One of the great mysteries of William King’s Space Wolves series was how the young Blood Claw Ragnar Blackmane, the protagonist of the series, became an elite of the Wolf Guard without ever attaining the rank of Grey Hunter, a seasoned warrior, in Wolf Lord Berek Thunderfist’s Great Company. This was especially teased in the novel Grey Hunter when in the prologue one of Ragnar’s warriors calls him out on it and the young Wolf Lord dissembles. While Aaron Dembski-Bowden’s Ragnar Blackmane doesn’t answer that burning question (when will it happen!!??) what it does give us is a very thoughtful and introspective look at Ragnar when he was still new to the Wolf Guard and still making a name for himself in his Lord’s company. While not the finest of Aaron’s work nor his most subtle, it does come close and is a damn fine read.
The last audiobook that I remember listening to from Black Library is Dan Abnett’s Prospero Burns, one of the two books alongside Graham McNeill’s A Thousand Sons that told the story of the fall of Prospero, of Magnus, and the Thousand Sons Legion. I’d tried to read the book before many times but always gave up, the only such Horus Heresy novel I’ve struggled with so much to date. The audiobook was a better experience but the story was still too problematic for me. Fortunately, Dan’s next big Heresy novel, Know No Fear easily proved to be a much better experience in all respects and is one of my favourite Heresy novels to date. So there’s some balance.
Dan’s latest Heresy novel The Unremembered Empire is my first Heresy audiobook since spring 2012 that I have experienced primarily in the audio format. I listened to the novel back in September, supplementing it with reading the ebook on and off, and I liked the dual experience. The Unremembered Empire is one of the better novels of the series, but it is also one of the more weaker ones since it is a branching novel and it attempts to do too much with too many characters. Taken in the context of the series at large, it is a pretty decent novel, but taken on its own merits, if fails to satisfy as much as it should. There’s just way too much going on in the novel and that works against it. Had it been trimmed of a few plotlines, it would have been one of the best novels of the series.
Note: This review contains spoilers of varying degrees.
Games Workshop’s Space Hulk, a Warhammer 40,000 tabletop classic has recently seen a new lease on life. The game is being brought back for a new generation of players, and to accompany the release of the game itself, Black Library recently put out a quartet of short stories and even a novella focusing on the core concept of the game: Space Marine Terminators fighting off against a Tyranid infestation in space. From what I can tell, the re-release has been received very positively, as well as it should, given the place that Space Hulk has in Warhammer 40,000 tabletop gaming history.
Two of the stories released (so far) are The Black Pilgrims by Guy Haley and Sanguis Irae by Gav Thorpe. The former focuses on a small force of Black Templars led by Castellan Adelard, while the latter focuses on an equally small force of Blood Angels led by Brother-Librarian Calistarius. I didn’t quite like The Black Pilgrims as much as I did Sanguis Irae and I didn’t even really know about the whole shared theme thing until I read through them, but I will say that both stories are fun nonetheless, and they serve to highlight an aspect of Warhammer 40,000 that seems to not get as much narrative attention as it should, truly.
I remember reading the old Bloodquest comics quite fondly. Starring the disgraced Blood Angels Captain Leonatos and a bunch of other Blood Angels from across the Chapter’s divisions, Bloodquest was a great story about penance and redemption and heroism. In late 2012 Black Library published the first new Bloodquest story in several years, Prisoners of the Eye of Terror, written by one of my favourite authors and with a pretty damn good cast. The audio hit all the right notes for me and it even made it to my “Best of 2012 Part 2” list at the end of the year. That’s how good it was.
This review is a repost of the original review on The Founding Fields, which can be found here.
And so little time. *sighs*
Two weeks on since my last post, and things have been extremely hectic. And that is an understatement since I am totally bogged down with work. Not my day job of course, but with what I call my night job: writing.
This is a question that has been bothering me for the last week quite a bit. Mostly in relation to what the chapter name Sons of Corax really means. Ages ago on warseer when someone was posting their own DIY chapter they had some sort of similar name for a different legion successor. One of the posters said it was quite presumptuous of the chapter to name itself after the primarch, somehow indicating that the particular chapter was more favored by the primarch.
Is that necessarily true?
We already have the Sons of Guilliman, Sons of Dorn, Hammers of Dorn, Angels Sanguine, Disciples of Caliban, Heralds of Ultramar, Emperor’s XYZ, Imperial ABC, Knights of the Raven, other Sons of PQR etc etc. What are the significances of these names? The Heralds of Ultramar aren’t even based anywhere in Ultramar! The Sons of Orar aren’t even Orar’s sons in the sense that the Sons of Guilliman are literally sons of Guilliman! Did Dorn ever really carry a thunderhammer (how does the Fist of Dorn fit in here when the Imperial Fists are the ones using it)? Or the Emperor’s XYZ (loyalist) chapters who have been created after the Emperor ascended the Golden Throne and isn’t even aware of them? Are the Imperial ABC chapters really favoured by the Imperium?
Where does the favoritism being and where does it end? Is there really a question of these chapters being favored as indicated by the names of these chapters?
Two other aspects of the question are A, what is the power of these names and B, what is the real significance of these names? Let’s take it one by one.
