some aspect of the backstory I have created for the Sons of Corax and I am reluctant to just abandon any of it. I tried to roll for these 4 names (about 50 times mind you to get a nice average) but I was still unhappy.
You see, the name of the chapter matters a lot. It ties it to the primarch, to the original legion. The Sons of Corax have a rich history of having collaborated with the Raven Guard over the years and they have kept some legion practices alive in their original form. They are also quite close to Corax in a spiritual way from what I have envisioned. And the name should reflect the traditions they have inherited from the legion, even though they are Third Founding, and an aspect(s) of the primarch that they think is the most appropriate for the direction they want to go in.
Perhaps all of this is a little too much for just one short story that may not even get picked up. But I think that that is where the difference lies. The difference between a writer who is aiming for quality and one who is just doing it because he/she wants to do it. I am not the best writer out there by any means. And the quality of the fanfic I regularly see on the good old Bolthole reminds me of that everyday and pushes me to perfect my own work that much more.
Its all about the effort you want to put in. And I believe that the more you can show that in the pitch, the better your (and my) chances of getting that foot in the door.
I have had three great critiques on my sample. They all attacked it in very different ways. Some did it from a background perspective. Some based on their own ideas on how things work in-universe. Some based on the technical aspects of the writing process. Some based on just pure logic from their own experiences. Combined, their review has resulted in quite a few changes to the sample in ways I had ignored because I wasn’t aware of the significance. Much thanks to Phalanx, Raziel and Narry for their help on this. Particularly Narry for his help with the names. And all the other Boltholers who helped in the entire process as well.