A, The Power of Names – Fiction is quite literally littered with references and cases to/of the idea that names have power. These are reminiscent of some of the oldest religions on our planet. Knowing the name of a daemon gives you power over him is a concept particularly emphasised in both Warhammer worlds and in 40K we have the new background stating that the names of Grey Knights are parts of the true names of daemons! It is all the same as knowing the true identity of a spy, which allows you to exert power over him/her.
Why else do Inquisitors in 40k operate in subterfuge, particular examples being Eisenhorn and Ravenor. They don’t think twice about falsifying identities.
In Frank Herbert’s Dune series, the name Muad’Dib is a name of power, a killing name that the Fremen soldiers can use to literally kill their enemies with the aid of their sonic weapons.
Perhaps the Alpha Legion, at least pre-Heresy, exemplified this best of all. All Alpha Legionnaires are Alpharius when questioned in the book Legion. The identity of the primarch is hidden from anyone not of the Twentieth Legion and there is even a bigger secret being kept here.
What is the power of a name in Warhammer 40,000 in your opinion?
B, The Real Significance of Names – If names have power, then they also have a significance, a deeper meaning perhaps.
What does the name Blood Angels mean for that chapter? The chapter often has angelic names for its battle-brothers. The space marines were/are the Emperor’s Angels of Death. Sanguinius was raised in the Baalite tribe ‘Blood’. Post-heresy the Blood Angels and their successors have been cursed with a vampiric heritage and the Red Thirst.
Ultramarines, is it significant only in that Guilliman’s space marines come from Ultramar, or is the significance related to the colour of their name or is it a clever pun on both?
Space Wolves, are they really wolves in space because they have larger canines than is the norm among other marines, or is it a reference to Leman Russ’ upbringing, or is it related to the Wulfen curse, or is it another clever twist on all of them?
Alpha Legion, the last legion to be formed and yet designated in an old dead (in-universe) language as the first. Alpharius, the last primarch to be found yet his name has one (of course there are multiple meanings) meaning of the first. His twin’s name, Omegon, in that same dead language is the last letter of the alphabet.
Among the Raven Guard, a lot of their captains are named after birds, just as Corax is. And they are plays on similar words. Korvydae of the Tenth, Kayvaan Shrike of the Third, Corvane Valar of the Fifth. Go to wikipedia and do a search for the word Corax and see the results that come up.
Perhaps the most telling and important from an in-universe aspect is Horus, primarch of the most accomplished legion during the Heresy, the Warmaster of the Imperium, the Emperor’s most favored son, foremost among all the primarchs. And the one who plunged the entire galaxy into never-ending war. Horus, in egyptian mythology, is one of the oldest and most significant gods. What came to be known during the Heresy as the Eye of Horus, and was previously the Eye of Terra, is an ancient egyptian symbol for protection, royal power and good health. What Horus the primarch did during the Heresy is known to everyone.
Where does this all end?
All of this is something that I’ve been thinking about in this last week. I was quite surprised when I found out that the Corvus Mellori is a species of the crow/raven family Corvidae about two weeks back. The protagonist of my short story is Valerius Mellor. I had accidentally come up with a name that tied my character to the primarch and legion his chapter is descended from. And yes, it was quite unintentional.
All this comes down to the collective fact that Black Library does not want its writers, particularly ones who are aiming to get published through them the first time (established writers might be getting some leeway), to invent new chapters. I can see where they are coming from because there is such a large number of canon chapters we known nothing about. Some of them exist as nothing but names, they have no livery, heraldry, home or any kind of backstory.
This put me in a real bind because even though Sons of Corax was a stopgap measure to name the Raven Guard successor, I have become quite attached to it. And now I have to change it. Mostly because using my own chapter name is quite a bit of risk and could potentially work against my pitch for the upcoming submissions window. And I really want to not have any negative points against the pitch, especially ones that are easily controllable by me.
So I am now changing the name of the chapter. I have a short list of 4 chapters from Lexicanum’s list of canon chapters. I am very undecided at the moment because each of them represent some aspect of the backstory I have created for the Sons of Corax and I am reluctant to just abandon any of it. I tried to roll for these 4 names (about 50 times mind you to get a nice average) but I was still unhappy.
You see, the name of the chapter matters a lot. It ties it to the primarch, to the original legion. The Sons of Corax have a rich history of having collaborated with the Raven Guard over the years and they have kept some legion practices alive in their original form. They are also quite close to Corax in a spiritual way from what I have envisioned. And the name should reflect the traditions they have inherited from the legion, even though they are Third Founding, and an aspect(s) of the primarch that they think is the most appropriate for the direction they want to go in.
Perhaps all of this is a little too much for just one short story that may not even get picked up. But I think that that is where the difference lies. The difference between a writer who is aiming for quality and one who is just doing it because he/she wants to do it. I am not the best writer out there by any means. And the quality of the fanfic I regularly see on the good old Bolthole reminds me of that everyday and pushes me to perfect my own work that much more.
Its all about the effort you want to put in. And I believe that the more you can show that in the pitch, the better your (and my) chances of getting that foot in the door.
I have had three great critiques on my sample. They all attacked it in very different ways. Some did it from a background perspective. Some based on their own ideas on how things work in-universe. Some based on the technical aspects of the writing process. Some based on just pure logic from their own experiences. Combined, their review has resulted in quite a few changes to the sample in ways I had ignored because I wasn’t aware of the significance. Much thanks to Phalanx, Raziel and Narry for their help on this. Particularly Narry for his help with the names. And all the other Boltholers who helped in the entire process as well.